Sliding Doors | 
| Actors: Paul Brightwell, Linda Broughton, Evelyn Duah, Terry English, Charlotte Fryer Studio: Paramount Category: DVD
List Price: $9.98 Buy Used: $1.85 You Save: $8.13 (81%)
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Rating: 257 reviews Sales Rank: 6845
Format: Ac-3, Closed-captioned, Color, Dolby, Dvd, Letterboxed, Widescreen, Ntsc Languages: English (Original Language), Spanish (Subtitled) Rating: PG-13 (Parental Guidance Suggested) Region: 1 Aspect Ratio: 1.85:1 DVD Layers: 1 DVD Sides: 1 Picture Format: Letterbox Number Of Discs: 1 Running Time: 99 Minutes Shipping Weight (lbs): 0.2 Dimensions (in): 7.4 x 5.3 x 0.6
MPN: 097363357674 ISBN: 6305210411 UPC: 097363357674 EAN: 9786305210412 ASIN: 6305210411
Theatrical Release Date: April 24, 1998 Release Date: December 1, 1998 Availability: Usually ships in 1-2 business days
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Product Description A ROMANTIC COMEDY CENTERING AROUND A WOMAN LIVING TWO DIFFERENT LIVES AS SHE EXPLORES ALTERNATE SCENARIOS OF LOVE AND LIFESTYLE. THE FILM IS SAID TO DELVE INTO MODERN RELATIONSHIPS, THE CHOICES ENCOUNTERED DAILY AND THE INTRIGUE OF THE ROAD NOT TAKEN.
Amazon.com Nice concept, shaky execution--that about sums up the mixed blessings of British actor Peter Howitt's intelligent but forgivably flawed debut as a writer-director. It's got more emotional depth than most frothy romantic comedies, and its central idea--the parallel tracking of two possible destinies for a young London professional played by Gwyneth Paltrow--is full of involving possibilities. It's essentially a what-if scenario with Helen (Paltrow) at the center of two slightly but significantly different romantic trajectories, one involving her two-timing boyfriend (John Lynch) and the other with an amiable chap (John Hannah) who represents a happier outcome. That's the film's basic problem, however: The two scenarios are so romantically imbalanced (one guy's a total cad, the other charmingly sincere) that Helen inadvertently comes off looking foolish and needlessly confused. Still, this remains a pleasant experiment, and Howitt's dialogue is witty enough to keep things entertaining. It's also a treat for Paltrow fans; not only does the svelte actress handle a British accent without embarrassing herself, but she gets to play two subtle variations of the same character, sporting different wardrobes and hairstyles in a role that plays into her glamorous off-screen persona. --Jeff Shannon
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| Customer Reviews: Read 252 more reviews...
Peter Howitt's debut film about two divergent life paths July 30, 2004 Lawrance M. Bernabo (The Zenith City, Duluth, Minnesota) 47 out of 51 found this review helpful
I actually passed on seeing "Sliding Doors" several years ago because of a review I read by Roger Ebert. I knew about the basic premise of the film, which is that a character played by Gwyneth Paltrow gets on a subway train and does not get on a subway train. The film goes back and forth between the two plotlines, basically playing out both sides of Robert Frost's two paths diverging in the woods. Ebert's complaint was that taken independently neither of the plotlines was worth watching, which was enough to convince me to see something else. Well, now I have seen "Sliding Doors" and while I agree with Ebert's critique, I want to argue that what is interesting about this film is not the two plotlines but the way they interact. Think of it as two wrongs making a right or the total effect being greater than the sum of the two parts or whatever makes sense to you. Writer-director Peter Howitt makes "Sliding Doors" into more than just a gimmick film. It is not in the class of "Groundhog Day" or "Memento," but it is certainly on a level with "50 First Dates." Paltrow plays Helen Quilley. One morning she goes off to work, leaving behind her lover, Gerry (John Lynch). As soon as she gets to work she is sacked. On the way home she both catches and misses the subway in a sequences that is rather clumsily staged, but you get the idea. The Helen on the subway gets home in time to catch Gerry in bed with his supposedly ex-lover, Lydia (Jeanne Tripplehorn). The Helen who misses the subway gets hurt when her purse is stolen and gets home after Lydia has left and therefore knows nothing about the affair. Because of the near mugging Howitt is able to have one Helen look different from the other because of a bandage on her head after the hospital visit. By the time that heals the other Helen, trying to put Gerry behind her, has shortened her hair and bleached in blonde. The other key distinction is that while one Helen is still with Gerry, working two jobs in order to support him while he (does not) write a novel (and does continue to see Lydia), the other is seeing James (John Hannah), a nice man she met on the subway home and who believes the Monty Python line "Nobody expects the Spanish Inquisition" helps to put life in perspective (which is certainly true). It seems fairly obvious that both Helens should be with James and leave Gerry far behind, but it seems clear that Howitt is going to work the irony angles as much as possible in this film. It is not so much that these are parallel stories as their are recurring elements of symmetry and at some point I decided that what was going to happen here was that Howitt was going to be able to have his cake and eat it two. This indeed turns out to be the case, but telling you that does not give away the end game. Paltrow is fine in the main role, although why the two main female characters had to be played by American actresses is beyond me. Tripplehorn's character is in the "Fatal Attraction" mold, which makes Gerry's inability to choose between Helen and Lydia rather laughable, a fact repeatedly pointed out to him by his friend, Russell (Douglas McFerran) at the bar. Russell has the best lines in the film, calling Gerry "a morality-free zone" and pointing out that his advice will be unappreciated since it is based in reality. Lynch manages to play Gerry so that there is some hope of redemption and we remain open to the idea that things could work out between him and Helen, while we wait for Helen to catch up with our feelings for Hannah's character, who is likeable in a rather surprisingly unpretentious way for such a gabby guy. This is not a brilliant and creative film, but Howitt constructs what I think is a smart story line bouncing back and forth between the lives of the two Helens. There is no profound point to be made in the end beyond the ancient idea that when it comes to the lives of human beings and their attempts to find love in the world the gods tend to look down and laugh. But in a world where so many films are exercises in stupidity and I find myself thinking that what ended up on screen was a first draft that needed some serious work, "Sliding Doors" has all the pieces fit. The other film I have seen by Howitt, "Antitrust," was also smartly crafted, although in that one somebody else wrote the script. Still, that is not a bad pair of films for viewers who like to have their brains engaged.
A real gem full of surprises ! August 18, 2000 Cecile KOBEL (Neuilly sur Seine, France) 12 out of 12 found this review helpful
What can say ? I've seen this extremely funny and intelligently romantic movie about a dozen times after seeing it in the theater (and that's for lack of time) and I'm still not bored with it. I've shown it to people of all ages and both sexes and they all loved it. The "What if she had caught the rain?" becoming reality principle is not plausible of course but the rest of the movie is extremelly realistic.Gwyneth is absolutely perfect, John Hannah delivers more one-liners than you could think of and yet never sounds contrived, his total lovability and his accent turn him into this so obvious babe. Jeanne Tripplehorn is cast in this very unrewarding role, yet -in one very memorable monologue especially- she manages to give it more than one "evil" dimension. In fact, all supporting roles are extremelly well-crafted and allow the movie never to see its pace slow down. I should add that the first time I saw it I was wondering how the story would fall back on its feet in the end and I was so pleased to see how they had dealt with it. Thumbs up ! and thank you for this little gem.
The Meaning of Life May 11, 1999 hockhamb@hotmail.com (England) 10 out of 10 found this review helpful
Okay, that's probably a bit over the top, but the movie deserves it. Top marks to Gwyneth for her accent - it's so unusual to hear a convincing English accent from an American (even Helen Beckinsdale - who's English - put on a 'what Americans think we sound like' accent when she played Ross's girlfriend in 'Friends'). The story is simple, yes, and Gwyneth's character is not a ober-babe. She makes stupid mistakes. She's not always intelligent and says the right thing...she's human. It was also very interesting to see how the other characters changed as her life changed, too. Her boyfriend, in one life an uncaring pig, in another desperate to rekindle what he had lost (fat chance). When I watched this, my friend (of the female persuasion) shrieked at the car crash/stairs incident. It's one of those. You'll love the characters, you'll hate what happens to them, but it all makes your own life seem somehow richer.
Absolute Jewel August 27, 2001 K. Dickson (New England, USA) 9 out of 9 found this review helpful
Gwyneth Paltrow's best film to date, performance-wise, even better (I think) then 'Shakespeare in Love'. She plays Helen, and... Helen. Should be confusing, but surprisingly, isn't. The movie really picks up when Helen, who's just been fired from her major PR job in downtown London, misses a train. And then, rewind, she catches the train. What insues is a delightful, unique, and surpisingly deep film about what her life is like traveling down the two different paths. On one hand, she has lazy, scummy boyfriend Jerry, who you somehow can't help liking at least a little bit (at least, you never hate him as much as you'd like to). He's a great comic presence, confused and trying to do the right thing, but keeps tripping over his own self-indulgent feet. On the other hand, you have John Hannah's character, and good-hearted and hilarious bloke who's original and quite cute. The way Helen reacts with others in a scene is wonderful. Definitely worth watching over and over.
Interesting Concept, fulfilling development December 13, 1999 7 out of 7 found this review helpful
This movie must've started with someone wonderng "What if?" as we've all done. From there, it keeps viewers interested by turning into a double feature of sorts, What if Helen catches the train? What is she doesn't catch the train? I was first interested in this movie because of the interesting premise, but it more than delivered. A very satisfying movie, and very entertaining, I recommend it highly!
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