The Civil War of battlefields and plantation houses is nowhere to be seen here. Instead we see the war as an improvised and largely blundering but very bloody feud among neighbors in the border state of Missouri. In this bucolic war zone--more than a little reminiscent of the Balkans in the late 1990s--the Taiwanese-born director Ang Lee (Sense and Sensibility) traces the destinies of several young Southern bushwhackers (guerrilla fighters) as they experience violence, the seasons, and different kinds of love. Skeet Ulrich draws the aristocratic glamour role (and top billing), but he's overshadowed by Tobey Maguire as a first-generation American, the magnificent Jeffrey Wright (a shameful oversight at Oscar time) as a freed slave fighting beside his former master, and singer Jewel in a very natural acting debut as the young widow who graces all their lives. The title The Birth of a Nation was already taken, but by the end of this movie you feel it would have applied here. -- Richard T. Jameson

Set on the Missouri/Kansas border during the American Civil War, the movie faithfully recreates the story told by Daniel Woodrell in his wonderful novel, Woe To Live On. The book is worth reading for the dialogue alone and the movie is worth watching simply for James Schamus' magnificent screenplay: But there is much move to love about this movie.

The tapestry upon which the story of Ride With The Devil is painted is a violent one but, apart from some very graphic scenes, is more about human nature than anything else. Indeed, the depth of the violence only adds to the poignancy of the surprisingly frequent gentle scenes that occur in the movie. Tobey Macguire is perfect in the lead role, Jewel gives a surprisingly intuitive performance, and Jefrey Wright almost steals the show with his low-key, but passionate performance as a freed slave riding with a gang of white bushwhackers. Jonathan Rhys-Meyers, Macguire's nemesis, has a small part but is death himself. (His final confrontation with Macguire is brief and chilling --- and encapsulates the entire sense and sensibility of the movie.)

Sadly, this movie will probably go unnoticed by the general public since it seems to have had a limited release in the US and gone almost immediately from the theater to the rental market. Hopefully word-of-mouth will build interest in this truly remarkable American classic. Watch it --- but read the book too.


What a ride.   July 14, 2001
17 out of 18 found this review helpful

Civil War epic involving the confused guerilla warfare that happened along the Missouri-Kansas border. We learn that this region wasn't exactly teeming with regular armies, but rather was the scene of isolated groups waging local war: Confederate sympathizers were "Bushwackers"; Unionists were "Jayhawkers". *Ride with the Devil* is another brilliant example of the seemingly endless fund of storytelling material about the Civil War that has yet to be fully tapped. With such an advantage, the movie is bound to excite attention. What keeps that attention is the brilliant pacing of the narrative and Ang Lee's deft direction. These young men on the run, hardened beyond their years, enjoined with a very bad cause to start with, experience loss after loss and yet grow immeasurably within, particularly Tobey Maguire's Rodell and Jeffrey Wright's magnificent renegade slave, Holt. (Both Maguire and Wright perform superbly.) I don't know how Ang Lee pulls it off, but we watch Maguire's character harden, toughen, and mature most subtly, without fanfare-of-trumpets setpieces that beat us over the head (e.g., Gibson's *Patriot*.) It's a shock when, late in the film, Rodell gets a haircut that reveals how young he actually is. Quite simply, I cannot praise this movie enough. How on earth *Ride with the Devil* got so thoroughly snubbed by the industry, audiences, and critics is beyond me. The critics, in particular, took a total bath on this one. Perhaps the world wasn't quite ready for Ang Lee's brand of intelligent action pictures. Hopefully, with the groundbreaking success of *Crouching Tiger, Hidden Dragon*, folks will see Mr. Lee's name on this movie's DVD box and give it a rent. Hopefully, so will you -- you won't regret it. This movie's great.


Gritty and realistic portrayal of the Civil War in Missouri   November 21, 2005
Fruit Loop (Down South)
22 out of 25 found this review helpful

"Ride With the Devil" is set in an often-overlooked theater of the Civil War although the action there was as much, if not more, brutal than the battlefields. Relatives and neighbors took stands against each other and everyone was subject to the viciousness of the Bushwhackers, the Jayhawkers, or both.

Although the storyline is presented from the point of view of fictional Bushwhacker Jake, the script manages to give a balanced picture of the atrocities inflicted by both sides, even William Quantrill's raid on Lawrence, Kansas (which was in retaliation for the deaths of women and girls who were being held by Union officials merely because they were related to Quantrill's men).

The filmmakers take great pains with authenticity and it's refreshing to see that the Confederate States Army WAS in fact ethnically diverse, and that African-Americans did indeed serve in its ranks while still managing to show the harsh racism of the period. If anything is less than convincing it's the romance...I thought the girl showed less moral character than typical women of the time, but Jewel gives an excellent performance. Tobey Maguire is simply outstanding.

I highly recommend this movie. Excellent period piece, historically accurate, and well casted.




Ang Lee's meditation on friendship during the Civil War   June 17, 2004
Lawrance M. Bernabo (The Zenith City, Duluth, Minnesota)
22 out of 25 found this review helpful

Missouri was one of the slave states that was kept in the Union during the Civil War and since it was on the far side of the Mississippi River it was not really part of the Western Theater of the war. As the critical part of the Anaconda Plan the Union armies were seeking control of the Mississippi, which explained why General Grant was fighting his way from Tennessee to Vicksburg while Admiral Farragut took New Orleans. In fact, there really was not an organized Confederate army in Missouri, which explains why the young Southern men in "Ride with the Devil" join the Irregulars, who waged guerrilla warfare against Union loyalists. In this part of the war we do not talk about great battles, but rather the infamous raid that torched Lawrence, Kansas on August 21, 1863 as Quantrill's raiders murdered the pro-Union Jayhawks.

The story here focus on six young men who join the bushwackers: Jake Roedel (Tobey Maguire), a first generation American who wants to be considered as much a Southerner as any one else even though his father came from Germany (which means he is called "Dutchy"); Jack Bull Chiles (Skeet Ulrich), who hates the Yankees and has seen his family killed; George Clyde (Simon Baker-Denny), a gentleman fighting to preserve a way of life that is going to be gone with the wind; Daniel Holt (Jeffrey Wright), an ex-slave who fights besides Clyde because the man freed him; Pitt Mackeson (Jonathan Rhys Meyers), who is a sadist who glories in killing; and Black John (James Caviezel), almost as brutal but more driven by anger and revenge.

The idea in "Ride with the Devil" is that when America went to war with itself in 1861 the young boys growing up in Missouri and Kansas were suddenly forced into a less than honorable manhood overnight. Consequently, one of the first casualties of the war was their innocence. In 1987 Missouri-born author Daniel Woodrell wrote his Civil War-era novel "Woe to Live On." For Ang Lee the appeal was the drama of young people coming of age in the worst possible time in American history and the theme of self-emancipation. The principal actors were put through three weeks of "boot camp" to capture the way the war dehumanized the young men forced to fight it.

This film start out focusing on the friendship between Jake and Bull as much as it is on anything else, but then while hiding out from the Yankees during the winter Bull takes a liking to Sue Lee Shelly (Jewel), a young widow woman who is helping to provide them with food. Having lost both his father and his best friend, Jake continues to fight because that is what he is supposed to be doing and starts to connect with two other characters in ways that will eventually change his life. After the Lawrence Raid it is clear that the war is going to be lost and a young man who has not even seen twenty years realizes he is lost as well.

Certainly "Ride with the Devil" is a beautiful film with the sense of period authenticity you would expect from Lee. It is not really a movie about the Civil War any more than "Cold Mountain" is (an obvious comparison), but more about the friendships that take place during a war. It is just not clear that this is the central theme because our expectations are raised by more standard plot considerations (love and revenge) that do not get played out the way you would think. There is also a sense in which Roedel is the least interesting character of the bunch, yet he emerges as the central figure and the most important gun in the film is perhaps the one that is not fired.