The Office - The Complete Collection BBC Edition (First And Second Series Plus Special) |  | Directors: Ricky Gervais, Stephen Merchant
Actors: Ricky Gervais, Martin Freeman, Mackenzie Crook, Lucy Davis (II)
Studio: BBC Warner
Category: DVD
List Price: $39.98
Buy New: $30.70
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Rating:  248 reviews
Sales Rank: 846
Format: Box set, Closed-captioned, Color, DVD, NTSC
Languages: English (Original Language), English (Subtitled)
Rating: NR (Not Rated)
Region: 1
Aspect Ratio: 1.85:1
Number Of Discs: 4
Running Time: 450 Minutes
Shipping Weight (lbs): 0.8
Dimensions (in): 7.4 x 5.7 x 1.2
MPN: DE2085D
UPC: 794051208521
EAN: 0794051208521
ASIN: B0002W4P98
Theatrical Release Date: January 23, 2003
Release Date: November 16, 2004
Availability: Usually ships in 1-2 business days
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| Features:
| • | Welcome to The Office, a place of petty rivalry, bad flirting, and easily-bruised egos. Filmed in documentary-style, this sharply observed and highly acclaimed comedy exposes the excruciating truth about the world of nine-to-five. Complete collection includes all twelve episodes plus the special. Format: DVD MOVIE Genre: COMEDY Rating: NR Age: 794051208521 UPC: 79405 |
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| Editorial Reviews:
Amazon.com
It feels both inaccurate and inadequate to describe The Office as a comedy. On a superficial level, it disdains all the conventions of television sitcoms: there are no punch lines, no jokes, no laugh tracks, and no cute happy endings. More profoundly, it's not what we're used to thinking of as funny. Most of the fervently devoted fan base watched with a discomfortingly thrilling combination of identification and mortification. The paradox is that its best moments are almost physically unwatchable. Set in the offices of a fictional British paper merchant, The Office is filmed in the style of a reality television show. The writing is subtle and deft, the acting wonderful, and the characters beautifully drawn: the cadaverous team leader Gareth (Mackenzie Crook); the monstrous sales rep, Chris Finch (Ralph Ineson); and the decent but long-suffering everyman Tim (Martin Freeman), whose ambition and imagination have been crushed out of him by the banality of ! the life he dreams uselessly of escaping. The show is stolen, as it was intended to be, by insufferable office manager David Brent, played by codirector-cowriter Ricky Gervais. Brent will become a name as emblematic for a particular kind of British grotesque as Basil Fawlty, but he is a deeper character. Fawlty is an exaggeration of reality, and therefore a safely comic figure. Brent is as appalling as only reality can be. --Andrew Mueller The second series exceeded even the sky-high standards of the first. Indeed, it ventured beyond caricature and satire, touching on the very edge of darkness. Ricky Gervais is once again excruciatingly superb as David Brent, but in this series, Brent's to-the-camera assertions concerning his management qualities and executive capabilities are seriously challenged when the Slough and Swindon branches are merged and his former Swindon equivalent Neil (Patrick Baladi) takes over as area manager. To compensate, Brent cultivates his pathologically mistaken image of himself as an entertainer-motivator-comedian whose stage happens to be the workplace. Meanwhile, Tim, who can only maintain his sanity by teasing the priggish Gareth, continues to wrestle with his yearning for receptionist Dawn Tinsley (Lucy Davis), a sympathetic character persisting in a relationship with a man about whom she still maintains unspoken reservations. As ever, it's the awkward, reality TV-style pauses and silences, the furtive, meaningful and unmet glances across the emotional gulf of the open-plan office, that say it all here. As for Brent, his own breakdown is prefaced by a moment of hideous hilarity--an impromptu office dance, a mixture of "Flashdance and MC Hammer" as Brent describes it, but in reality bad beyond description. Then, when his fate is sealed, he at last reveals himself in a memorable finale to perhaps the greatest British sitcom, besides Fawlty Towers, ever made. --David Stubbs The brilliant and devastating comedy of The Office is brought to a satisfying conclusion in The Office Special, originally a two-part Christmas special on the BBC, set three years after the end of the faux-documentary's second season. The former office manager David (Ricky Gervais) now ekes out a desperate existence as an oblivious quasi-celebrity, making awkward, humiliating visits back to the office staff he still believes loves him. Gawky Gareth (Mackenzie Crook) has risen to manager and become a petty tyrant, while the sweet but snide Tim (Martin Freeman) continues to pine for former receptionist Dawn (Lucy Davis), who fled to Florida with her fiance. When the documentary crew pays for Dawn to return for the holiday party, an unpredictable reunion looms ahead. The Office fuses scathing humor and genuine empathy, turning excruciating social discomfort into inspired satire. Fans will find this special rewarding in all respects. --Bret Fetzer
Product Description
Movie DVD
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| Customer Reviews:
Showing reviews 1-5 of 248
 The Best TV Series Ever? October 31, 2004
Maggie (United States)
212 out of 216 found this review helpful
Every reviewer out there has praised this show for its brilliance and I'm going to be redundant and do the same. From its first episode to the last few seconds of the Christmas Specials, The Office never has one bad line or one false note. It's just about perfect.
Almost every scene takes place in the dull offices of the Slough branch of the Wernham Hogg paper company (Dawn, the receptionist, accurately describes it as "a crappy sub-branch paper merchant's). Wernham Hogg employs about 40 people and we get to know all their faces as we see them stare at computer screens, take coffee breaks, and goof off day after day. It's as realistic as TV has ever been. Nobody is too pretty, everyone's "office-casual" wardrobe is slightly wrinkled, and everyone looks bored out of his or her mind most of the time.
The people we get to know best are: Gareth Keenan, a bizarre "team leader" with a fixation on survival skills; Dawn Tindsley, the sweet and sarcastic receptionist who is stuck in both a boring job and a boring relationship; Tim Canterbury, a sales rep who hates his job but can never seem to actually quit it; and David Brent, a man who thinks he's everyone's "friend as well as their boss" but who is actually liked and respected by no one.
The two main story threads running through all 14 episodes of The Office are Tim's attempts to convince Dawn to leave her idiotic fiance and David's constant need to impress his employees, bosses, and everyone he meets with his various talents. We see his "humor," his "poetry," his "songs," his "dancing," and his philosophical "wisdom." All of which are horrifyingly bad. David's constant need to perform ends up slowly destroying him, Tim and Dawn remain unhappily inert, and things get worse and worse for everyone until the show almost becomes unbearable to watch. The cast is so good, though, and every line so pitch perfect, that you'd follow these people anywhere, even in despair. Also, the great thing about The Office is, like life, all the possibilities continually exist for these characters and we never know when they might have a moment of redemption.
So, it's not strictly a comedy, but it is the funniest, most devastating, and strangely uplifting show I have seen in recent years.
Hell Is Other People, Indeed November 17, 2004
R. W. Rasband (Heber City, UT)
49 out of 51 found this review helpful
There has been much hype about "The Office" being a great sitcom on the level of "The Honeymooners" or "Fawlty Towers" and it is that, but it's something else, too. It may be the invention of a new genre you might call the sit-tragi-comedy, because there are many moments in this dark, unforgettable show when the skull beneath the skin of the human condition becomes appallingly visible. They may sound pretentious (as Ricky Gervais says jokingly about his show on the DVD, it's like Dickens, only better) but "The Office" deserves every scrap of praise it gets.
It owes a lot to the Christopher Guest mockumentaries like "Waiting for Guffman" in which the limits of human self-delusion are scathingly explored. There's also the achingly tart characterization and wit of "Fawlty Towers." Neil LaBute's savage comedies of sexual combat and office politics seem present as well. There's also the unmistakable whiff of Samuel Beckett (yes, I said Beckett) in the pacing and style, the emptinesses and Godot-like futility of the work. Perhaps the greatest aspect of the show is how it combines both mercilessness and compassion at once. Many of the characters are just awful people, but on the other hand at times they are very painfully aware of it. As David Brent despairingly wails, after his exploits have supposedly been telecast all over Britain, "I am not a plonker!"
David Brent, brilliantly incarnated by series co-writer and creator Ricky Gervais, is a Frankenstein-like compilation of the worst qualities of every boss you ever despised. Abusive, dishonest, incompetent, socially inept; yet convinced in his own mind he is a "chilled-out entertainer and comedian" before he is a boss, Brent is a walking inducer of cringes and acid reflux. The only worse person in the place is the truly vile Chris Finch; bully, insult-artist and would-be womanizer. (The bar they frequent, Chasers, is like Dante's Inferno set to disco music.) The team leader, Gareth, is a weedy little git who believes he is Rambo. The corporate executives circle the office like sharks, waiting for the next opportunity to cut jobs. Caught up in the mess are two innocents; Tim, the smart 30-year-old clerk who still lives with his parents and sees through everything and who is in love with Dawn, the sweet receptionist who is engaged to a swinish yob from the warehouse.
Scott Adams, of Dilbert fame, says that he is not anti-business but anti-idiot. I think the same could be said of "The Office"; although the environment truly is soul-crushing, still most of the characters wounds are self-inflicted. (The incredibly terrible music video Brent makes with the money from his severance package can be seen in the Christmas special, and it has the power to make your jaw drop to the floor.) Included on this DVD are both seasons of the show as well as the Christmas special which bring the series to an end. It's not too much to reveal that the creators do bring a happy ending of sorts; whether you believe it can be sustained even 24 hours after the "documentary" cameras have finally been turned off is of course up to you. A brilliant, classic series.
 It's a Trade-off January 26, 2005
MacGuffin (New York City)
26 out of 26 found this review helpful
Granted, purchasing this complete set will save a few bucks and a disk's worth of shelf space, and everything will be in one case. HOWEVER, you won't get any of the cool inserts and text included with the individual releases, i.e., Slough Slang - The Local Lingo from both series; Wernham Hogg News (with personnel files) and the poem "Slough" from the first series; the Wernham Hogg floor plan and "Excalibur" lyrics from the second series; and the promo photo for David Brent's single from the special. It's a good buy but frankly, I'd rather have the extras, even if it does cost me a bit of real estate. Besides, it affords a built-in excuse for not loaning out the whole collection at once to deserving friends!
That stated, owning this collection in its entirety is a must for fans of British humor, and the rating reflects only my personal preference for the aforementioned goodies and my disappointment that they're not included in this collection.
Dark Brit-humor October 17, 2004
E. A Solinas (MD USA)
90 out of 102 found this review helpful
It's a dark "Dilbert," a realistic "Office Space." Hit Brit-comedy "The Office" takes mockumentaries to the small screen, featuring the hilariously unfunny David Brent, and his unhappy employees. This three-pack includes both seasons, plus the satisfying holiday special, which also serves as the grand finale.
The first season opens with David Brent (Ricky Gervais) learning that either his branch or another branch of paper corporation Wenham-Hogg will shortly be downsized. So this wannabe-comedian sets out to prove that his branch is better, stumbling as he tries. Trailing in his wake is bored everyman Tim (Martin Freeman), dead-looking yes-man Gareth (MacKenzie Crook), and pretty, quietly cynical receptionist Dawn (Lucy Davis).
The second season, while more unsteady than the first, takes some new and darker steps. Now David's rival Neil (Patrick Baladi) is his boss, and David has a slew of new employees who are less than thrilled about his racist jokes, chicken suits, and the lack of any actual work going on. Dawn becomes jealous when Tim gets a girlfriend, and Gareth searches for any way to bed Tim's girlfreind. And after a catastrophic managerial meeting, David learns that the next downsizing just might be him...
After the dismal ending of the second season, the feature-length "Office Special" provides a satisfying wrap up. Three years later, everyone from Wenham-Hogg -- including those who no longer work there -- is being called back for a special reunion. Tim is given one last chance to win Dawn's affections, and David finally learns the truth about himself. (Anyone disappointed by the end of the second season had better check out the new endings)
Don't expect a typical sitcom in "The Office." No laughtracks. No punch lines. No gag humor... well, not much. And no episode has a clear-cut ending. Instead, we have the format seen in "This is Spinal Tap" and the Christopher Guest mockumentaries -- hidden cameras watching the madness. And what those cameras see is enough to make the world's cubicle-dwellers cry. Okay, most offices don't have giant inflatable genitalia, or a comedy-for-charity day, but the core of it is frighteningly close to home.
The series gets off to a slightly bumpy start -- at first, the jokes are a bit too thinly-spread. But soon "The Office" gets its footing and the humor steadies itself ("Tim's put my stapler inside a jelly again. That's the third time he's done it!" Gareth complains, displaying the stapler in a Jell-O mold). And a lot of the humor is a subversive, subtle kind -- it creeps into your mind, and by episode two you'll be laughing your head off at David's bad jokes, his spastic chimp dance, and his prejudices hidden behind a veil of political correctness.
Ricky Gervais is brilliant. David is every bit as annoying and obnoxious as the immortal Basil Fawlty, but hides it under a genial mask and stupid jokes. Mackenzie Crook is wonderful as the obsequious boot-licker with a bit of a sex fixation; his Dirty Bertie toy is one of the most tasteless, horribly funny scenes on TV. Tim, like Dilbert, is a lovable loser who can't get himself out of his soul-sucking job. And Dawn is mired in a relationship with an obnoxious cheapskate, yet it takes her the whole series to finally do something about it.
Clearly destined for cult status, this is "The Office" as it was meant to be, with a darkly funny storyline culminating in a satisfying finale. Funny, strange and immensely entertaining.
Thanks Dave! February 25, 2005
Archmaker (California)
20 out of 21 found this review helpful
I would probably have missed seeing this fabulous series had I not seen Ricky Gervais on David Letterman. Letterman said in effect that Ricky's show, The Office, was one of the rare TV comedy series that was hilarious, simply "perfect" and an instant classic. With such high praise I had to seek it out, and I was not disappointed.
Excruciatingly funny in its honest and knowing approach to the realities of dull office routine, populated with characters diplaying the everyday weirdness of the everyday people one can find oneself working beside, and filmed with the brilliant creative stroke of a cinema verite documentary style, this is an acute and perceptive look at how people behave and what constitutes the working lives of most of us.
That, and it is screamingly funny in its sly and witty, surgical dismemberment of its character's various pretenses. Like an autopsy done on laughing gas, this is a wincingly hilarious examination of basic human foibles, that cuts deep and true, and yet never loses sight of the flawed humanity therein.
Starting with co-creator, writer and director Ricky Gervais's monumentally obtuse, politically incorrect, inept and, usually, stunningly self-deluded office manager, David Brent, forever cringingly doing or saying the absolutely inappropriate thing when not winking at the camera and expounding his inane, self-congratulatory and insipid "management philosophy". It is a fabulously rich character and Gervais plays him to perfection. Brent is such a total jerk, yet so helplessly so, one simply can't hate him. It is a rare and marvelous turn, and a great gamble to make your central character such an unsympathetic twit without making him inhuman, and Gervais deserves high praise indeed for both the writing and the performance.
The rest of the characters, large and small, are written and played with equal insight and intelligence. The angular and dense Gareth; the intelligent but stymied Tim; the sweetly trapped and yearning Dawn; the loutish and nasty Chris; the competent and ambitious Neil; Keith,the lumbering accountant, he of the terse and enigmatic observations; and the other office folk we get bits and glimpses of, usually with the telling remark or gesture that reveals. We see dithering, goofing-off, dead-time, and the aches and fumblings of unrequited office romance.
The story arc makes sense and over the course of the series we watch David Brent take himself right over-the-cliff, self-destructing as the ultra-smooth professionals cooly down-size, merge, and eliminate. Brent is no match for them, and somewhere inside, he knows it. The wrap special, which takes place 3 years after the supposed documentary has aired, neatly resolves many plot-lines, or at least does so for that moment. The Office always lets you know that life goes on, and nothing is ever resolved forever.
It is a shame to have to write so seriously about something that is so damn funny. I laughed out loud many many times, and even the painfully wince-inducing behaviour was done with great good humor. If you liked This Is Spinal Tap, Waiting for Guffman, Best in Show, and A Mighty Wind, you will have the right sensibility for this series. This is brilliant work here, more true than any "reality TV", and well worth your while.
Showing reviews 1-5 of 248
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