The Devil's Rejects (Unrated) [Blu-ray] | ![The Devil's Rejects (Unrated) [Blu-ray]](http://ecx.images-amazon.com/images/I/51EBlHMMxcL._SL500_.jpg)
| Director: Rob Zombie
Actors: Sid Haig, Sheri Moon Zombie, Bill Moseley, William Forsythe, Ken Foree
Studio: Lions Gate
Category: DVD
List Price: $19.99
Buy Used: $5.76
You Save: $14.23 (71%)
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Rating:  323 reviews
Sales Rank: 8120
Format: Anamorphic, Color, Dolby, Dts Surround Sound, Subtitled
Languages: English (Original Language), English (Subtitled), Spanish (Subtitled)
Rating: Unrated
Media: Blu-ray
Region: 1
Aspect Ratio: 1.85:1
Number Of Discs: 1
Running Time: 107 Minutes
Shipping Weight (lbs): 0.2
Dimensions (in): 6.7 x 5.3 x 0.5
MPN: LGEBR19507
UPC: 031398195078
EAN: 0031398195078
ASIN: B000HCO80E
Theatrical Release Date: 2005
Release Date: August 22, 2006
Availability: Usually ships in 1-2 business days
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Product Description
Studio: Lions Gate Home Ent. Release Date: 01/08/2008 Run time: 109 minutes Rating: R
Amazon.com
Homicidal maniacs have a field day in Rob Zombie's The Devil's Rejects, an ultraviolent spin-off from Zombie's critically reviled 2003 debut, House of 1,000 Corpses. As Zombie continues to cultivate his name-brand variety of extreme horror and splatter-film homage, he definitely takes his place among connoisseurs of carnage. In the case of The Devil's Rejects, several characters from 1,000 Corpses return for another marathon of mayhem, as the murderous Firefly family (led by Sid Haig as the maniacal "Captain Spaulding") turn their bloody wrath against hostages in a fleabag motel, while the local sheriff (William Forsythe) plots revenge against them for the killing of his brother. Before their inevitable showdown, Zombie has plenty of fun--perhaps a little too much fun--indulging his penchant for sick, sadistic humor and gruesome atrocity. Clearly, Zombie fancies himself as horror's answer to Quentin Tarantino, but he lacks Tarantino's gift for riveting plots and escalating tension. Instead, The Devil's Rejects is just raw, rampant excess from start to finish, paying visual tribute to gruesome classics from the '70s and guaranteed to earn the cult status that Zombie is all too obviously aiming for. He's an unabashed horror buff who's carving a niche in the genre he loves, shamelessly satisfying a small but loyal audience of sicko-phants. --Jeff Shannon
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| Customer Reviews: Read 318 more reviews...
 Devil's Rejects on Blu-Ray? Seems standard to me January 12, 2007
Nate from Project-Blu (www.project-blu.com)
32 out of 37 found this review helpful
Devil's Rejects is amongst my favorite films, for it's great mix of humor, action/violence/gore, and character development. Most people looking at this review already know all about this movie.
The Picture on this movie doesn't seem to be all that much of an improvement. I've seen VAST differences on Blu-Rays vs DVD (Unforgiven especially!!!), and this movie just doesn't seem to have all that much extra when watching it in Hi-Def.
There are no new special features in this release, so if you already own this title on DVD, I would advise against upgrading like I did.
 Drive-in horror without the drive-in July 25, 2005
FairiesWearBoots8272 (USA)
111 out of 146 found this review helpful
It's the 1970s all over again. If you're obsessed with the 1970s, like me, especially 70s drive-in classics, like me, The Devil's Rejects is a must-see. It's probably the closest thing to a 70s drive-in horror flick that's been made since the 70s. This is either a good or bad thing depending on your perspective. If you hate tasteless, gory, low-budget B-movies, then you would do well to skip The Devil's Rejects. If, however, you are passionate about Ford Administration-era low-budget flicks, then don't hesitate: see this movie.
The Devil's Rejects is Rob Zombie's spin-off/sequel to his 2003 directorial debut, House of 1000 Corpses. That film was famously dumped by its distributor, Universal Studios, and then picked up by Lion's Gate. Then upon release it was scathed by critics, but not surprisingly, managed to connect with a cult audience. Personally I found it to be the most sensational, joyous horror film I had seen in ages. It reveled in its depravity and had the ability to be both hilarious and disturbing at the same time. The Devil's Rejects is up the same alley. Not as much of a horror movie as its predecessor, The Devil's Rejects is more of an action-horror-road movie. It looks like a 30-year-old drive-in movie. If you didn't know any better, you could swear that it was filmed on a shoestring budget in the late '70s. It captures that feel extraordinarily well. The movie gets it down from the start and never strays from it, right down to the soundtrack. The first song that you hear in the movie is The Allman Brothers Band classic "Midnight Rider". The soundtrack also features Joe Walsh, Terry Reid, James Gang, Elvin Bishop, Otis Rush, etc. Not to mention a very memorable use of Lynyrd Skynyrd's "Free Bird".
If House of 1000 Corpses was Rob Zombie's homage to The Texas Chainsaw Massacre, The Devil's Rejects seems almost like an homage to Tobe Hooper's 1986 sequel, The Texas Chainsaw Massacre 2. The similarities are certainly there. William Forsythe's Sheriff Wydell is not far from Dennis Hopper's Lieutenant Lefty Enright, who maniacally pursues the family of killers to exact his revenge. The whole film reeks of Tobe Hooper worship (but not in a bad way).
The Tobe Hooper element is certainly there, but another director sprang to mind as I was watching the film. The Devil's Rejects is almost like the horror equivalent of Kill Bill, Quentin Tarantino's retro-martial arts-spaghetti western masterpiece. Upon seeing the film a second time, I was reminded of the work of yet another director: Sam Peckinpah. I don't know if Rob Zombie was directly influenced by Peckinpah (it's certainly likely), but all thoughout The Devil's Rejects I was reminded of films like The Wild Bunch, Straw Dogs and The Getaway. The first time I saw it, all I really thought of was Tobe Hooper, however I now see that The Devil's Rejects may be a bit of a Peckinpah homage as well. This certainly gives the film an element of style and class to contrast the otherwise trashy material.
Rob Zombie, just like Quentin Tarantino, is passionate about this genre of film and tries to make the ultimate drive-in homage. Just look at the roster of horror film veterans that Zombie assembled: Ken Foree, P.J. Soles, Mary Waronov, Michael Berryman, and Steve Railsback. If you know who any of these people are, then you are definitely part of the target audience for this film. Not to mention Sid Haig and Bill Moseley returning from House of 1000 Corpses.
Ahh, yes... Sid Haig and Bill Moseley. This movie absolutely belongs to them!! Haig and Moseley own the screen! These two actors alone make the film a must-see. They are awesome! If you liked Sid Haig's Captain Spaulding character from the first film, you will be delighted to know that he plays a much bigger part in this one. Sid Haig is a devilish delight as the mad clown, Captain Spaulding. Bill Moseley simply rules as Otis! He is a bad M.F. These two awesome performances carry the movie. Also worth mentioning is William Forsythe who is excellent as Sheriff Wydell, the obsessed lawman who is trying to track down Captain Spaulding and his cohorts. Next to Sid Haig and Bill Moseley, Forsythe gives one of the best performances in the movie. However, I really miss Karen Black as Mother Firefly. Not to say that Leslie Easterbrook isn't good in the role, but I think she goes a bit over the top. Karen Black would have brought a graceful sensuality to the character, and probably a bit of restraint.
So, is The Devil's Rejects a good movie? Well, that's not an easy question. The short answer is probably "no, it's not". By the conventional definition, it would probably not be labeled a cinematic triumph. However, Rob Zombie does a fine job directing and his dialog is deliciously profane. For those who like this sort of thing, the movie is a blast. Finally, allow me to state a blunt warning: If you are looking for a good, scary horror movie, The Devil's Rejects is probably not what you're looking for. If you like horror movies like The Ring and The Grudge, The Devil's Rejects is DEFINITELY not what you're looking for. Simply put, if you like modern horror movies a lot, you will probably not like The Devil's Rejects. On the other hand if you recognize Ken Foree from his roles in George Romero's Dawn of the Dead and Stuart Gordon's From Beyond, and you know Michael Berryman as the "freaky-looking guy" from The Hills Have Eyes, then yes, The Devil's Rejects is certainly for you. If you treasure your copy of VideoHound's "Cult Flicks and Trash Pics", then yes, this is for you. If you're not too squeamish, you'll probably have a bloody good time.
 Gutter trash, absolute rubbish movie May 9, 2006
Jamie Innes (Christchurch, Canterbury New Zealand)
17 out of 22 found this review helpful
Okay, so you're obviously reading my reviews because you pay attention to the bad reviews as well as the good ones. So let me first clarify something to you. I am not an ultra conservative sheltered person who cannot watch ANY horror film... let alone 'The Devil's Rejects". I like my horrors (Seen hundreds and hundreds of them), and I like them gory, scary, exploitative, violent, full of sex, and sometime humerous...
BUT...
The Devil's Rejects has a fundamental problem. It staples the villains and the main characters together.... and glorifies thier sadistic actions as part of the story.
This is a movie about 3 vile murderers on the run from the law, and thier exploits along the way. ALong the way they pillage, plunder, torture, assault and murder... and to what end? what is the point?
And here's where the movie falls on it's face, there is no sufficient reasoning or backstory to explain or justify these highly unlikeable deplorable characters. If your main characters are also going to be the villains, then you need to at least empathise, understand or somehow like them. Not the case for Captain Spaulding plus two. These are vile dispicable scum that take up the better part of the film.
Now there are a few good parts. Thankfully the trigger happy police (and rightly so) are there to give these 3 a hard time, there's a very cool tough as nails cop who eventually captures the 3 and set out in delivering some vigilante justice. All good until he is 'removed from the picture' by ANOTHER member of the Firefly family. My heart sank... just when the film was starting to justify all the on screen barbarity... the hero is killed off.
And at the end of the film, thankfully the 3 vile criminals are shot dead by a police roadblock, though even this is done in a cinematic way as to glorify thier 'last run'.
The Devil's Rejects was rubbish. Unlikeable, unbelievable characters, pointless violence and torture, no humour or other redeeming qualities... it's just shock value for the sake of pointless shock value. Don't waste your time, there's are far better exploitation style horror films out there.
Rob Zombie gives the devil his due July 25, 2005
N. Durham (Philadelphia, PA)
17 out of 22 found this review helpful
The Devil's Rejects, Rob Zombie's follow up to his surprise hit House of 1000 Corpses, is one of the few horror sequels that manages to not only live up to the original, but it also manages to surpass it. Influenced by the classic exploitation/horror films of years past (Last House on the Left, the original Texas Chainsaw Massacre), Zombie has given the Devil's Rejects a much grittier look than his last film, as the story picks up with the homicidal Firefly family on the run from the law. Captain Spaulding (Sid Haig), Otis (Bill Moseley), and Baby (Sheri Moon Zombie) are on the lam from a revenge driven and slightly deranged sheriff (William Forsythe) who plans to give the killers a taste of their own medicine. Along the way, the trio adds more to the body count, resulting in a climactic bloody showdown that is surprisingly well weaved. While it doesn't necessarily offer anything new to the horror genre, it doesn't try to, and the cast that Rob Zombie has assembled here does great work. Haig walks the line between frightening and hilarious as the clown faced Captain Spaulding, while Moseley is less over the top this time around as Otis, but he is all the more subdued and terrifying. Leslie Easterbrook (replacing Karen Black) as Mama Firefly is a bit overacted, while Moon is once again seductively scary as Baby, while Forsythe almost steals the entire movie. Zombie has again assembled a supporting cast of older horror film and cult favorites, including the original Dawn of the Dead's Ken Foree, Hills Have Eyes icon Michael Berryman, Danny Trejo, PJ Soles, Priscilla Barnes, Steve Railsback, and former pro wrestler Diamond Dallas Paige; most of which are pretty memorable. Pushing the limits of it's R rating, the Devil's Rejects is not for the faint hearted, and while it may drag a bit towards the end (you are guaranteed to never listen to "Freebird" the same way again), this is a real treat for older horror fans looking for a film that recaptures the unpredictability and tension of the genre.
 brutally mind numbing January 14, 2006
Mad Marcus (Kansas)
8 out of 10 found this review helpful
Many people seem to think that this film is revolutionary. I suppose it is in the sense that it goes somewhere that other films haven't gone before. I don't think that it automatically makes it good though. All it has is sheer brutality for brutality sake. The plot is a thin incidental thing that's only there to place them in more brutal scenes. No, I'm not one of those weenie's that can't take it; I'm just not impressed by it. The characters are annoying and unlikeable, I wish I could have killed them myself in the first five minutes of the movie. Any piece of trailer trash with the means to do so could have made this film, and he did. The saddest part is that this is what the market, in general, is demanding right now. My only hope is that if Rob Zombie makes another film that a meteorite crashes into the premiere and cleanses the world of such insipid creatures. I'd just assume never watch another horror film ever again if this is what the future holds.
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