Jennifer Larmore - Where Shall I Fly |  | Artists: Wolfgang Amadeus Mozart, George Frideric Handel, Lausanne Chamber Orchestra, Jesus Lopez-Cobos, Jennifer Larmore Label: Elektra / Wea Category: Music
List Price: $16.98 Buy Used: $5.66 as of 2/9/2010 15:35 EST details You Save: $11.32 (67%)
New (8) Used (18) Collectible (2) from $5.66
Seller: classical_fan Rating: 4 reviews Sales Rank: 58987
Media: Audio CD Discs: 1 Shipping Weight (lbs): 0.2 Dimensions (in): 5.6 x 5 x 0.5
UPC: 745099680022 EAN: 0745099680022 ASIN: B000000SP5
Release Date: October 3, 1995 Availability: Usually ships in 1-2 business days
| |
| Tracks:
| • | La finta semplice, opera, K. 51 (K. 46a): Act III: Che scompiglio che flagello | | • | Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Act II: Voi che sapete | | • | La Clemenza di Tito, opera, K. 621: Act II: Deh per questo istante solo | | • | Serse (Xerxes), opera, HWV 40: Act I: Ombra mai fu | | • | Hercules, oratorio, HWV 60: Act III: Where Shall I Fly | | • | Mitridate, rè di Ponto, opera, K. 87 (K. 74a): Act III: Gia dagli occhi | | • | La finta giardiniera, opera, K 196: Act III: Va pure ad altri in braccio | | • | Ariodante, opera, HWV 33: Act III: Dopo notte | | • | Semele, oratorio, HWV 58: Act II: Hence Iris hence away | | • | Rinaldo, opera, HWV 7: Act I: Cara sposa | | • | Così fan tutte, opera, K. 588: Act I: Ah scostati...Smanie implacabili | | • | La Clemenza di Tito, opera, K. 621: Act I: Parto ma tu ben mio |
|
| Similar Items:
| |
| Customer Reviews: A Mezzo for the Ages December 4, 1999 11 out of 12 found this review helpful
Having heard all the great mezzos of the past 40 years, many of them (Baker, Cossotto, Horne, von Stade, Valentini-Terrani) in person, I can attest that Jennifer Larmore is one of the greatest. Though her voice is not always stunningly beautiful and her technique not completely polished, there is no question that her COMBINATION of voice, technique and interpretive nuance is unsurpassed in the modern era. Agnes Baltsa may be more honeyed of voice, for instance, but she lacks the sheer excitement and joie-de-vivre that Larmore brings to her singing. In these Baroque and Classical numbers, she also displays a deft sense of style fully apropos to the music at hand. She is truly a mezzo for the ages.
Larmore can certainly fly! November 9, 1998 4 out of 4 found this review helpful
This recording albeit less colorful than her more recent stuff shows the promise that she has delivered to all of us. She is truly a blessing with her mezzo-soprano and her richness is unparalleled by few that I know of.
Great listening. Nice selection. July 12, 2006 B. Marold (Bethlehem, PA United States) 1 out of 2 found this review helpful
'Where Shall I Fly' by contemporary mezzo-soprano Jennifer Larmore is a big surprise when you first listen to it, as one wonders how such big sounds come from such a petite looking lady who'se face is on the cover. The title comes from the name of a Handel aria from the opera Hercules. This is one of the two English language arias on the CD, the other being from Handel's 'Semele'. All other arias from both Handel and Mozart are in Italian, the most familiar being 'Voi che sapete' from Mozart's 'Le nozze di Figaro'.
As an amateur listener to classical music, I suspect Ms. Larmore is not as highly ranked (Jim Furyk to Renee Fleming's Tiger Woods)as some other mezzos, but this particular collection is makes very nice listening, at least as enjoyable as Ms. Fleming's take on Mozart.
There is two type of mezzo... April 18, 2002 YOSHIKAZU SHINJI (ichikawa, chiba Japon) 3 out of 6 found this review helpful
Today,it's a time of mezzo.Bartoli,Otter,etc.Larmore is one of the most exellent,of course. On this Hendel arias,she plays male roles.I think it is very suitable for her.Probably these roles were played by castratos.Castoratos need storong and radiant voice,which Larmore has!I prefer her male roles.She will open new windows of baroque operas.What she impresses us is not a coquetry. She belongs to another type of mezzo.
|
|
|