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    Basquiat: Original Soundtrack - Music From The Miramax Film

    Basquiat: Original Soundtrack - Music From The Miramax Film
    Creators: Various Artists, Julian Schnabel
    Label: Island
    Category: Music

    List Price: $13.98
    Buy Used: $4.60
    You Save: $9.38 (67%)



    New (14) Used (26) Collectible (1) from $4.60

    Rating: 4.5 out of 5 stars 41 reviews
    Sales Rank: 86596

    Format: Soundtrack
    Media: Audio CD
    Discs: 1
    Shipping Weight (lbs): 0.2
    Dimensions (in): 5.6 x 5 x 0.5

    MPN: 524260
    UPC: 731452426024
    EAN: 0731452426024
    ASIN: B000001E9U

    Release Date: July 30, 1996
    Availability: Usually ships in 1-2 business days

    Tracks:

      • Van Gogh Boat - Michael Wincott
      • Public Image - Public Image Ltd.
      • It's All over Now, Baby Blue - Van Morrison
      • Suicide Hotline - Nick Marion Taylor
      • I'm Not in Love - Toadies
      • Is That All There Is? - PJ Harvey
      • White Lines (Don't Don't Do It) - Grandmaster Flash & Melle Mel
      • Rise - Tripping Daisy
      • These Days - Joy Division
      • She Is Dancing - Brian Kelly
      • Tom Traubert's Blues (Four Sheets to the Wind in Copenhagen) - Tom Waits
      • Small Plot of Land - David Bowie, Tom Waits
      • Summer in Siam - The Pogues
      • Last Song I'll Ever Sing - Gavin Friday
      • Hallelujah - John Cale

    Similar Items:

      • Basquiat
      • Downtown 81
      • Basquiat Salutes Jazz
      • Basquiat: A Quick Killing in Art (Revised Edition)
      • Basquiat

    Editorial Reviews:

    Amazon.com
    Few film soundtracks capture the essence or personality of their subject matter as beautifully as the collection of songs culled from Basquiat. Jean Michel Basquiat's charisma was based in the many facets of his character and his art, and there's a song here for a good portion of his ever-changing moods. "Public Image," by PiL is a cynical sneer matching Basquiat's own disillusionment over his fame. The inclusion of the undulating rap/funk masterpiece "White Lines" by Grandmaster Flash, plays almost like a cautionary tale, while the hopelessness of Joy Division's "These Days" seems like a theme for the bleak emotional state the painter sometimes experienced. There are, of course, songs that reflect the period of Basquiat's rise from the '70s until his untimely death in the '80s. --Steve Gdula


    Customer Reviews:   Read 36 more reviews...

    4 out of 5 stars Missing a few essential pieces of the puzzle   May 20, 2006
    M. Bromberg (Atlanta, GA United States)
    9 out of 9 found this review helpful

    A good rock soundtrack that could be better with a few missing pieces restored. Whatever kept the songs off this album originally, an expanded reissue would have to include the credits-opening "Fairytale of New York." The song sets the tone for the rest of the movie, and it's really missing here. Kirsty MacColl's duet featuring Shane MacGowan is available on an import best-of album called "Galore," for those who want to track it down. I don't think anyone expects the Stones to give away "Waiting on a Friend" to a soundtrack (that would have been a nice gesture) but Keith Richards's bootleg version of "Nearness of You" should now be included, as he's doing the song with the Stones these days putting it into the "official release" category. Finally, "Red House" by Tom Waits needs to be here as well, to bookend "Tom Traubert's Blues." Island Records should think about remastering this compilation and give fans of the movie a complete, essential soundtrack. On the plus side, it's worth every cent to have John Cale's version of "Hallelujah" here, and another reviewer noted Bowie's remarkable remake of "Small Plot of Land." Almost worth a five star rating, but just not quite. Yet.


    3 out of 5 stars clarification   April 5, 2005
    M. L. Suplee
    6 out of 6 found this review helpful

    The first song from the movie is "Fairytale of New York" by The Pogues. I imagine that this is the song being confused with "If I Should Fall From Grace With God." The first song also changes significantly after the intro portion that is played in the movie - somewhat of a letdown but still a good tune. This soundtrack collects many of the best songs from the movie but not nearly enough of them.


    5 out of 5 stars Basquiat Opening Title Music   October 27, 2001
    10 out of 12 found this review helpful

    Many people have asked what the opening title track is in the film, Basquiat. The name of the song is "Fairy Tale of New York" by the Pogues. Viewers of the movie may recall an excerpt of the song playing while young Basquiat and his mother are strolling through the museum during the opening credits.

    Alas, this song is not included in the soundtrack, although the soundtrack is quite an excellent collection of works that fits wonderfully with the film.


    5 out of 5 stars Basquiat Opening Title Song: Fairy Tale of New York   October 28, 2001
    6 out of 7 found this review helpful

    This is a great soundtrack! Fans of the movie should be aware, however, that the most requested song from the film, the title track "Fairy Tale of New York" by the Pogues is not included in this CD.

    (To provide some recollection, this is the quiet melody played during the emotional title sequence in which young Basquiat accompanies his mother at the museum. The actual song is actually quite fractured, with the soft "drunk-tank" description at the beginning and a celebratory, quick paced Irish-style anthem in the second part.)


    5 out of 5 stars Stand out soundtrack. Stellar.   October 5, 2007
    Aco
    2 out of 2 found this review helpful

    This is one of the most significant soundtracks of my life, and along with the soundtrack from Dead Man Walking introduced me to many artists that I have come to admire and follow.
    There are many highlights here, particularly Van Morrison and John Cale's covers of (Leonard Cohen's) Hallelujah and (Bob Dylan's) It's All Over Now, Baby Blue, respectively. The hip-hop classic White Lines, evoking the burgeoning medium and the cocaine high 80's in which Basquiat takes place, PJ Harvey's somber Is That All There Is? and the great Tom Waits' Tom Traubert's Blues (Four Sheets To The Wind In Copenhagen) retain their music powers whether scored under the film or alone, no matter the repetition.
    If you are unfamiliar with the musicians mentioned or featured here, this soundtrack is a MUST, successfully presenting the early 80's era, the New Wave, post punk, post funk New York City/America of Ronald Reagan/Keith Haring/The Last Days of Warhol.
    Poetic and potent.



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