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I remember seeing the video for "Queer" with Shirley Manson walking around the streets with her hands beckoning the camera to follow. I was completely captivated, to say the least, for I had never seen anything quite like it before. I also think that this album helped me deal with my parents moving me around so much in such an early stage in my life. It was getting to the point of me finding it useless in making any friends. I strongly believe that this album helped me deal with a lonely time in my life.

I actually saw them live for [a] second time ... and it was really amazing. When they performed the silky ballad "Milk" it reminded me of this album and how much it meant to me. It seems that I'm always listening to VERSION 2.0 (which is my favorite album by them) or BEAUTIFULGARBAGE (because it's their newest). Either way, each individual album is an absolute pleasure to listen to. Garbage's unique style of postmodern technopop with dark, angst-laden lyrics will appeal to alternative, punk-rock, and even techno/electronic fans. They were the groundbreaking artists of their time and I truly believe that they are going to be creating great music for years to come.


The classic debut   November 19, 2005
 26 out of 27 found this review helpful

When one looks back at the alternative rock scene that dominated the first half of the 90s, Garbage's self-titled debut album immediately comes to mind as a defining album from that movement. A decade old as of this writing, "Garbage" (1995) has stood the test of time and not only contains some of the best singles from the 90s, but is a modern-day classic.

"Garbage" has many elements in its sound which can explain its broad appeal. The songs are so incredibly infectious and danceable, fans of dance-pop (Madonna, Janet Jackson) are sure to enjoy the album. But "Garbage" is undeniably a rock album, first and foremost. With crunching guitars, intense drumming, and a charismatic frontwoman, a more rock inclined audience is sure to dig "Garbage" as well. Garbage's music also encompasses an element of 70s/80s cool new-wave. In a sense, Garbage was like an updated version of Blondie for the 1990s, so fans yearning for a new Debbie Harry are sure to appreciate Garbage.

Another reason "Garbage" struck such a chord with the public is there really wasn't another band quite like them. There were bands that were precursors to Garbage, like Curve, and My Bloody Valentine, among others, but they didn't take off and explode as Garbage did, for whatever reason, probably due to marketing and timing. Garbage's debut came out at the perfect time. In an era of post-grunge, where many up-and-coming bands were clearly derivative of Nirvana and Pearl Jam, Garbage's brand of rock/pop/retro offered a refreshing change of pace. While Garbage's cynical themes fit the disparaging alt. rock 90s like a glove, the lyrics are often tongue-in-cheek. In this sense, Garbage had the best of both worlds: cynical lyrics for cynical times, but with the playful, sexy trimmings of Blondie.

Because the musicians of Garbage, Butch Vig, (drums) Steve Marker, (guitar) and Duke Erickson, (guitar) were made up of first-rate producers, namely Butch Vig, they knew how to craft songs meticulously and methodically. They also happened to be great songwriters' to-boot. Great songwriters and producers' aside, the band still needed the perfect singer...enter Shirley Manson.

While working on songs for their new band, Vig, Marker, and Erickson spotted the Scotch-born Shirley Manson on MTV. At the time Manson was the lead singer for (the underrated) Angelfish. Knowing Manson would be the perfect singer, the band sent out the word and a short time later Manson joined the group, thus Garbage was born.

It's one thing to have great songs and producers, but the perfect singer is needed to put a face on the music and the image. Truth be told, Garbage without Manson would have been like Van Halen without David Lee Roth. Without Manson, Garbage most likely would have been a good, but untimely forgettable band, a footnote in the 90s. While the songs on "Garbage" are excellent, no doubt, it is Manson that truly makes them shine. Truly a gifted singer, she can change from sounding sensitive to indifferent, seductive to vengeful, passionate to passive, all in a single breath. While her beautiful voice can enchant, it can also scorn. Much like Nico before her, Manson is a true femme fatale. Manson proved to be very popular with males and females alike. Her self-confidence, integrity, and self-empowerment no doubt struck a chord with a female audience. Being extremely attractive, a femme fatale, a sort of black widow, was no doubt appealing to men.

Garbage's unique brand of electronic pop/rock is demonstrated immediately with the seductive "Supervixen." Manson sounds as though she gets sadistic pleasure as she plays with the listener, telling her audience to "bow down to me." The off-beat "Queer" is equally seductive, and quite mesmerizing, leaving a lasting impression. The album's massive hit, the super infectious "Only Happy When it Rains" is without doubt, one of the greatest rock songs from the 1990s. It both epitomizes and mocks the self-involvement and narcissism of generation X. If Manson had toyed with the listener up to this point, she now shows her teeth with the aggressive "as Heaven is Wide." With its almost Black Sabbath-like riff, with electronic trimmings, it makes for an intriguing and captivating listen. The good-but-not-great "Not my Idea" is cut from the same cloth and keeps up the momentum. The somewhat spacey, "Stroke of Luck" shows traces of both beauty and darkness, as Manson lets her guard down as she sings "did you know I was lost until you found me." One of the catchiest, most memorable songs on the album, the vindictive "Vow" is both unforgiving and seductive. An ode to female empowerment, Manson shows her contempt for the dimwitted in "Stupid Girl." The hard-rocking but danceable "Dog new Tricks" keeps the album moving along. "Garbage" saves some of its best songs for last and demonstrates its mastery of pop-craft with the lush "My Lovers Box," and "Fix Me." Like most Garbage albums, the self-titled debut ends on a morose note with the cheerless "Milk," which leaves a lasting feeling.

Ten years old, Garbage's self-titled debut album has aged well and sounds as good today as it did back in '95. "Garbage" stands as one of the finest albums from the 1990s and is an essential cornerstone to add to any modern rock collection. People unfamiliar with Garbage are best served starting off here with the self-titled debut. But Garbage is no one-album-wonder band, and people who like what they hear here are advised to buy "Version 2.0," (1998) "Beautiful Garbage," (2001) and "Bleed Like Me" (2005).



It just gets better as it goes on   April 16, 2000
 21 out of 28 found this review helpful

While I would have to say that Version 2.0 is my fav of the two albums,the self-titled first album, Garbage is also extreamly good.

Supervixen- As one reviewer put it "I love the skips in the middle". I agree. Luv the lyrics, ie: "I can take you out with just a flick of my wrist"

Queer- It starts out sounding almost jazz-like, but soon turns "Garbagesque". For those who are immature, it is talking about strange people, not gay people.

Only Happy When it Rains- Although this is not my favorite song on the CD, it *is* catchy, I'll give it that.

As Heaven is Wide- Another song with great lyrics, and great music to boot. "If flesh could crawl, my skin would fall from off my bones, and run away from here, as far from God as heaven is wide, as far from God as angels can fly"

Not My Idea- One of the funner, lighter songs on the CD. Also extreamly catchy.

A Stroke of Luck- This is probably my second favorite song on this album. The lyrics are perfect (not amazing for Garbage) and the music is also extreamly good. I found myself singing this song everywhere I went.

Vow- My *absolute* fav track on this CD. I cannot get enough of this song! The lyrics are great: "You burn me out but I'm back at your door/Like Joan of Arc coming back for more ... I came to cut you up/I came to knock you down/I came around to tear your little world apart" Pure brillance.

Stupid Girl- When I first saw the name of this track on the back of the CD case, I thought it would be more like Vow- in your face kinda thing. On the contrary, it is one of the slower songs on this CD. However, just because it is slow doesn't mean it's bad. This song is one of the best.

Dog New Tricks- Catchy, catchy, catchy

My Lover's Box- I, for some reason, do not really care for this song.

Fix Me Now- I immensely love the chorus to this song.

Milk- I really cannot stand this song. I am sorry to all those who love this song. Please, play it at home, blast it in the office, just don't let me hear you doing it.

So sorry this review was so long-probably so long and boring, Amazon won't print it. Oh well-Nishana


"Subhuman" a MUST-HAVE for ALL hardcore Garbage fans!   December 9, 1999
 20 out of 20 found this review helpful

What can I say about this album? It's the brilliant debut from the best band to ever grace Earth with its presence, Garbage. If you're not a really hardcore Garbage fan, you should buy the US release of "Garbage". But if you are reading this and are contemplating spending the money to get a copy of "Subhuman" (Garbage's first ever song...as far as I know), DO IT! "Subhuman" is a brilliant song; dark, biting, sharp and extremely catchy. This Japanese version of "Garbage" also contains "#1 Crush"...the same version as on the Romeo and Juliet Soundtrack. So if you're buying this thinking you'll be getting the original version of "#1 Crush", you're mistaken. You'll probably have to search for the extremely rare vinyl single of "Subhuman". Anyways, "Subhuman" isn't the only good thing about this album. It's packed with 13 other tracks, ranging from a gloomy introspective kind of feel in "Stroke Of Luck", to confident and cocky self-proclamation in "Supervixen" (the best track in my opinion. Well, buy it! It's worth it.


One of the great alternative pop albums of our time   January 19, 2004
 17 out of 18 found this review helpful

I came to this album only very late in the game, and I have to say: better late than never. I knew Garbage by reputation, a reputation that was strengthened when I agreed to take into my home two completely black cats, sisters named Tori (after Tori Amos) and Shirley (after Shirley Manson). Finally, to learn more about my kitty's namesake I gave this album a try, and I was absolutely shocked at how great it is.

The amazing thing about this album is that on the surface it is almost a punk album, with a tough exterior, hard driving rhythms, edgy production, and extraordinary arrangements. But somehow, partly because of the stunningly musical nature of each cut and partly because of the breathy, almost girlish quality of the vocals by my cat's namesake, the songs comes across as more pop than alternative.

There really isn't a bad cut on the album, and several of them are quite exceptional. The album begins on a strong note with the rasping, gritty "Supervixen" before moving into the spectacular "Queer, " which is one of the greatest songs on the album. It proceeds on to such marvelous pop masterpieces, as "I'm Only Happy When It Rains "and" Vow." Not all of the songs are as good as they appear to be. "Not My Idea" for instance is a decent song that is made memorable by stunning arrangement. The care and crafting that goes into every song is remarkable in this way.

I'm still not certain that I would have been inspired to name my cat after Shirley Manson had I gotten her as a kitten, but I am now definitely a fan of the band. This is one those discs that is going to spin significant time in the future in my CD player.