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    Zuma

    Zuma
    Artist: Neil Young & Crazy Horse
    Label: Reprise Records
    Category: Music

    List Price: $7.98
    Buy New: $3.84
    You Save: $4.14 (52%)



    New (43) Used (24) from $3.84

    Rating: 4.5 out of 5 stars 59 reviews
    Sales Rank: 2703

    Media: Audio CD
    Discs: 1
    Shipping Weight (lbs): 0.2
    Dimensions (in): 5.6 x 4.9 x 0.4

    MPN: 2242
    UPC: 075992722629
    EAN: 0075992722629
    ASIN: B000002KCI

    Release Date: October 25, 1990
    Availability: Usually ships in 1-2 business days

    Tracks:

      • Don't Cry No Tears
      • Danger Bird
      • Pardon My Heart
      • Lookin' for a Love
      • Barstool Blues
      • Stupid Girl
      • Drive Back
      • Cortez the Killer
      • Through My Sails - Crosby, Stills, Nash & Young

    Similar Items:

      • On the Beach
      • Tonight's the Night
      • Everybody Knows This Is Nowhere
      • Rust Never Sleeps
      • Comes a Time

    Editorial Reviews:

    Amazon.com
    If Everybody Knows This Is Nowhere and Ragged Glory are the two finest studio albums Neil Young recorded with Crazy Horse, Zuma certainly qualifies as a close third. Recorded in 1975, Zuma exudes both a sense of focus and a tentative optimism, two qualities that were completely MIA from the bleak Time Fades Away/Tonight's the Night/On the Beach trilogy that preceded it. "Barstool Blues," "Don't Cry No Tears," and "Drive Back" are terse, punchy rockers, while "Danger Bird" and "Cortez the Killer" are extended guitar workouts in the grand Crazy Horse tradition. And the two acoustic entries--"Pardon My Heart" and "Through My Sails" (the latter was recorded with Crosby, Stills & Nash)--are absolutely gorgeous. Ignore the crappy cover art, and treat yourself to one of Young's most underrated records. --Dan Epstein


    Customer Reviews:   Read 54 more reviews...

    5 out of 5 stars Zuma's A Killer   May 3, 2001
    Thomas Magnum (NJ, USA)
    24 out of 25 found this review helpful

    Zuma was the first studio album that was credited to Neil Young & Crazy Horse since his second release, Everybody Knows This Is Nowhere. While various members of the band appeared on albums in between the releases, Zuma contains the power rocking sound that only the complete band could produce. "Barstool Blues" is an underrated gem that has bluesy guitar riff that pops throughout the song. "Drive Back" and "Don't Cry No Tears" have a grungy sound. "Stupid Girl" is great song with a great vocal. "Pardon My Heart" is an acoustic based number as is the closer "Through My Sails" which features Crosby, Stills & Nash and was a leftover from the aborted sessions in 1974 that was supposed to yield the band's followup to Deja Vu. The standout track on the album is "Cortez The Killer" with its droning guitar solo and vivid lyrics, the song is tremendous.


    5 out of 5 stars Easily one of Neil's greatest albums   September 17, 2004
    Robert Moore (Chicago, IL USA)
    13 out of 13 found this review helpful

    Without any possible question, this is one of Neil Young's greatest albums, and given the extraordinary length of his career and the amazing number of albums that he has made, that is saying something. This is also one of his most influential albums, producing a pattern for a host of guitar oriented garage and alternative bands in the 1980s and 1990s. It is impossible to listen to a band like Thin White Rope or Eleventh Dream Day or Nirvana and escape the conclusion that the members of the bands all grew up listening to the cuts on this disc.

    Although this is widely known as one of the seminal guitar albums in the history of rock, there are two paradoxes in that claim. First, a couple of the songs are entirely acoustic and feature none of the grungy guitar found throughout the rest of the disc. "Pardon My Heart" is not merely acoustic, but soft and gentle as well. "Through My Sails" is a Crosby, Stills, Nash, and Young song. For me, it is the weakest cut on the album, and a potent reminder to me of why I prefer Neil Young on his own. The second paradox is that in many ways Neil Young really isn't a very good guitarist. Technically, there are probably a host of high school guitarists that surpass him. His solos are some of the most elementary in the history of rock. Nonetheless, Young seems to get more musical mileage out of relatively meager chops of any guitarist in history. He might not be a virtuoso, but in this album he virtually reinvents grunge guitar, and paved the way for a host of imitators.

    Guitar aside, what drives this amazing album is the great, great songs that line up one after another. "Don't Cry No Tears" gives way for the even more stunning "Danger Bird." A couple of songs later we get one of my favorite Young songs, "Barstool Blues." "Stupid Girl" is not a work of misogyny like the Stones' "Under My Thumb," but yet another excellent guitar driven song. "Drive Back" is another great song that then gives away to the song that seems to define the entire album, the epic, majestic "Cortez the Killer," in which Neil gets to sing about his recurring subject of the European exploitation of the New World.

    Neil Young has other albums nearly as good as this, and possibly a couple of others that are even better, like AFTER THE GOLD RUSH and TONIGHT'S THE NIGHT, but there isn't a single one of his discs that I have listened to as often or with as much pleasure. This truly is a disc that ought to be in the library of every serious rock fan.



    4 out of 5 stars A somewhat overlooked gem   April 22, 2000
    Brian D. Rubendall (Oakton, VA)
    12 out of 12 found this review helpful

    Young and Crazy Horse have done so many fine albums that this one sometimes gets overlooked. Most fans know "Cortez the Killer," but check out "Barstool Blues" (wonderfully redone on the live "Year of the Horse"), "Don't Cry No Tears" and "Pardon My Heart." The sound alternates between soft and hard. A strong effort that is among the better Young albums.


    5 out of 5 stars Just great rock music   August 11, 2000
    John Peter O'connor
    9 out of 9 found this review helpful

    Released in 1975, not that long after the classic Harvest, this album shares the same downbeat mood though this time, the backing band were Crazy Horse and not the Stray 'Gators. Thus, the musical style is more rock than country.

    This is a great album with no weak tracks at all. Dangerbird is my favourite here. What a terrific song. It is one of Neil Young's best ever efforts. More than that, it is one of the best rock ballads ever with some superb guitar and bass licks.

    Barstool Blues is another great song, Neil's singing at its best and the classic Crazy Horse guitar sound is here at its finest.

    Cortez the Killer is perhaps the best known track on this album and it too is a knockout song. Where Dangerbird was surreal and Barstool Blues dealt with modern day angst, this song refers back to the brutality of the Conquistadors.

    Along with Harverst, this CD stands out as the top of Neil Young's early years and it is essential part of any collection of his work. If you particularly like this album then you will surely be interested in some of his later work with Crazy Horse such as Ragged Glory.


    5 out of 5 stars California Dreamin'   September 23, 1999
    10 out of 11 found this review helpful

    This is one hell of an album, one of my personal favourites. Neil and the Horse get back on track with beautiful, simple, guitar based rock songs. Barstool Blues is legendary. Rumour has it that the band went on a heavy drinking spree and awoke the next morning to find this song recorded - with Neil singing at an octave higher than normal. I don't know if this is true or not, but it's a cool rumour! There is not one bad song, the meandering lead of Dangerbird, the melodic Pardon my Heart, the upbeat Stupid Girl and the has-to-be-mentioned Cortez the Killer. This is a fantastic song and an absolute classic. The slow dreamy intro lasts over a third of the song and the story goes (again) that Neil got so involved with playing the riff that he forgot to sing. It too may not be true but I could understand it if it were. This album is a signifcant must have for any true Neiler collection. Buy it!


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