Stiff Upper Lip | 
| Artist: Ac/dc
Label: East/West Records
Category: Music
List Price: $13.96
Buy Used: $1.59
You Save: $12.37 (89%)
New (23) Used (58) Collectible (2) from $1.59
Rating:  282 reviews
Sales Rank: 12602
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5
MPN: 62494
UPC: 075596249423
EAN: 0075596249423
ASIN: B00004LN16
Release Date: February 29, 2000
Availability: Usually ships in 1-2 business days
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| Tracks:
| • | Stiff Upper Lip | | • | Meltdown | | • | House of Jazz | | • | Hold Me Back | | • | Safe in New York City | | • | Can't Stand Still | | • | Can't Stop Rock 'N' Roll | | • | Satellite Blues | | • | Damned | | • | Come and Get It | | • | All Screwed Up | | • | Give It Up | | • | [CD-ROM Track] |
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| Editorial Reviews:
Amazon.com
Like death and taxes, you can count on AC/DC. The Australian metal men, unlike the more daring likes of Metallica, have stuck with one virtually unchanged formula since 1973. While '90s albums such as Who Made Who and Razor's Edge are uneven at best, the five-years-coming Stiff Upper Lip marks a return to the group's Back in Black prime. Muscular, meaty, and powerful, Stiff Upper Lip boasts a dozen instantly hard and heavy classics full of macho bravado, double entendres, and, of course, Angus Young's trademark guitar. From the archetypal title track to the more portentous "House of Jazz" to the forceful, irresistible syncopation of "I Feel Safe in New York City," AC/DC are again at the top of their game. --Katherine Turman
Album Description
Limited Edition Japanese pressing of this album comes housed in a miniature LP sleeve. Sony. 2008.
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| Customer Reviews: Read 277 more reviews...
 A big juicy 40 oz. slab of ROCK! February 29, 2000
Morgan (Virginia)
41 out of 42 found this review helpful
It is a very difficult thing to say that any particular AC/DC album is their "best." They have so much high quality material. But suffice to say the Stiff Upper Lip delivers the hard-rocking' goods on every track, just like Highway to Hell, Back in Black, and High Voltage. It suffers from none of the muddy production problems that plagued their post-Mutt Lange albums, in fact it sounds better than any of their albums, in terms of production, except the remastered Back in Black. AC/DC's previous two albums (Razor's Edge & Ballbreaker), to me anyways, signifigantly improved over the majority of mid-late 80's material (Fly on the Wall, Blow Up Your Video), but SUL absolutely demolishes The Razor's Edge and Ballbreaker in terms of power, riffage, and Brian fixed-up vocals sound better than he has in a long, long time. Every song has that indefinable "timeless" rock sound that pours out from a lot of their late 70's material. Each song has you wondering "How can they not release this as a single?" Songs alternate between Back In Black evil rock (Safe in New York City, House of Jazz, Damned(my fav) and Powerage-style funky blues licks (Meltdown, Hold Me Back, Can't Stand Still). You absolutely cannot go wrong with record. Easily on par with your favorite AC/DC album, and easily better than the rest.
After 27 years, AC/DC still rules! April 16, 2000
Dylan MacIntyre (Moosonee, Ontario)
19 out of 20 found this review helpful
I read in a magazine recently that rock music is dead. I also read in another magazine that Korn is the future of rock. Well, as long as AC/DC is around, neither of those statements are true! Stiff Upper Lip is a great album; better than The Razor's Edge, and better than Who Made Who. In fact, it ranks up there with Highway To Hell and Back In Black as one of their best ever! As Angus Young said in a recent interview in Toronto, what we need is some of that good old, toe-tapping rock'n'roll, and that's what we get, and it still sounds just as good as it did when High Voltage came out back in 1973.PS. AC/DC will be around long after the Backstreet Boys lose their looks and their fans, and long after rap music finally dies (which will hopefully be soon! ) If you agree with me, tell me that my review was helpful by clicking YES!
Still "Stiff" After All These Years. February 10, 2004
The Groove (Boston, MA)
18 out of 20 found this review helpful
"You can't stop rock and roll," barks Brian Johnson on track number 7 off "Stiff Upper Lip." Apparently, you can't stop AC/DC either. In the thirty-odd years these guys have been around, they've bypassed every known musical trend (classic rock, disco, punk, new wave, techno, and elctronica) while leaving their sound virtually unchanged. And why should they bother? If it ain't broke, don't fix it, and on their umpteenth album, they've given more of the same head-banging rock to please old and new fans alike. Produced by George Young (the elder brother of guitarists Angus and Malcolm), we get killer guitar riffs, catchy choruses, and enough double-entendres to make Austin Powers proud. These guys have clearly aged and have somewhat mellowed a bit since the glory days of "Back in Black," but the energy is undeniably present. "Safe in New York City," "Hold Me Back," and "House of Jazz" deliver the goods as only AC/DC can deliver them. The album lacks one straight up classic in the vein of "You Shook Me All Night Long," "Dirty Deeds Done Dirt Cheap" or "TNT," but even so, "Stiff Upper Lip" is a very solid record from "the thunder from down under."
Raw, Yet, Clean & Mean! AC/DC: 2000 March 1, 2000
Robert B Brown (San Jose, California United States)
18 out of 20 found this review helpful
This album starts out strong and "Boom!" it's over before you know-it.The rhythm and power-chords melt very closely to "Back In Black."You have your classic-AC/DC "swinging" songs; "Hold Me Back","Can't Stand Still" the title track, a speed-burner that starts heavy and builds-pace like a runaway freighttrain between your eyes("Safe In New York City")"Groove-tunes:"MeltDown, House of Jazz", and some "fun-gloom" on "DAMNED". About 4-songs are slow, and HEAVY blues-guitar based;Pounding with that timeless rhythm and Angus throwin'-in some "lightning-bolt-riffs." You have basic Pump-you-up-anthems like "Give It Up" and "Come and Get It"(complete with the return of Malcolm Young's "Dirty Deeds" 'evil-troll' growl in "Come and Get It.") If you have ever liked AC/DC get this, If you sort of like AC/DC, get this, and if you don't like them LISTEN TO THIS! There best since "Back In Black." So, if you are TIRED of this "whiny-rhythmless-'rock' bands, THIS IS THE CURE.POWER AND RHYTHM:PERFECTLY-MESHED TOGETHER.
AC/DC has slowed down a bit in the studio, but not on stage July 8, 2001
Johny Bottom (Jacksonville, NC)
10 out of 10 found this review helpful
When I first heard this album, I gave it an honest listen. I mean we all know what to expect when we buy an AC DC album. It was slower and bluesier than earlier releases. That's not a bad thing, in fact this album continues in the vein of what one would expect from AC DC. In fact after listening to it a couple of times, you can almost imagine how the album came about.....Ring, ring, ring, Brian : Hello? Angus : Brian? This is Angus, hey Malcolm and I are sitting around the house drinking Foster's and playing our guitars, you wanna come over? Brian : Sure, I'll be right there. Two hours later, the tapes from the living room and brought to the studio for Cliff and Phil to finish. Yeah, it's a pretty laid back album. Now on stage it's a different story. I saw the Stiff Upper Lip Tour in Ft Lauderdale this year, and let me tell you, AC DC hasn't lost a step. All their classics, Angus' antics, Brian's screaming, and the rhythm section's thunderous noise is all there. I hadn't seen AC DC in over ten years, but they still played like they were on the Back In Black tour. They were on stage like a hungry bunch of twenty year olds trying to get signed. If you've never seen AC DC in concert, you're missing one hell of a rush. The only song they played off Stiff Upper Lip was the title track, but that's OK, they have a very long songlist to choose from. I hope these guys go on forever.
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