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    Souljacker [Bonus Disc]
    Souljacker [Bonus Disc]

    zoom enlarge 
    Artist: Eels
    Label: Dreamworks
    Category: Music

    List Price: $9.98
    Buy Used: $3.79
    You Save: $6.19 (62%)



    New (35) Used (27) Collectible (1) from $3.79

    Avg. Customer Rating: 4.0 out of 5 stars 25 reviews
    Sales Rank: 23186

    Media: Audio CD
    Discs: 2
    Shipping Weight (lbs): 0.2
    Dimensions (in): 5.6 x 5 x 0.5

    MPN: 450368
    UPC: 600445036826
    EAN: 6004450368264
    ASIN: B000062YAJ

    Release Date: March 12, 2002
    Availability: Usually ships in 1-2 business days
    Condition: #BRAND NEW AND SEALED CD! MAY HAVE MARK IN UPC OR CASE! FIRST CLASS SHIPPING WITH DELIVERY CONFIRMATION! BUY WITH CONFIDENCE FROM A TRUSTED SELLER# ATL247

    Tracks:

      Disc 1
      • Dog Faced Boy - Eels, Parish, John
      • That's Not Really Funny - Eels, Parish, John
      • Fresh Feeling - Eels, E
      • Woman Driving, Man Sleeping - Eels, E [1]
      • Souljacker, Pt. I - Eels, E
      • Friendly Ghost - Eels, E
      • Teenage Witch - Eels, Parish, John
      • Bus Stop Boxer - Eels, E [1]
      • Jungle Telegraph - Eels, E
      • World of S#! T - Eels, Parish, John
      • Souljacker, Pt. II - Eels, E
      • What Is the Note? - Eels, Parish, John

      Disc 2
      • I Write the B-Sides - Eels, E
      • [Hidden Track] - Eels, E
      • Jehovah's Witness - Eels, E
      • Rotten World Blues - Eels, E

    Similar Items:

      • Shootenanny!
      • Daisies of the Galaxy
      • Electro-Shock Blues
      • Beautiful Freak
      • Blinking Lights And Other Revelations

    Editorial Reviews:

    Amazon.com
    If irony could be traded like currency, Eels singer-songwriter E would be a wealthy man. As it is, his remarkable ability to filter out the mundane and focus on the fringes, where the really interesting cats dwell, guarantees he'll always have a career but will never be a household name. On Souljacker, E and the gang frame a motley assortment of characters with the sonic equivalent of a doodle pad--all random squiggles, free-floating words and phrases, disembodied hearts, and unblinking eyes. As such, unlikely bedfellows--"Dog Faced Boy," "Friendly Ghost," "Bus Stop Boxer," "Woman Driving, Man Sleeping"--are bundled in a patchwork quilt of guitars, bass, drums, organ grinder-style synth, and quite possibly a toy piano and percussion. The unabashedly goo-goo-eyed ballad "Fresh Feeling" launches with a swell of strings, just to underscore how dreamy our protagonist feels, and the spastic instrumental twitches on "That's Not Really Funny" counter the song's title, while doubling as one of the few elements able to snap E's voice out of its vaguely narcoleptic drone. Ruggedly individual and wickedly catchy (not to mention more upbeat than the two death-obsessed albums preceding it), Souljacker cements E's position as patron saint to the weird-and-weary-but-still-hopeful. --Kim Hughes


    Customer Reviews:   Read 20 more reviews...

    4 out of 5 stars I have issues with this CD   January 17, 2003
     8 out of 8 found this review helpful

    Well here it goes. No Eels album could ever top Electro-shock Blues. It's just not possible. The sincerity that E, the lead singer, shows in every song on that album is amazing and you can almost feel his pain since he wrote the majority of the album while coping with the death of his mother from cancer and sister from suicide. As the second follow-up, Souljacker disappoints. Many of the songs on this disc are beautifully written ie. "Fresh Feeling", "Friendly Ghost", and "Busstop Boxer", while others especially "Dog-Faced Boy" and "That's Not Really Funny" are a bit abrasive. Most Eels fans are not used to E screaming at the top of his lungs and the rest of the band simply rocking out, however, this is precisely what they do throughout half of this album.
    If you are a casual Eels fan I suggest picking up either Electro-Shock Blues or Daises of the Galaxy. Although this is a good CD, it is definitely not one of their best.



    4 out of 5 stars 21st century pop should atleast be this good!   April 7, 2002
     7 out of 9 found this review helpful

    Ideally I'd give this album, a three and a half star rating. While being better than 95% of the dross out there, there is something missing. Not that you'll notice it at first. The first four tracks create a compelling multi-faceted presentation. From the simply rocking "Dog-Faced Boy" to the manic propulsion of "That Ain't Really Funny" to the best song Beck never wrote "Fresh Feeling" to the beatz driven balladeering of " Woman Driving,Man Sleeping", you can't help but feel like this is where pop circa 21st century should be. Not to say there isn't good songs throughout but I certainly got that feeling that each song wasn't as good as the one before it. That said Bus Stop Boxer and Jungle Telegraph are still very solid songs.

    Now we come to that problematic Beck comparison. While there is a thrift shop take on rock music going on, The Eels are more straight forward than the cut and paste "The Real Artificial" Still there is definitely some distancing between singer and subject.This is as much about crafting as it is about confession. Whatever insights that E is going to make are always coming through a character.

    You could do way way way worse than spend sometime with Souljacker.

    As for the bonus disc, you are going to have to wait until I buy it.


    5 out of 5 stars A great rockin', catchy and interesting album.   April 28, 2002
     4 out of 4 found this review helpful

    I just picked this cd up after listening to some of it at a store and am quite impressed. The songs are catchy enough and feature a lot of interesting textures from distorted guitars, awesome basslines, some dj beats, etc. Many have tried the cut-and-paste technique of mixing dj and rock elements to lesser success, but the Eels do a great job at it, making nothing but flawless rock songs. Nothing is forced. It is interesting to see John Parish working on this cd, known for his work with PJ Harvey and recently helped on Sparklehorse's latest. Parish has also done some terrific haunting film score work (the only thing I enjoyed in the European film Rosie), which I wish I could get a hold of on cd.
    Songs like "Dog Faced Boy", "Fresh Feeling" and "I Write the B-Sides" are such a release. They are catchy and envigorating: meant to be turned up. E (lead singer) offers some strange and memorable stories through his lyrics, too. This album fulfills the promise I thought this band had on Beautiful Freak. Souljacker is a much more solid album, perhaps one of the year's best.



    1 out of 5 stars waste of time   July 29, 2002
     3 out of 22 found this review helpful

    If you have trouble sleeping, fear no more. This is your cure.


    3 out of 5 stars Good, but not as good   May 15, 2003
     3 out of 4 found this review helpful

    Beautiful Freak is one of my favourite records of all time - its an album that swims in sadness and is simultaneously life-affirming. High hopes, then, for Souljacker. The good news is, er...its good. The bad news is, quite simply, its not as good.

    The first thing to establish is that the turn for the rockier is not a problem with me. "Dog Faced Boy", "Souljacker Part 1" and "What Is This Note", the three tracks that take this direction, are all pretty cool. Equally, the opposite side is fine too - "Fresh Feeling" and "World of S#!t" are lovely love songs. In fact, there's nothing here to take particular exception too. Its even more eclectic than previous records. But there's not quite that touch of magic to it.

    Frequently they plough the same territory as previous albums. "That's Not Really Funny" is the album's "My Beloved Monster" with its deliberately strange instrumental bits, but just isn't quite as inspired. "Friendly Ghost" is the I'm gonna-smile-anyway song. "Bus Stop Boxer" is the totally downcast, self-loathing song. And they're all perfectly fine, perfectly good - but don't I get the feeling Eels have done this better before? I mean, when I first heard this record I thought, rockier, more diverse - nice. But then I happened to slip on Beautiful Freak and I thought, its just not the same league, is it?

    There's not that wide-eyed, tear-inducing, painful, beautiful, dashed-but-still-there hope of that record here. Its perfectly possible to make yourself like or even love Souljacker, because, taking the ingredients of each song, and seeing what they do, its well-executed, well-written and its good stuff. But it doesn't force you to just love it like Beautiful Freak does, isn't that incredible record. For that, unfortunately, its down to a respectable, but disappointing, 3 stars.


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