| Europe 72 | 
 enlarge
| Artist: Grateful Dead
Label: Rhino / Wea
Category: Music
List Price: $24.98
Buy New: $16.58
You Save: $8.40 (34%)
New (30) Used (12) from $14.57
Avg. Customer Rating:  42 reviews
Sales Rank: 5885
Format: Live, Original Recording Reissued, Original Recording Remastered
Media: Audio CD
Discs: 2
Shipping Weight (lbs): 0.3
Dimensions (in): 5.6 x 4.9 x 0.6
MPN: 74399
UPC: 081227439927
EAN: 0081227439927
ASIN: B00007LTIN
Release Date: March 25, 2003
Availability: Usually ships in 1-2 business days
Condition: Most orders shipped within 24 hours. All items include original artwork and packaging. We ship FIRST CLASS International/Domestic for single disc orders. Satisfaction Guaranteed!
|
| Tracks:
Disc 1
| • | Cumberland Blues | | • | He's Gone | | • | One More Saturday Night | | • | Jack Straw | | • | You Win Again | | • | China Cat Sunflower | | • | I Know You Rider | | • | Brown-Eyed Woman | | • | Hurts Me Too | | • | Ramble On Rose | | • | Sugar Magnolia | | • | Mr. Charlie | | • | Tennessee Jed | | • | The Stranger (Two Souls In Communion) |
Disc 2
| • | Truckin' | | • | Epilogue | | • | Prelude | | • | Morning Dew | | • | Looks Like Rain | | • | Good Lovin' | | • | Caution (Do Not Stop On Tracks) | | • | Who Do You Love? | | • | Caution (Do Not Stop On The Tracks) | | • | Good Lovin' | | • | Bonus Track 1 |
|
| Similar Items:
|
| Editorial Reviews:
Album Description
Expanded & remastered in HDCD, this reissue of 1972 live album includes seven bonus tracks, 'The Stranger (Two Souls In Communion)', 'Looks Like Rain', 'Good Lovin', 'Caution (Do Not Stop On Tracks)', 'Who Do You Love?', 'Caution (Do Not Stop On Tracks)' & 'Good Lovin'. Featuring some of Jerry Garcia's last-ever pedal steel guitar playing with the Grateful Dead. Includes expanded booklet as well with rare photos & all-new liner notes, packaged in double gatefold Digipak. Warner/Rhino. 2003.
Amazon.com essential recording
This sprawling three-records-on-two-CDs set offers a healthy cross-section of material and finds the band honing even further its blend of musical languages. There are country-inflected boogies, blues rave-ups, passionate ballads, and, of course, the extended, adventurous jams that made them famous. Many of the Dead's best-loved tunes made their initial vinyl appearances here, including "He's Gone," "Jack Straw," "Brown-Eyed Women," "Ramble on Rose," and "Tennessee Jed"--most of which reveal a heavy country influence, especially in Robert Hunter's lyrics. In addition to introducing these new songs, Europe '72 also showcases brilliantly fine-tuned versions of "Truckin'" (complete with a lengthy "Epilogue") and "China Cat Sunflower/I Know You Rider," which became the first of the band's many magical song combinations. --Marc Greilsamer
|
| Customer Reviews: Read 37 more reviews...
 Still in the top 3 July 29, 2004
39 out of 39 found this review helpful
There are three seminal, essential live Grateful Dead albums, each a bit different, but each containing all the elements orf improvisation, multiple musical styles, and ensemble tightness that made the Dead so unique. These are Live Dead, Grateful Dead (Skull and Roses) and Europe 72. It is impossible to pick one over the other as *the best* of the officially released live Dead albums, and if I had to, I could live with no Dead albums other than these three, but I could not give up any one of them.
Europe 72 contains both some of the tightest compact versions of several Dead tunes, as well as some of the most ethereal extended jams. For those interested in the magic of what used to happen when everything just jelled exactly right, listen to Weir's unique idiosyncratic rhythm-lead solo between China Cat and I know you rider (yup - That's Bobby playing the lead). There are lots of examples of this jam on other live Dead recordings, but nowhere does the playing of all band members synergize in the segue as well as on this cut. Trucking-Prologue-Epilogue Morning Dew is basically one long piece of music. Epilogue gets really nice and jazzy and stretches things out like only the Dead could. Prologue merges into a Morning Dew that has a Bobby-Keith rhythm guitar/piano section that is so tight that even after listening to it for more than 30 years there are still parts where I can't tell if I am hearing Bobby or Keith. Jerry's vocals and lead are are stronger and more emotional on this than on any other Morning Dew available anywere. Europe 72 also features a wider range of styles from Jerry and the boys than either Live Dead or Skull and Roses, ranging from very countrified on Cumberland Blues to rock on One More Saturday Night to good old trademark Greatful Dead style everything but the kitchen sink on the long jams.
This is a great album. The new tracks are a nice feature, but not one of them is as strong as any of the originals (But Jerry's pedal steel on Looks' Like Rain is a nice touch). Still, this is one (of 3) Dead albums that is an absolute must for DeadHeads of all ages.
A Pivotal Moment November 28, 2003
14 out of 17 found this review helpful
I have to say that I agree with absolutely EVERY word in EVERY other review, bad and good. Europe 72 was the end of the beginning. Arguably, it was produced to fulfill the Dead's contract with Warner Bros. Records at a time when the band was launching its own record label. Its proponent revere it for capturing the band at a zenith of its middle "Americana" period. And they're right. To hear it in context, don't compare E72 to Dick's Picks (some of which *do* indeed offer better performances of the same material). Rather listen to it with the two releases that preceded it and the two that followed it. Although most discographies show "Skull & Roses" and "American Beauty" coming before, there were two studio LPs released earlier in 1972; they were Bob Weir's "Ace" and Jerry Garcia's "Garcia" (released in Feb). Some of the songs heard here on "Europe 72" (released in Nov) appear on those two LPs. "Wake of the Flood" and "Mars Hotel" came after. The two earlier albums updated the Dead's exploration of American Roots music with a then-contemporary treatment with what was to that point the band's most successful studio recordings. The next two albums reveal a startlingly new direction for the band. Perhaps by releasing Europe 72 as a three-LP set, the band bought the time they needed to move beyond country-rock formulas into new directions with more musical discipline including extended suites (on Wake) and songwriting structure (on Mars). It all came to a head on 1975's Blues for Allah. And then it came to an end. The late 70s transition from Keith and Donna to Brent marked the next era in the Dead's long strange trip. So, Europe 72 can be seen as a fulfilling end to one Dead era, or as the transitional beginning of another.
 Essential For Die Hard Fans April 25, 2003
13 out of 26 found this review helpful
This expanded 2 CD set is perfect for diehard fans of the Grateful Dead. Plenty of trippy jams and more vocal spots featuring Pig Pen (Ron McKernan), the band's most talented vocalist. Truthfully, if you are a casual fan or non fan of the Grateful Dead, this collection is not the perfect collection for you. Oh yes the first CD is more consistent, 14 tunes most of them very good. The jams are more contained as seven minutes is about the longest tune.The mix on Cumberland Blues is a bit jumbled and I am luke warm on He's Gone. However Mr. Charlie, It Hurts Me Too, One More Saturday Night, and Brown Eyed Woman are awesome tunes. The second CD is a bit excessive. Trucking' starts off nice but the jam gets way too disonant fast. The flow into Epilogue and Prelude is pointless to my ears. I've seen the Grateful Dead in concert and find this excessive jamming is more tolerable with the visual element rather than just having the audio portion. Morning Dew is a mild relief but truthfully I prefer the Allman Brothers version. The first bonus track is nothing special and the Good Lovin'/Caution jam goes back to excessive jamming. I do like Pig Pen's vocal part before the over-indulgent trippy jamming. Again, this CD set has its moments. I just say to those readers out there that you need to know your tolerance level for excessive meandering soloing.
Outstanding! September 17, 2003
11 out of 11 found this review helpful
I've been faithful fan of the Dead for over 30 years, since high school. "Europe '72", "American Beauty" and "Skull & Roses" (not its real title, but that's what most people call it) were the first GD albums that I bought, and they remain my three favorites to this day. Europe '72 is one of my "desert-island discs"-- one of those albums I never want to be without a copy of. It not only contains several of my favorite Dead songs, but also my favorite versions of those songs. "He's Gone", "Jack Straw", "Brown-Eyed Women", "China Cat Sunflower/I Know You Rider"... all are outstanding, and even though other excellent performances of these songs have been recorded over the years, to me these are the essential versions. "Truckin'/Epilogue" is one of the best long jams ever set to vinyl (or tape, or CD, or whathaveyou) and absolutely essential for those long drives up the coast. For me, only The Allmans' "Mountain Jam" comes close. The sound quality isn't great by today's standards, but it never was, and the new remaster is the best yet available. But even if it is a little muddy at times, the quality of the music transcends. If you're a dead freak, this album is simply a necessity.
The Easiest 5-Star review I've Ever Written April 29, 2006
11 out of 13 found this review helpful
I first heard Europe '72 in 1974, walking into a friend's dorm room, Truckin' was playing, and I thought "Oh, Jesus, this is it!" Thirty-two years later, as I play it in my car, I feel exactly the same way. I've got hundreds of shows, and saw my share as well, and it takes nothing away from any of them to say that the Truckin'/Epilogue jam is as good as anything they ever did. It's pure poetry, with all of them at the peak of their form moving with precision through four or five motifs before absolutely ecstatic interplay towards the end. Unbelievable. Please play it at my funeral, so those in attendance will know why we were put here. And, oh yeah, Weir on China Cat, Jerry on Mr. Charlie, the vocals on Jack Straw ("sun so hot, the clouds so low"), the chorus on Brown Eyed Women . . . . To paraphrase Kabir: "You want to know the truth? I will tell you the truth. I listened to this and it made me a believer for life."
|
|
|
