| On Through the Night |  | Artist: Def Leppard Label: Polygram Records Category: Music
Buy New: $73.59
New (2) Used (5) Collectible (1) from $20.00
Rating: 87 reviews Sales Rank: 721769
Media: Vinyl
UPC: 042282253316 EAN: 0042282253316 ASIN: B00008FJXH
Release Date: October 17, 1990 Availability: Usually ships in 1-2 business days
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| Tracks:
| • | Rock Brigade | | • | Hello America | | • | Sorrow Is a Woman | | • | It Could Be You | | • | Satellite | | • | When the Walls Came Tumbling Down | | • | Wasted | | • | Rocks Off | | • | It Don't Matter | | • | Answer to the Master | | • | Overture |
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| Editorial Reviews:
Album Description Japanese only SHM-CD (Super High Material CD - playable on all CD players) paper sleeve pressing. Universal. 2008.
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| Customer Reviews: Read 82 more reviews...
Debut L.P. by Def Leppard a winner! July 27, 2001 highway_star (Hallandale, Florida United States) 19 out of 20 found this review helpful
Basically Def Leppard emerged from the New Wave of British Heavy Metal (NWOBHM) in 1979. Groups such as Iron Maiden, Saxon, and Def Leppard were about the only groups from that period to find success. Saxon was never popular in the U.S. but was huge everywhere else. Iron Maiden made it here in the U.S. like Def Leppard. I first heard "Rock Brigade" played on one South Florida radio station and I immediately went out to buy it. The entire l.p. was solid hard rock, not commercial stuff! Just listen to songs such as "Rock Brigade", "Wasted", and "Rocks Off". Great guitar licks courtesy of Steve Clark and Pete Willis are spread throughout this debut l.p. If your looking for Def Leppard commercialized stuff (ex."Photograph") you won't find it on this release. Also their followup l.p. High N' Dry" is a masterpiece. Yes it does have their hit "Bringin' on the Heartbreak" which became commercialized thanks to MTV, but it also showed that Def Leppard could write great ballads as well as rock. Other than that, the l.p. just smokes and is even better than "On Through the Night". Highly recommended!
A good album if you can forget it's Def Leppard July 28, 1998 9 out of 9 found this review helpful
My friends and I in high school became Def Leppard fans because of this album. The real item of interest when this was released was that the guys, except for Joe Elliot, were all teenagers. The drummer, if I recall, was only 16. However, to my ear, the guitar playing and drumming, from a technical standpoint, are better on this album than the follow-ups. I seem to recall the band recorded it in a very short period of time due to budget constraints, which makes it all the more impressive. Many Def Leppard fans may not like this album because it sounds so different from the band's later work. Joe's vocals don't have the rough edge we're all used to (though they're good). And the songwriting is very different -- very riff oriented. More influenced by UFO than AC/DC. But even if this doesn't sound like the Def Leppard everyone grew to love, the songs are still good. Some, like "Wasted" and "Rock Brigade," are very good. This release will help fans reali! ze what a huge influence Mutt Lange (and probably AC/DC) had on the band. When it came out, "On Through the Night" stood on its own as a strong British metal release. And when the follow-up, "High and Dry," came out, we thought we had all died and gone to heaven. . .
A lost gem November 19, 2005 Daniel Maltzman (Arlington, MA, USA) 11 out of 12 found this review helpful
4.5 Stars If someone played you "On Through the Night," without telling you who it was at first, you may be very surprised to learn that it's Def Leppard's debut album. Released in early 1980, before the band hooked up with its sixth unofficial member, producer John "Mutt" Lange, "On through the Night" sounds nothing like any other album in the British quintet's catalogue. While Def Leppard, along with Van Halen, proved to be the decade's innovators, more or less in inventing the formula known as "pop-metal," on their debut, Def Leppard was just another band from the NWOBHM (New Wave of British Heavy Metal). In addition, with a hint of blues-based metal and Jimmy Page-esque riffs and arraignments, there is a clear influence of Led Zeppelin on "On Through the Night." Tom Allom, who produced such Judas Priest classics as "British Steel" (1980) and "Screaming for Vengeance," (1982) was on board for "On Through the Night" and it shows. While Def Leppard's debut is somewhat derivative of Judas Priest, Iron Maiden, and Led Zeppelin, it's still an excellent album. The thing that immediately strikes the listener is how young the band sounds. At the time of its release, the members of Def Leppard were in their late teens and early 20s. The band sounds so youthful, so hungry, and so wanting to rock. Singer Joe Elliot sounds great, doing the best Robert Plant/Rob Halford/Bon Scott impersonation that anyone could hope for. Guitarists Steve Clarke (lead) and Pete Willis (rhythm) provide tremendous instrumental firepower. While their playing isn't groundbreaking, they sound alive and invigorated. Steve Clarke shows early on that he was "the riff-master," delivering killer song after song. "On Through the Night" may be a little unoriginal, but the riffs and solos are fully captivating and effective. Bassist Rick Savage and drummer Rick Allen provide an exciting and dynamic rhythm section. On "On Through the Night," the band just plain sounds good. One thing going for this album is that it sounds very live. There aren't a lot of overdubs, it sounds as though the band just went into the studio, cut an album in a few takes, and that was that. A lost Leppard classic, the opening "Rock Brigade" takes no prisoners and makes the band's ambitions to play the arenas known. It sounds almost like a sped-up version of "Good Times, Bad Times" from Led Zeppelin I (1969). An early hit, "Hello America" shows even without Mutt Lange, the band's innate pop-sensibility. As others have noted, the light keyboards add a nice effect. Led Zeppelin again makes its influence known with the hard-rocking-but-bluesy "Sorrow is a Woman." "It could be you," with its echoing vocals and Jimmy Page inspired riff, sounds a lot like Led Zeppelin's "The Immigrant Song," as noted by others. The melodic, metallic "Satellite," sounds as though it came right from Judas Priest's "Hell Bent for Leather" (1980) album. Def Leppard comes very close to Spinal Tap country with the Iron Maiden/Dungeons and Dragons mythological epic "When the Walls Came Tumbling Down." It's a little silly, and dated, but the song rocks hard and is effective. "On Through the Night" goes into full-out heavy metal mode with the blistering "Wasted." Judas Priest again rears it influence with the slightly generic "Rocks Off." While not a great song, it's good and keeps up the momentum. "It don't Matter," gets the album back on track with its engrossing, mild-mannered verse that builds up into a satisfying melodic chorus. "Answer to the Master" is another good-but-not-great Zeppelin inspired mid-paced rocker. The album ends triumphantly with the majestic "Overture," which sounds like a cross between "Stairway to Heaven" and Boston's "More than a Feeling." When people think of Def Leppard, they undoubtedly think of such classics as "Pyromania," (1983) and "Hysteria," or the stink-bomb "Adrenalize" (1992). "On Through the Night," and its equally underrated follow-up "High and Dry," (1982) have unfortunately been overlooked and remain lost gems. While "On Through the Night" isn't the most groundbreaking or original album in the world, it's still a fine CD that fans of Def Leppard and rock in general should check out.
Not your son's Def Leppard.... March 31, 2000 Karl John Krumrey IV (Detroit area, Mi) 7 out of 7 found this review helpful
Lep's first album can either be viewed two ways.... as a raw, unpolished, rock out that they'd never attempt again, or as a warm-up of an extremely talented band that's only beginning to find out what they're about. On Through the Night, in most ways, sounds completley different from the 'well-known' material, and even their follow-up to this, High n Dry, sounds almost like a different band (and it was only recorded a few months after this one). Perhaps it's production, because Robert John 'Mutt' Lange wouldn't come into the Lep's life until High n Dry, Tom Allom handles the knobs here. A few other things stand out, though, take them positive or negative. Joe Elliot hasn't found his voice yet, it would take him until Pyromania for that, but this album, he's not the best singer in the world. Steve Clark is relegated almost entirely to rhythm guitar, while Pete Willis takes center stage (and he's quite good), this would also change by next album, with the twin-guitar interplay coming into effect. This album's highlights are Rock Brigade, Wasted, and The Overture. Just to go into detail on the latter, the Overture is easily one of the best songs Leppard has ever done, suprising at this stage in their careers. It's the most majestic 'epic' they've ever recorded, and every fan should hear it. Another highlight of the album is Rick Allen, once upon a time he had two arms and he used them quite well here. He's easily the most accomplished musician of the band, at that point in time, and he was the youngest, too, barely 17 at the time this album was released. His drumming rivals some of the great names of the day. He's no better or worse anymore but his style certainly has changed, he's merely different. On Through the Night won't appeal to Leppard fans who like their 'Have you Ever Needed Someone So Bad' or their 'Goodbye'. It's a metal album, not a pop-rock album. But it's a damn good metal album, unpolished, but good, and while their subsequent albums bordered on perfection, one can't help but wonder what would've happened had Leppard never even met Mutt Lange.
magic number 12 September 14, 2007 6 out of 6 found this review helpful
People dont realize that def leppard had good albums before pyromania and Hysteria.This album is the perfect example! On this album some songs are better than others but on this album you can listen to the whole thing and not skip a song. People overlook this album and that's not fair because this is DEF LEPPARDS in my opinion 2nd best album only behind Adrenalize. this is a great example of NWOBHM. Pete Willis in my opinion is better than Phil Collen who can't solo like him or just can't handle a guitar like him.every one in the band also avoids this album and I clearly don't understand why.I have seen DEF LEPPARD in concert and i think they might have played one song of the whole album which is really a shame because this is a dang good album!Now lets break it down. 1.Rock Brigade 3:09 great opening rocker that has good vocals and a pleasing guitar solo 9/10. 2.Hellow America 3:27 great vocals and a great guitar solo and DEF LEPPARD actually did a good synthisizer 10/10 3.Sorrow As A Woman 3:54 lame acoustics but a good guitar solo and decent vocals and good hooks make up for it 8/10. 4.It Could Be You 2:33 possibly the best song if it's not so short, with a great guitar solo and great hooks it makes a great rocker 9/10 5. Satellite 4:28 weird song a weaker track on the album 6/10 6. When The Walls Come Tumbling Down 4:44 weakest track,just ok 6/10 7.Wasted 3:45 great song, hard rocker,tons of greak hooks 10/10 8.Rocks off 3:42 fast song it's practically a guitar solo the whole song with a fast drum beat 8/10 9.It don't matter 3:21 Not a standout 6/10 10.answer to the master 3:13 Best guitar solo on the abum enough said.9/10 11.Overture 7:44 great slap in your face album closer So if you like a band with great hooks or you like Def Leppard before they went pop this is a fundementle cd for your collection
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