But how will the respective fans of Leftover Salmon or Cracker like this CD? I think back to the old Reese's commercials: "Your chocolate is in my peanut butter!" "No, your peanut butter is in my chocolate!" Will fans of each taste enjoy finding them together? Here's what I think...

Fans who love Cracker especially for their lyrics will enjoy hearing the songs in a new context. But fans who love Cracker for their harddriving rock would best avoid this CD. It won't be your bag.

Similarly, Leftover Salmon fans who enjoy the purity and experimentation of traditional bluegrass could avoid this CD. But syncretists who enjoy the smashing success of melding musical styles will be well served.

Truly, like Reese's peanut butter cups, we've got "two great tastes that taste great together." I love it, and if you're open to Cracker music in this bluegrass context, you're in for quite a sweet treat!


Groundbreaking   May 24, 2003
David A. Marshall (Chesterfield, MA USA)
6 out of 8 found this review helpful

A few years ago I was playing banjo along with Cracker's Golden Age and realized how great this band would sound with a banjo. I suggested it on their web site and I'm sure it was lost among the hundreds of other posts. I had to wonder if the musicians even read their own web sites fan postings when they are so filled with idle chatter (mine excepted, of course).

This album goes beyond my expectations. The current "bluegrass players" (many of whom used to play bluegrass and now have gone onto other things using those instruments) have really succeeded in reviving that genre of music (with some help from NPR that has been using it in fills between news for years). There are those that maintain the tradition faithfully like Ricky Skaggs and those like Bela Fleck that are taking it toward jazz and world music. And then a bunch of others doing stuff in between like String Cheese Incident. But none of this has really done it for me. Either the musical gymnastics are self-indulgent but to complex to listen to unless you get off on keeping track of shifts between time signatures or the songwriting is so weak that you'd rather go back and put on some Stanley Brothers or Bill Monroe and hear the real thing.

Bob Dylan in his last few albums has made many references to American roots and blues music - both instrumentally and lyrically and they've been excellent records. Cracker has now helped define the musical Zeitgeist with this recording.

I don't know if this disk is a gag or was seriously considered but following on the heels of "Forever" which I found to be ponderous and turgid this is refreshing to say the least.

The best cuts, in my opinion, are the ones that are the most acoustic/bluegrass sounding: Teen Angst with its blazing banjo and mandolin, How Can I live Without You, Sweet Potato has a really nice "unplugged" sound with string bass I think. Lonesome Johnny Blues, which never struck me as anything more than filler in its old incarnation, now works nicely with the banjo rolls. The piano playing throughout is excellent (reminds me of the sound that Bill Payne added to Little Feat). Also some great electric slide guitar solos.

The downside:
I think the least successful are their hits: "Low" and "Eurotrash Girl" because they pretty much sound like they always do.

Not enough cuts. Only 10 songs. Theres 80 mins of music that fits on a disk. Fill 'er up!

I'm hoping Cracker takes this on tour or hires some new players who can do this stuff. More albums like this please and thank you David Lowery for doing this!!! This is one direction that I think rock and roll needs to go if its going to survive with any vitality.


Even better than the originals   January 26, 2004
W. A. Norris (Laramie, WY United States)
3 out of 4 found this review helpful

I have no idea where the concept for this CD came from, but it's inspired. I'm a Lowery fan from way back, and I can't even imagine how many times I must have listened to Kerosene Hat. And I haven't heard a lot of Leftover Salmon, but I've really liked what I've heard. Put them together, and you get this classic album. Yeah, it could be longer, but so what? The point is that what's here is terrific. The version of "Mr. Wrong" is far better than the original -- Lowery renders it more as wry this time, instead of as a wisecrack -- and hearing "Eurotrash Girl" turned into a country waltz is priceless. "Sweet Potato" and "Lonesome Johnny Blues" are so perfect for this arrangement that the instrumentation sounds more natural for the songs than the originals. The instrumental work totally reinvents "Teen Angst." Overall, if you're not familiar with Cracker, the strong songwriting and the brilliant instrumental work by Leftover Salmon should convert you. If you are a Cracker fan, this album has to be a must-have.


Come on back   March 17, 2009
Howlinw (California, USA)
I've been listening to this one steadily since it was released, and can't believe that it could possibly be out of print. This CD is a riot, teaming Cracker's sarcastically witty classics with a bluegrass-influenced jam-band to great and often humorous effect. There really isn't anything else like it in the music world that I can find, save for El Rayo-X. It just sounds like a bunch of roots-rock-influenced musicians getting together to have a blast. Clearly the members of Leftover Salmon have a deep appreciation for Cracker's music, as they grasp the subtle nuances and draw out new aspects of these lived-in songs. I actually prefer some of these versions to the originals.

I rarely take my copy out of the house now, for fear that it'll be impossible to replace in a few years. Please record company execs, bring it back in print!


Bluegrass? H E double hockey sticks yeah!   February 10, 2006
John F. Anderson (Altamonte Springs, FL United States)
I'm not a fan of Bluegrass, but I am a fan of Cracker, and this album is nothing short of amazing. It's my favorite Cracker album. All I have to say to Cracker is... Do it again!