North | 
| Artist: Elvis Costello Label: Deutsche Grammophon Category: Music
List Price: $18.98 Buy Used: $0.01 You Save: $18.97 (100%)
New (11) Used (35) Collectible (2) from $0.01
Rating: 58 reviews Sales Rank: 125017
Format: Limited Edition Media: Audio CD Discs: 1 Shipping Weight (lbs): 0.3 Dimensions (in): 5.6 x 4.9 x 0.5
UPC: 602498091623 EAN: 0602498091623 ASIN: B0000AN7KV
Release Date: September 23, 2003 Availability: Usually ships in 1-2 business days
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| Tracks:
| • | You Left Me In The Dark | | • | Someone Took The Words Away | | • | When Did I Stop Dreaming | | • | You Turned To Me | | • | Fallen | | • | When It Sings | | • | Still | | • | Let Me Tell You About Her | | • | Can You Be True? | | • | When Green Eyes Turn Blue | | • | I'm In The Mood Again |
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| Editorial Reviews:
Amazon.com Cabaret singing is one of the most venerable of pop idioms, yet one fraught with some paradoxical pitfalls: betraying emotional candor, yet not the studied artifice of the singer. And while Elvis Costello has a long and successful flirtation with the style, he's seldom delivered it with the consistently stripped-down directness he's mustered here. Costello claims the alum's songs bubbled forth nearly fully-formed over the winter of `02-`03, and indeed they often ebb and flow with an unpredictable fluidity that seems to reflect the songwriter's subconscious mind (to the point of occasionally conjuring fleeting, almost spectral melodic references from his beloved pop standards) at its most creatively naked. For an artist who's long prided himself on the willful literacy and challenging symbolism of his lyrics, the transparency of his romantic musings here is often startling. Likely inspired by an arc of emotional change in his own life (Costello hints that the bittersweet "You Left Me in the Dark" and hopefulness "I'm in the Mood Again" don't bookend the album by coincidence), a subtext of difficult romantic communication also surfaces repeatedly on tracks like the dramatic "Someone Took the Words Away" and lovely "When it Sings," while the neo-classicism of "Still" reunites Costello with the Brodsky Quartet in arguably the album's most traditional, sophisticated moment. Backed by Steve Nieve's spare, haunting piano (the instrument the songwriter composed the songs at; it's the most guitar-free album of his career), the drums of Peter Erskine, and double-bass of Mike Formanek, with only the most economic of orchestral flourishes, the mood is decidedly autumnal, Costello's gently quavering voice pushed into the spotlight as never before, a musical tightrope walk whose sublime execution seldom belies its conceptual audacity. --Jerry McCulley
Album Description UK special limited edition of 2003 album features 12 tracks including 1 bonus track, 'Impatience', plus a bonus DVD featuring an interview with Elvis plus three promotional videos, 'Fallen', 'North', & 'Still'. Universal.
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| Customer Reviews: Read 53 more reviews...
An amazing piece of work September 24, 2003 Roger A. Mccoy (Stockton, CA USA) 13 out of 13 found this review helpful
I've just finished listening to North for the first time. I wasn't sure what to expect coming in. When I first purchased the album, I didn't know what to expect from a musical chameleon like Costello. Glancing over the liner notes, I noticed the complex arrangements, some noting as many as fourteen different players, along with a mention of a 34-piece string section at the end (I assume this must be for "Fallen"). Then, noticing the Deutsch Grammophon logo on the CD, I realized this would be something heavily influenced by classical. Although I'm familiar a fair amount of Costello's works, I still have not heard his chamber-pop works such as "The Juliet Letters" with the Brodsky Quartet (who make an appearance in "Still" on this album), but I had been given the impression that such experiments had led to mixed results.I'm happy to say that the results here are anything but mixed. Most will not find "North" as immediately captivating as "Painted from Memory", and will be disappointed if they expect a sequel to "When I Was Cruel". Although the rocker Costello is gone, at least for the moment, the works here feel more honest, heartfelt, and uncompromising than any of the albums mentioned above. If you give yourself over to the music, it is captivating and compelling, and I have the feeling that, over time, this will remain one of my favorite Costello albums. Sure, I'll still be popping in the pop/rock hits and classics, but this album acts as a subtle emotional roller coaster, if such a thing is possible. It takes you on a journey of a desperation and hope going through it's 11 tracks. Definitely not for everyone, but more than worth your precious time.
give it time.... September 29, 2003 wordnat (boise, idaho United States) 10 out of 10 found this review helpful
....and you'll love it. i'm a huge EC fan, but this album kind of annoyed me at first. just too mellow. the only tunes that jumped out at me initially were "still" (an absolute stunner) and "someone took the words away" (even better), and i had to send out search parties to find the melody in (seemingly) dirge-like numbers like "when did i stop dreaming" or "fallen". but, after about a week or so of listening, the intricate beauty -- and, yes, sturdy melodies -- of these fragile songs bloomed into full flower. head "north", folks -- it's a great trip.
Going the other way... October 12, 2003 Michael Clark (Seattle, WA United States) 8 out of 8 found this review helpful
During a recent interview Elvis was asked about the title to his latest album, "NORTH". He replied that most songs and records written about love are all about a relationship "going South", "well, this is just the opposite of that.." I thought this was a brilliant statement on the body of work that Elvis has brought to us with this effort. So sit back, be quiet, and listen to a man start from loneliness, move to hope, and onto unbridled love all within one record. Elvis's exploration of the intimate rooms of male emotion that he walks into with this record is to be admired and taken in deeply, as most artists in Elvis's position would not be so brave to pursue so completely. His full commitment pays off with the nakedness and very intimate and quiet setting and leaves us feeling as if we are hearing him for the first time. If you wish to hear an artist that not only challenges himself, but his fans continuously, and then go on this journey and discover something most of us never take the time to admit to ourselves.
Elvis Costello get's the "one thing" that really matters September 24, 2003 Ian C. Cunningham (OZ, United States) 11 out of 12 found this review helpful
Bruce Springsteen once said that he felt Elvis Costello wrote great love songs. I agreed. But, with "NORTH" I feel he has pushed and reached an even finer place of maturity and complete surrender to the power of a love song and his pull and take on the theme. He touched on this with incredible beauty on "Painted From Memory" with Burt Bacharach. Plus, he moved his initial sarcastic and often heartbreaking musical endeavors from his early success of "Allison" to his "Imperial Bedroom" breakthrough to this ultimate step forward both vocally and emotionally. He is a brilliant artist at the peak of his powers. Who is in touch with his soul and his musical history from Cole Porter to Sinatra to George Jones Ballads. But, the sweetest ticket is that he wrote these songs and pulled in his experience to bring us right to a metropolitan highrise apartment filled with dim lights, Hi-Fi sounds, Martinis and two breaths.My theory on these first listens is to find the "One Thing" and listen to this great album over and over.
Another great album from Elvis... September 24, 2003 Aaron Collins (Concord, CA United States) 10 out of 11 found this review helpful
I admit I was a little bored during my first listen of this album. Most of the songs sounded the same at first, and none were particularly memorable. After a few listens, however, it really started to grow on me. I love just about everything Elvis has ever done, and this is no exception. No...he's not the bitter young man he once was, but it's wonderful to see him exploring new styles of music, and with such success. This cd is entirely composed of ballads, mostly driven be Steve Nieve's beauitful keyboard work. The lyrics are some of the lovliest work of Elvis' career. None of the biting sarcasm or wit from his early work is present on this one. Some of it is heartwrenching, while other songs are just plain beautiful. If you are willing to accept a change of pace from Elvis' classic material, then give this album a shot. There's a lot going for this album, and you won't appreciate it until you've heard it a few times, so don't pass judgement after one time through. Favorite songs for me are Still and When Did I Stop Dreaming, but all of the songs are worthy of recognition.
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