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| Leviathan | 
 enlarge | Artist: Mastodon
Label: Relapse
Category: Music
List Price: $14.98
Buy New: $9.83
You Save: $5.15 (34%)
New (47) Used (16) from $8.09
Avg. Customer Rating:  168 reviews
Sales Rank: 12593
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 1.2
Dimensions (in): 5.6 x 4.9 x 0.4
MPN: 766622
UPC: 781676662227
EAN: 0781676662227
ASIN: B0002N66FS
Release Date: December 27, 2004
Availability: Usually ships in 1-2 business days
Condition: BRAND NEW, Factory Sealed items direct from the Studios. 30 Day Satisfaction Guarantee. Quick International Airmail!
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| Tracks:
| • | Blood and Thunder | | • | I am Ahab | | • | Seabeast | | • | Island | | • | Iron Tusk | | • | Megalodon | | • | Naked Burn | | • | Aqua Dementia | | • | Hearts Alive | | • | Joseph Merrick |
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| Editorial Reviews:
Album Description
"MASTODON are undoubtedly the future of metal" - KERRANG! "at that same cusp where METALLICA once perched, circa 1988's " And Justice For All. MASTODON is poised to rule the rock earth" - WASHINGTON POST / EXPRESS "MASTODON could be considered the second coming of Metallica and Rush combined, and nobody who's seen them live could counter that opinion." - MTV.com Inarguably one of the most exciting new bands to form in the last ten years, MASTODON is an explosive, unbridled force. With an ageless magnificence and rich musical imagination, MASTODON unleash Leviathan, an unabated testimonial to the band's earthshaking ability to rock. MASTODON's thundering musical muscle, talent and vast sea of ideas triumphantly unite on Leviathan, delivering heavy, organic music that melds exhilarating ambitiousness with a well-honed accessibility. Leviathan's staggering proportion, unstoppable momentum and anthemic roar wholly underlines MASTODON's vibrant spirit and majestic, heartfelt delivery. MASTODON isn't just a band you hear, it's something you feel deep down. Its pulse affects you.
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| Customer Reviews: Read 163 more reviews...
 Harpoons Thrust In the Sky! March 12, 2006
82 out of 84 found this review helpful
I first heard about Mastodon when their debut release "Remission" first came out. So I went onto amazon and listened to a few seconds of each sound clip and to say the most, I wasn't impressed. So I dismissed them as MTV Metalcore garbage solely because they were being pushed in my face with other american groups like Chimaira and Killswitch engage. It was hard not to slap that label on them seeing as I hadn't really heard what they had to offer. Anyway two years later "Leviathan" was released, and the hype for this band began to grow even more. I reluctantly gave in and picked up "Leviathan" after seeing the Video for "Iron Tusk" one night on TV. So after letting "Leviathan" sit in my ears for a while the only thing I can think is "Mastodon, how I've misjudged you!"
I am really glad that bands like this are still kicking around, getting the praise that they deserve. That is, bands that don't easily fit into a single genre category. Bands like this truly are a dying breed in metal today, sure there are some great bands that give out some great death metal, black metal, thrash, etc. but they don't really do anything to help progress metal and give it a new and interesting spin. Bands like Clutch, Mastodon, Absu Strapping Young Lad, Sunn O))) Meshuggah, Opeth, Finntroll...And the list could go on, but the point is that they all bring something refreshing and new to the table.
Now, onto the review of Mastodon's "Leviathan". The Five star rating really is closer to a 4.5. Why is it a 4.5? Well its mostly because of a few little problems that in the end don't make the album suffer enough to deserve a 4, thus the 5 star rating. I'll also give them credit for making metal that almost anyone could like. You could like practically any type of metal or even Rock and still enjoy this. In my opinion Mastodon(along with some other bands mentioned) is the embodiment of metal; its not held down by any negative labels, its easy to get into and enjoy, but its not made for people with an attention span of 2 minutes. *cough* Nu-metal *cough*.
My only beefs with "Leviathan" are: The Production; while it is a definite improvement over "Remission" its just not 100% better.(But once you are bombarded by some of those deadly Riffs, you'll hardly notice.) Another beef I have is "Hearts Alive", its just too long on an album of 3 and 4 minute songs. Im not at all saying that its a bad song, its a great song. Its just if you don't listen to it the album becomes 33minutes long rather then 46. So if you don't like it then your gonna have a shorter album then most people. Again these problems I have are more like the only flaws I could find, and they aren't that big of a deal to me. (Like I said, I enjoy "Hearts Alive" and the production doesn't bother me...It just might bother you.)
Now that the the problems I had with "Leviathan" are over with lets move onto the reason that I like "Leviathan". I'm a Major sucker for a concept album, I just love it when an album follows a theme or story. It makes the whole record seem that much more memorable. The Artwork on the cover and in the booklet is unbelievably good. And Two Big thumbs up to whoever did it.
I don't understand why people don't like the vocals...I guess that they are people that are more used to the vocal styles used in Judas Priest, or Metallica. Please, If you are a fan of metal and do not like the screaming/etc type of vocals try your absolute hardest to like them on this record. As this may be a good "gateway" band for you that may end up leading you onto more unknown and amazing bands and genres of Metal. You're missing out on a ocean of great music, and your missing out on it just because It's not what you are used to. The vocals here really are not that hard to enjoy, They're not death metal screams/growls/grunts so if you don't like those you should enjoy "Leviathan".
The guitars are spectacular and the guys really manage to make up some really unique and original riffs/sounds. Also not to be understated are the drums, they will blow your mind! Brann Dailor is a beast of a drummer. He uses a very un-conventional method of drumming which is more like jazz drumming then the usual blast beat-ridden method. And all the while Troy Sanders beefs up all the riffs with his bass. making them sound all the more heavy and monstrous. So to end this review I'll just mention a few tracks that I thought were the strongest and give a brief description for each.
Some standout tracks are:
.: Iron Tusk :.
An amazing track that is everything metal should be. It has some great, crunching riffs laced throughout it. This has to be my favorite track on the entire album. Apparently this video was banned from being aired on MTV because they had those guys who swing around with hooks through their skin in the video. So todays lesson is that the people working in MTV are complete tools.
.: Blood and Thunder :.
A great opener for the record. It also sports a guest (Vocal) appearance from Neil Fallon of Clutch (2:15 - 2:55)
.: I Am Ahab :.
Very good track with some riffs that sound a bit stoner rockish. A good follow up to Blood and Thunder.
.: Naked Burn :.
GREAT chorus riff on this one, and a great chorus to go along with it; |Saaaaaave your self| |Dooooont wait on me|. It might sound a bit cheesy but it really works.
.: Aqua Dementia :.
Another Track with a vocalist guest appearance (Scott Kelly from Neurosis) The riffs and drum beats that start off the track are very catchy. The lyrics also fit well with the vocals.
.: Hearts Alive :.
The monster track from "Leviathan". It really shows off the great musicianship and songwriting ability that Mastodon is capable of. it also happens to be 13 minutes long so you had better hope you enjoy it to because if you don't you'll find yourself getting to "Joseph Merrick" (the albums intrumental Outro) 13 minutes sooner.
If you found even one sentence of this review remotely interesting, appealing, or helpful please take a second out of your busy day to press the "yes" button next to "Was this review helpful to you?"
Thank you,
-Igar the Terrible
THE WHALE. January 8, 2005
44 out of 51 found this review helpful
Perhaps no form of music is better suited to the story of _Moby Dick_ than metal. Dealing with whales, ships, water and intangibles like OBSESSION and REVENGE, the subject matter is pretty heavy. Projecting this story, American metal band Mastodon unleashes _Leviathan_. Probably the best thing you can say about it is that it is an epic that creeps up on you. Even listening to it abstractly, one slowly begins to recognize hethe brilliant intuition behind the musical flow. There is a feeling of great satisfaction when the last track plays, a feeling that evades most album creation.
Though resembling their namesake in terms of lumbering heaviness, Mastodon is a dexterous beast, from their brisk and tight metal rhythms to Brann Dailor's fusion-esque drumming. Aggressive vocals are set with the churning waves of hulking riffs, with harmonic subtlety and some stunningly melodic parts without pretense. And they are metal through and through, with scores of meaty, blood-dripping riffs heavy enough to liquefy some heads.
The best song is the climax, "Hearts Alive", which manipulates highly evocative atmospheres to orchestrate the dreadful, unstoppable crush of fate over its 13 minutes, and all with awesome riffs no less. The album is concluded with a somewhat uneasy electric-acoustic instrumental, "Joseph Merrick".
I am reviewing the "deluxe" edition which comes with a bonus DVD featuring live tracks and some cuts from _Leviathan_ mixed in 5.1 surround. The extra musical features will probably be more meaningful to others...I am strictly interested in deluxe edition's amazingly sexy jewel case. If you value the aesthetic side of CD packaging, this is the one to have.
The John Coltrane of Heavy Metal January 5, 2005
43 out of 45 found this review helpful
I title my review this way because of how Mastodon's style of heavy metal reminds me of Coltrane style jazz; chatoic and seamingly without a solid form or tempo, but still with a flow and style that compliment the music genre they belong to in a way no one else has been able to. Considering how long heavy metal has been around its strange to think that few, if any, bands have ever done such an amazing job of going "free form" with their style as Mastodon has done. Not being a student of music it is hard for me to express in words why I came to this conclusion as a way to describe how highly I think of Mastodon's music, but unfortunately words do fail me at this point. I love Mastodon's music and their unique style is quite refreshing and pretty unheard of.
Some fans have complained, or at least commented, that they like this album less than Remission, the band's first LP on Relapse records, because this album is so much more melodic, and the vocals are clearer. Unlike many of these fans, I'm not a metalhead, just a music fan, and the only reason I could see the bands more melodic sound and clearer vocals as being a negative would be if they didn't pull it off well. When you get right down to it, this album sounds ten times better than Remission, both in style and in song quality. The subject matter itself is quite impressive. Mastodon has essentially written a rock opera of sorts; a concetp album based on Herman Melville's "Moby Dick." The very idea is odd, to say the least, but the poetic images that Mastodon creates with their words, in addition to the artwork on the album's cover and sleeve, and the epic sound they create all go hand in hand in making this a triumphant and monumental work of Heavy Metal Art. Their first album was more poeitc to me. This album rings out like an Epic Masterpiece, and I can not recomend it enough. It has a beginning, middle, and an ending, and reminds me of listening to a Led Zeppelin album--sure, you can listen to individual songs and they sound great, but playing the album from start to finish only emphasises how incredible each and every song is by throwing it all together in one linear and cohesive composition of work. I can't recomend this album enough.
 FIller product, nothing band January 4, 2005
11 out of 36 found this review helpful
The material on this album worked OK in concert. But without the light show and the energy of the crowd feeding back to the band, it falls flat on the CD.
Strengths:
1. The cover art is far better than what is on most recent heavy metal albums.
2. The instrumental playing is forceful and energetic.
Weaknesses:
1. The vocals -- real singer needed. Nearly all of the selections on the CD die as soon as the vocals kick in (that's probably what will keep this off of commercial radio).
2. The songs. They start out strong, but never progres, so they become monotonous about halfway through. The instrumental playing lacks the subtlety and variation needed to keep the songs interesting.
Every really bad rock cliche is well-represened here. The good cover art can not offset the mediocrity of the actual music contents.
Histrionics are used as a substitute for craftsmanship on most of the CD. While that is a plus in concert, it just makes listening to the the CD tiresome. Howling vocals with no real melody or rhythm sense are placed out in front of thud-pucker bass riffs, plodding drumbeats, and masturbatory (but non-climaxing) guitar riffs. Musically, the songs go no place.
Commercially successful Metal-music is deeply rooted in fast muscle cars and big-iron motorcyles. So, there is nothing wrong with speed, power, sound and fury. But instead of being fast, furious, and powerful, Mastodon just do smoky burnouts -- they rev loud, but only do it in 'Neutral.'
Mastodons were big hairy elephant-like North-American creatures that went extinct during the last ice age. As herbovoirs, they were not fast, powerful, or furious - they were just big, clumsy and stupid. They looked tough, but weren't; they could not adapt to change; they evolved in an age of biological excess and abundance, but perished when they had to compete for resources.
Perhaps the pretentious name chosen by this band for themselves is more apt than they knew. Like their namesake, this band seems headed for an ingominious extinction.
a detailed study of anger February 4, 2005
8 out of 9 found this review helpful
I am a middle-aged doctor who grew up listening to Led and Rush. I love records like Floyd's "Meddle" and Zep's "Physical Grafitti." That being said, I picked this record up because it said something about Old School Metal on the cover. I took it home, slid it in the slot, and watched my head get blown off.
These guys are brilliant. They have distilled out the essence of the Moby Dick story--blinding anger and self destructive revenge--and pumped it full of hot, black whale blood. It took me about 20 listenings and the written lyrics to figure out what was going on, but now my old Rush records sound like some Catholic high school senior honors project. This music squeezes juice out of an invisible gland in your gut, making you want to fuggin dive from you boat on the foaming sea and plunge your harpoon into the flesh of this white devil as you are being pulled to your icy, silent grave. And all this on your drive home from the office.
My wife says it's pretty queer to be so into this band that takes an unreadable book from 10th grade and puts it to music. But then I just say, "I think that someone is trying to kill me!!!!!!..." (the brilliant, highly paranoid opening line of the record). That usually quiets her down pretty good. I also think she doesn't like it because when I play it in the basement it makes the children cry, inconsolably. Mainly, I just think she doesn't get it, since women don't hate and destroy with nearly the ambition of men. This is clearly illustrated if you read "Ahab's Wife," a popular chick's book club book about, yes, Captain Ahab's wife.
Break your backs and crack your oars, men
If you wish to prevail!
Isn't that just so friggin' awesome?
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