| Trouble | 
 enlarge | Artist: Ray Lamontagne
Label: RCA
Category: Music
List Price: $13.98
Buy New: $6.78
You Save: $7.20 (52%)
New (47) Used (15) Collectible (2) from $6.78
Avg. Customer Rating:  203 reviews
Sales Rank: 240
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5
MPN: 63459
UPC: 828766345926
EAN: 8287663459266
ASIN: B0002S947K
Release Date: September 14, 2004
Availability: Usually ships in 1-2 business days
Condition: BRAND NEW Factory Sealed - Ready to be shipped within 24 hrs from California - Average 5 workdays delivery time - Excellent customer service - Buy with confidence!
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| Tracks:
| • | Trouble | | • | Shelter | | • | Hold You In My Arms | | • | Narrow Escape | | • | Burn | | • | Forever My Friend | | • | Hannah | | • | How Come | | • | Jolene | | • | All The Wild Horses |
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| Editorial Reviews:
Amazon.com
Some singer/songwriters (think Paul Westerberg and Elliott Smith) develop their world-weariness through the unforgiving trials of passing years and the heart-breaking grind of the music business. Others (Van Morrison, Neil Young) seem to have sprung from out of nowhere with the fully formed soul of a life well-lived. Ray LaMontagne belongs with the latter. On this, his debut, LaMontagne has crafted a handful of quietly devastating meditations on life and love--and delivered them with a raspy vocal all his own. The simple, mournful lyrics of "Burn," "Shelter" and the title track recall a Hank Williams ballad, and the reserved production by alt-country/americana genius Ethan Johns (the Jayhawks, Ryan Adams, Kings of Leon) make this a great disc for smoky Saturday nights, and rainy Sunday mornings. --Ben Heege
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| Customer Reviews: Read 198 more reviews...
 A Singer, Songwriter To Be Remembered. February 26, 2005
109 out of 115 found this review helpful
Ray Lamontagne, a new name in the market, and an image of a great singer/songwriter is what we have here. A true find, a voice like no others. He has been compared to Otis Redding, Van Morrison and David Grey, However, Ray has a voice of his own, sometimes gravelly, always luscious. His first CD "Trouble" is bound to be a great one. The lyrics alone are enough to bring in accolades, but his voice and the music behind him, guitar, piano, harmonica and bass are all he needs. This is one to be remembered.
Ray Lamontagne spent most of his life moving around with his family, but found himself settled in Maine. He says he was an "oddball", always in trouble and hated school. He and his mom would have fights about his education. He finally made it through high school, just barely. He was working in a shoe mill in a small Maine town, when he woke up one morning to a tune on the radio that resonated in his head. He suddenly realized "This is what I am meant to be doing, singing and songwriting". He never went back to the mill. He set out to find his true vocation. He was found by the people he needed to meet and made this CD in California. Now Ray Lamontagne is touring all over the world, bringing his voice and music to us. I first saw/heard him on Conan O'Brien singing the title song, "Trouble". His voice has a mesmerizing quality that resounds with true vitality.
Ray writes and sings his own songs. "Trouble" is my favorite song with "All the Wild Horses" a close second. However, each song has a place of its own. Ray Lamontagne has given us a CD that begs to be listened to over and over again. Each time you pick up another sound, another lyric you might have missed before, that puts the pieces of this CD together.
A cold winter's night with a fire in the stove, kicking leaves on a frosty autumn day, or sitting in the sunshine on a spring day when the air is fresh and clean are some of the best times to listen to this CD, but, in reality, there isn't a bad time to listen. Love this singer/songwriter, Ray Lamontagne. Whole heartedly recommended. prisrob
Absolutely tremendous debut September 16, 2004
84 out of 97 found this review helpful
First and foremost this is a relaxed, sexy album. Possibly the best make-out album released since the mid to late 70s. There will inevitable comparison's of Lamontagne's style to Van Morrison. This is not a bad thing. Personally I would say he's nice cross of Morrison, Otis Redding, and Bob Dylan, with some contemporary 21st century notes as well. As a bottom line, his voice is highly emotive and a perfect foil for the somewhat minimal and honest production on the record.
The album is consistently excellent, and never monotonous. Its still growing on me, but I feell Lamontagne has more staying power than Jack Johnson, or any singer songwriter of this generation except Elliott Smith (RIP).
Get on this album early, it is guaranteed to be smashing success. Hopefully Lamontagne will have a long career. These songs are such a joy to experience.
The Stellar Distillation of Folk September 26, 2004
22 out of 22 found this review helpful
The first word on the first track of his first album is enough to make any casual listener a devotee. With depth that accompanies wisdom, the grit of anxiety and influences of yesteryear's troubadours, Ray LaMontagne's voice lets out a cry and a lament. He sings "Trouble / Been doggin' my soul since the day I was born," like the words have been growing in his throat for years, waiting for a moment to be born.
That first line from Ray LaMontagne's recent release, Trouble, speaks to the quiet power of the album. It hails the emergence of a new artist to watch but will probably avoid the title of `next big thing.' In the way that the snare drum rim shot at the beginning of "Like a Rolling Stone" blazed the way for the brilliance of Bob Dylan's Highway 61 Revisited, LaMontagne's first word is the wake-up call to everyone looking for the next singer-songwriter whose skill in simplicity is matched by his strength with words. Ray LaMontagne may well be the reason folk music has a future.
LaMontagne's past is the dream of every folk singer trying to pass himself off as the genuine article. He was born into a family of six children from various fathers and traveled around the country throughout his younger years, not because of his mother's whims, but out necessity. He lived in tents and cars, barely making it out of high school because he was always on outsider. It took a song by Stephen Stills to make him into a musician.
LaMontagne credits Still's "Treetop Flyer" from the 1991 album Stills Alone for his conversion from a factory laborer to a folk singer. Following the revelation of Stills, Ray sought other musicians of his ilk, finding Dylan, Joni Mitchell and Neil Young, among others. Trouble sounds like those artists have been gathered together and distilled in a finely crafted, simple and beautiful debut collection from a new artist with no place to go but up.
"Narrow Escape," four tracks into Trouble, is another indication of LaMontagne's early accomplishment. With guest vocals by Jennifer Stills and gentle brushes of cymbals in the background, it is the tale of two lovers escaping the law. LaMontagne's takes his time on the harmonica, drawing out the somber sound while Jennifer makes the song into a effective eulogy.
But Trouble is not a collection of depressing pieces and sad stories. On "Forever My Friend," LaMontagne's deft use of the acoustic guitar makes a joyful noise that rolls along like a long walk through falling leaves. He knows how to take his time and every second comes through with apparent ease.
Trouble is the sort of album that folk music has been waiting for. It is neither beholden to the genre's roots or given over to mandolins and banjos. It excels when it doesn't have to push its tempo or move away from a man's voice and his fingers.
The album winds down with "All the Wild Horses," a soulful, wonderful song that uses a five-piece string section to give LaMontagne a chance to whisper and wish his way to the end of Trouble. In a voice that's part sagebrush and part sandpaper, he carries the album to a quiet conclusion fitting his first work, which will hopefully be a testament for greatness to come.
 The voice thing March 21, 2005
17 out of 27 found this review helpful
People love this CD. And I've been trying to figure out just why just like I've been trying to figure out the Joss Stone and Madeleine Peyroux attractions or the Norah Jones phenomenon for that matter. And I think it's the voice thing. They all have warm, attractive voices. Even though the songwriting isn't generally good on any of the CDs that have come out from these people, it's the mood and emotion conveyed by the voice that carries the day.
Ray LaMontagne is not yet a good songwriter. The lyrics are cliche. The melodies are highly derivative of 70s songwriters. But he does have a powerful, emotionally charged voice. Sometimes a voice alone is enough to make a performer have impact. Van Morrison, who also isn't a particularly good songwriter, is like that. Norah Jones also. Performers like these could sing Happy Birthday or Mary Had a Little Lamb and people would stop and listen.
I'm of an age where I need more than just the emotion in a voice to make me want to keep a CD and play it again and again. I need solid songwriting, either originals from the singer or cover material. I'm not finding that here so off to Amazon used for resale it goes. But there was a time when a voice alone was enough. All you have to do is look at the Van Morrison and Otis Redding CDs in my collection - both of whom tended to the cliche in their writing - to know that.
If you like the pleasant, nostalgia influenced sounds of Norah Jones, Joss Stone, and Madeleine Peyroux - all of whom are AAA radio staples right now - you'll probably like this CD. If you like something more adventurous to feed both your mind and your soul, this CD isn't for you.
The Voice of Reason December 21, 2004
11 out of 34 found this review helpful
Ray LaMontagne is not a genius. `Trouble' is, however, a reasonably good debut album. His music is listenable, but it is the same sound for ten tracks. By itself, any song on the album seems compelling, but when listened to in its entirety, the record betrays LaMontagne's limitations as a songwriter. Hopefully he will grow in this respect, because at this point his lyrics are pretty trite and the structure of his songs is monotonous. His voice is gravelly and soulful, but at times the soulfulness recalls Michael Bolton more than Otis Redding.
The album's earthy quality (including the faded cover art) is also quite contrived; it is the musical equivalent of Starbucks. If you aren't too discerning, you may forget that this is a major label album. In spite of the almost incessant airplay on Seattle's KEXP, hipsters should proceed with caution. Any resemblance this album has to indie rock is purely coincidental; LaMontagne has more in common with Ben Harper than Daniel Johnston. If you're into Bongo drums and doobies, then I guess that's fine, but I think LaMontagne's music is only gonna get more VH-1 as time goes by. If you're in your thirties and want some innocuous background music for when you invite your advanced degree holding friends over for dinner or if you're in your twenties and have a North Face fleece and say `sweet' all the time, then this is probably the album for you. However, the record is not breaking new ground in any area, the songwriting is mediocre, and the vocals, lyrics, and music are all calculated.
Sam Beam (aka Iron and Wine) gets my vote for the most important singer-songwriter to emerge in the past five years. I want to like Ray LaMontagne, but his album is flawed in too many ways, and there is little indication that future work will be an improvement.
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