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    Gasoline
    Gasoline

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    Artist: Theory Of A Deadman
    Label: Roadrunner Records
    Category: Music

    List Price: $17.98
    Buy Used: $6.54
    You Save: $11.44 (64%)



    New (42) Used (20) from $6.54

    Avg. Customer Rating: 4.5 out of 5 stars 68 reviews
    Sales Rank: 4660

    Media: Audio CD
    Discs: 1
    Shipping Weight (lbs): 0.2
    Dimensions (in): 5.6 x 5 x 0.5

    MPN: 618323
    UPC: 016861832322
    EAN: 0016861832322
    ASIN: B0007XT7V8

    Release Date: March 29, 2005
    Availability: Usually ships in 1-2 business days
    Condition: 100% Satisfaction Guaranteed.

    Tracks:

      • Hating Hollywood
      • No Way Out
      • No Surprise
      • Quiver
      • Santa Monica
      • Better Off
      • Say Goodbye
      • Hello Lonely (Walk Away from This)
      • Me & My Girl
      • Since You've Been Gone
      • Hell Just Ain't the Same
      • Save the Best for Last
      • In the Middle

    Similar Items:

      • Scars and Souvenirs
      • Theory of a Deadman
      • Saving Abel
      • Finding Beauty in Negative Spaces
      • 3 Doors Down

    Customer Reviews:   Read 63 more reviews...

    4 out of 5 stars Better Than Expected.   January 13, 2006
     10 out of 10 found this review helpful

    I'll admit, when I first heard Theory Of A Deadman, back in 2002, I instantly wrote them off as a Nickelback clone. Afterall, they kind of have that sound, and their first album was even produced by Nickelback's own Chad Kroeger. However, as I have learned many times before, passing judgment so quickly on a band is hardly ever a good idea. If it wasn't for the fact that I'll be seeing these guys open for Staind in a few weeks, I probably wouldn't have checked out this album. However, I gave Theory Of A Deadman (or T.O.A.D.) a second chance and recently picked up their sophmore album, "Gasoline." I have to say, I was quite surprised by what was inside...

    While it is true that T.O.A.D. may not re-invent the genre or bring anything entirely new to the table, what they do offer is a solid, healthy dosage of modern rock. Their sound is one that you are used to if you are familiar with radio-rock, but that's not a bad thing, as these guys do this style better than a lot of bigger bands out there (not naming names). Not only does vocalist/guitarist Tyler Connelly have a smooth, strong and disctinctive voice, but the guitar playing between him and co-guitarist David Brenner is a notch above what is usually heard in this type of music. As for the songs, Connelly pretty much writes the perfect breaking-up/being dumped songs. The first single, "No Surprise" is a perfect middle-finger to those that like to tease, while semi-acoustic tracks like "Hello Lonely (Walk Away From This)" and "Since You've Been Gone" could easily be the next big hits, despite their tendency to get a bit predictable. However, to counteract the few cheesy songs ("Hell Just Ain't The Same," ""Me And My Girl"), T.O.A.D. delivers some damn fine hard rock material in "Hating Hollywood," "Save The Best For Last" and "Better Off."

    "Gasoline" is, overall, a solid listen. It's a good album to take with you on a long drive, as just about every song has something memorable going for it. If you like, or can even tolerate modern-rock, you should really give these guys a chance. They definitely deserve the fame that lesser groups have gained, as they seem quite accomplished in both musicianship and songwriting. No, on the surface, they may not seem special, but I think any rock fan can find something to appreciate with "Gasoline," or even their self-titled debut.



    5 out of 5 stars If Nickelback didn't get overplayed   May 14, 2005
     8 out of 10 found this review helpful

    Normally I hate to unjustly compare two bands, because I can think of nothing more irritating then to be pigeon held by what my predecessor has done. However, with that said, Theory of a deadman is to similar to Nickelback to be ignored. If you don't like the sound of Nickelback, then this album isn't for you, plain and simple. Every song has the same formulaic construction that Nickelback has made it's calling card. What is nice about this album is Tyler's voice has a bit more edge then Chad's. This album is very listenable, with very catchy hooks. I still have to give the edge to the self titled album, simply for the fact that this album does not have any of the definite singles that the first one had. There just isn't any topping "leg to stand on" or "Invisible man". If you are just learning about this band for the first time, I think I would recommend the first album over this one just because it's cheaper. I'm not sure whether or not it deserves the five star rating I gave it, there is nothing superior here, it's just so damn catchy it's hard to give it anything less. Thank you for your time.


    5 out of 5 stars $13 very well spent   April 1, 2005
     6 out of 6 found this review helpful

    I have bought 2 CDs in my life (quite an accomplishment for a starving university kid), and both CDs are by Theory of a Deadman. I bought this CD as soon as it came out, and I was a bit disappointed. Not to say this isn't good, it is a rocking and extremely awesome CD, but the first one was just too damn good.

    In contrast to the last CD, this one feels more personal. TOAD has broadened their music style and the music is definitely heavier than the last CD. The guitar is also better on this record.

    Here is a review of all the tracks, and I don't give out 10s, because I think nothing is perfect (maybe a bit cynical for a 18 year old). So 9.5 is the "perfect" score.

    1. Hating Hollywood: A good start to the album and great rock riffs. The opening riff is addictive. 8.5/10

    2. No Way Out: A hard rocking song and has a fast pace. The song gets better as it goes along. 8/10

    3. No Surprises: The first single from the CD. When I first heard it, it was a pleasant surprise. It is a good song and gets even better after listening to it more. This is a song written before TOAD became famous (I remember hearing this on the CFOX), so it is nice to get a glimpse of the style before they got famous. Good lyrics too. 9/10

    4. Quiver: A good rock song. Not much to say about it other than it is fast and some strong lyrics for TOAD. 8/10

    5. Santa Monica: A change of pace from the previous songs. The only song to contain the name of the album "gasoline". Very good chorus. Reminds me of "Make up Your Mind", with a melancholy tone that is prevalent through out the album. 9/10

    6. Better Off: Faster than the previous track. Reminds me of a mix of "Leg to Stand On" and "What You Deserve" from the last CD.

    7. Say Goodbye: Excellent. Feels like a mix of "The Last Song" and "Say I'm Sorry", but it's a totally different song. Wonderful acoustic guitar at first and awesome lyrics. 9.5/10

    8. Hello Lonely: Not sure if it's a coincidence, but the best tracks in both TOAD albums are songs 7 and 8. A soft acoustic start to the song, and a smooth transition through out the song. The pre-chorus is the best part of this song. I also love the lyrics. The lyrics in the last and this song epitomizes the tone throughout the album. Another "perfect" score. 9.5/10

    9. Me and My Girl: Another awesome song. This one is faster than the last two songs. There is a nice twist in the lyrics. I also like the background guitar riffs, and the banjo-sounding part is great. 9.5/10

    10. Since You've Been Gone: A mellow song, and has a popish feel to it. An easy song to play in that it is mostly chord strumming. 8.5/10

    11. Hell just Ain't the Same: The only song written by Tyler Connolly. Not a song in that it is only about a minute long. Has a southern feel to it. 8/10

    12. Save the Best for Last: Judging the title, it should be the last song of the album (same thing for "The Last Song"). A fast song and a lot of riffs. 8/10

    13. In the Middle: A soft and slower song with an acoustic start, similar to "Since You've Been Gone". 8.5/10

    There you go, my first review of any sort. I haven't wrote this much since the last English 112 essay. Give yourself a hand for reading this much. Overall it is an awesome album, and that "disappointed" thing at the beginning of this review is just my initial personal view. I give "Gasoline" an outstanding 9/10, and it is an album definitely worth picking (plus it's cheaper than others).



    5 out of 5 stars Different from their first effort, but great nonetheless   April 9, 2005
     5 out of 6 found this review helpful

    Theory of a Deadman's new album "Gasoline" is an entirely different album than the first --as any album should be different from the last. If you are picking up this album expecting to get a number of heavy rockers then you may be disappointed. However, don't put this album away after only one listen -- listen to it a few times and you'll find that it will grow on you fairly quickly. I read about the new album in Guitar One magazine and it said that the guys had tuned their guitars up to around the standard range rather than a few steps down (the first album was almost all in the tuning of B flat I believe). Tyler's voice is definitely focused upon on this album and I think that the higher tuning really complements his vocal range well. This time around the album was written entirely by Theory of a Deadman...Chad Kroeger of Nickelback doesn't have any credits in any of the songs, which is better in my opinion. I like when bands write all their own stuff. Also alot of people will say Theory sounds alot like Nickelback and while at first listen Tyler and Chad's vocals do sound pretty similar, the more you listen the more you can tell them apart and you will find that Tyler's voice has a sound of its own. Surprisingly the rockers on this album aren't the songs that shine, but rather the acousitc/electric hybrid ballads. But anyways, on to rating the songs!

    1. Hating Hollywood - 8/10 - This song is one of the heavier rockers on the cd with a muddy verse and a chorus that blends seamlessly into the song. This song could have made it on the first album and probably wouldn't have been out of place.

    2. No Way Out - 8.5/10 - This song is in the same realm as the last one, a heavier rocker but with a chorus that is catchier than the first. This song has been growing on me with each listen and it is a solid track.

    3. No Surprise - 8.5/10 - The first single off of the cd. At first listen I was kind of skeptical about this song. There was something about the lead line of the intro that just seemed too...kitschy or something. But upon further listens I've grown to really like this song - starts out softer with a pretty catchy chorus.

    4. Quiver - 8/10 - It reminds me alot of "Leg to Stand On" off of the other album. The verse is pretty darn catchy though and it has grown on me quite a bit. A definite good rocker that will have you tapping your foot.

    5. Santa Monica - 10/10 - One of the first true acoustic songs on the album, this is very well done. It'll have you singing along to it in no time. In my opinion, this song begins the winning stretch of this cd and I think many of you will also agree with me. It's slower but it rocks in its own way.

    6. Better Off - 9/10 - Back to a heavier song with distorted guitars. It's catchy, I will give it that. Some could argue that it is kind of "poppy" but I think it sounds pretty good. Straight up power chord rock at its finest.

    7. Say Goodbye - 9.5/10 - Starts off with some nice acoustics then during the chorus goes into some electric guitar work. A solid and classic Theory song. Reminds me faintly of "Say I'm Sorry". Good song.

    8. Hello Lonely - 10/10 - This is my favorite song on the cd. This will most likely be their next radio single but man, it is pretty darn good. The vocal work on this track are amazing. If there were a "The Last Song" on this album, this one would be it, although it doesn't have the heavy guitars in the chorus like "The Last Song".

    9. Me & My Girl - 9/10 - Another pretty good song. Has some southern-style riffs in the beginning which adds to the dynamics of the song. Kind of a cliche topic, but it's catchy and it's a solid song that is worth listening to.

    10. Since You've Been Gone - 9/10 - This song is a slower one with another southern-vibe with the acoustic guitars in the background. The strings also are a nice touch. This is one of the ballads of the cd for sure and fans of the harder rock of Theory may not like this song as much, but you have to appreciate the musicianship in this one.

    11. Hell Just Aint the Same - 7/10 - To me this track just sounds like a filler. It has the sounds of an old country song - like the early country back when country was actually country - like in the 60's, but it's not totally country. It's not a terrible song and it clocks in at about 1:15, which is why it makes me believe this song is only a filler. Doesn't really fit in with the cd, but it's alright.

    12. Save the Best for the Last - 9/10 - Another faster rocker with some pretty groovy slide guitar work in the beginning. The chorus is the spotlight on this song and it is really well written and well done.

    13. In the Middle - 9/10 - Almost sounds like "The Last Song" with the acoustic appregios being strummed. The words are really good and the singing is stellar - it's a classic ballad. I think it's a decent closer considering the opener was a faster rocking song - plus the album does slow down towards the end anyways.

    Overall a very good album which is worth picking up. In the same Guitar One article they said they'd like to release a cd with 6 or 7 acoustic songs on it because they really like the sound...so who knows, maybe we'll be seeing an acoustic Theory album. This album will surely satisfy any true Theory fan and will most likely help them gain some new ones. "The Last Song" is still their best song, but there are some songs on this album that rival it! Go support a good band and pick up "Gasoline".



    4 out of 5 stars Great CD at a great price!   April 5, 2005
     4 out of 5 found this review helpful

    This is a awesome CD, better than there last. The only problem that I have is that somehow i seem to have gotten an edited version of the CD but there is only one version to buy in the store and it did not say edited on it. Has this happened to anyone else? I don't need to here bad lanuage to make the music good, but it just makes me mad that if you are going to say it than say it and if you don't want to say it than don't but it is very poor to put out an album with blank spaced in it!


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