Monkey Business | 
| Artist: The Black Eyed Peas Label: A&M Category: Music
List Price: $13.98 Buy Used: $0.91 You Save: $13.07 (93%)
New (42) Used (114) Collectible (3) from $0.91
Rating: 435 reviews Sales Rank: 849
Media: Audio CD Discs: 1 Shipping Weight (lbs): 0.2 Dimensions (in): 5.6 x 4.9 x 0.4
MPN: 000434102 UPC: 602498804803 EAN: 0602498804803 ASIN: B00096S3RC
Release Date: June 7, 2005 Availability: Usually ships in 1-2 business days
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| Tracks:
| • | Pump It | | • | Don't Phunk With My Heart | | • | My Style | | • | Don't Lie | | • | My Humps | | • | Like That | | • | Dum Diddly | | • | Feel It | | • | Gone Going | | • | They Don't Want Music | | • | Disco Club | | • | Bebot | | • | Ba Bump | | • | Audio Delite At Low Fidelity | | • | Union |
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| Editorial Reviews:
Amazon.com As with their last hit, Elephunk, Black Eyed Peas' new disc Monkey Business is a joyful cross-genre journey with musical props to hip-hop, rock, folk, funk, and pop. The reason the Black Eyed Peas have audience appeal that crosses over many styles is because the band members are such obvious fans of diverse music. Nowhere is this more apparent than on Monkey Business's high-profile guest list. After Justin Timberlake's contribution to the massive "Where Is the Love" breakout hit from Elephunk, their inclusion of big names once again was a smart, respectful move on the part of the band as well as their guests. "My Style" is Timberlake's BEP foray number two; while the song is funky pop fun, those looking to hear Justin in the forefront are likely to be disappointed, as his vocals are mixed evenly, no sweet soulful solos this time. Other guests of note are Jack Johnson, who cowrote the bling-bashing "Gone Going," Sting on "Union" (sonically inspired by the former Police-man's "Englishman in New York"), while funk legend James Brown contributes to a scorching soul track dubbed "They Don't Want Music." The contribution of female vocalist Fergie--who joined the band partway through their last CD--has raised up considerably on the band's fourth disc, their second as a quartet. Sassily fronting her way through songs like "My Humps," the "Hey Mama"-esque "Dum Diddly" and the first single "Don't Phunk With My Heart," Fergie's melodic contributions make for a record that will likely be heard by wider audiences than ever, making this a truly accessible `hip-pop' CD. --Denise Sheppard Recommended Black Eyed Peas Discography  Behind the Front | Bridging the Gap |  Elephunk |
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| Customer Reviews: Read 430 more reviews...
Yes! I Want Music! June 7, 2005 Amanda Richards (Georgetown, Guyana) 111 out of 143 found this review helpful
A big phunky follow up to 2003's Elephunk from a group that invented and perfected a revolutionary new hip hop beat. With their trademark crazy lyrics, irresistible dance beats and catchy hooks, along with their unmistakable appeal and charisma, will.i.am, apl.de.ap, Taboo and Fergie come across as fresh, different, and let's face it, interesting. The album blasts off with an aptly named heart-pumper called "Pump It", and then smoothly slides into their first hit "Don't Phunk With My Heart", a dance floor conquering song. The next single may well be "My Style", thanks to the input of Justin Timberlake who was a lucky charm on the last album with "Where is the Love?" The funniest song of the album is "My Humps", and another good one is "Dum Diddley" which adapts a Caribbean beat similar to Akon's "Belly Dancer". For a '70s trip down memory lane you can try "Feel It", and for a real old time funk experience you can't beat "They Don't Want Music" featuring the one and only James Brown. Another interesting combination can be found on "Gone Going Gone" with Jack Johnson, and Sting's input on "Union" is unmistakable for anyone familiar with his "Englishman in New York". Coming behind "Elephunk" this one does not disappoint, and is an "Audio Delite" at any fidelity. Amanda Richards, June 7, 2005
Too Bad I Can't Give it Zero Stars August 16, 2005 Andrew Britt (Ohio) 11 out of 12 found this review helpful
Yeah, that's right. I know I'm among the few giving it one star amongst all of these people raving about how great this album is. Honestly people. The music has been done, there are no surprises. What I'm trashing most about this album is the lyrics. I'm not one to shy away from music based on lyrics, but this takes the take for Worst Lyrics Ever, and that's saying something. Has anyone read the lyrics to "My Humps?" Just looking at the song titles gives you an idea of how dumb the lyrics will be (Don't Phunk With my Heart). Really, what were they thinking. I've only got one reasonable explanation to why they're so popular. They sold their souls. There's no other plausable explanation other than that. Thanks a lot Satan.
Worst Release of 2005 December 29, 2005 Daniel Brian (N.H.) 20 out of 24 found this review helpful
It's hard to believe that once upon a time, in 1998, the Black Eyed Peas could out funk the Fugees and could have been considered the new De La Soul. "Selling Out" seems like a term of the past and a consequence that few care about these days but in 2004, with the addition of female vocalist Fergie and the release of Elephunk, it became immediately obvious the group had become a capitalistic whore. Now in 2005, our radios and our ears were graced with nothing less than inane tripe from the Black Eyed Peas and their latest release Monkey Business. The first single "Don't Phunk With My Heart" was not bad in comparison to the onslaught of singles off of Elephunk that would often cause paralysis and people to punch infants. But it was with the release of "My Humps" that the Black Eyed Peas became an immediate danger to our society. "My Humps" is pro-actively damaging to our youth, not only by leaving "lady lumps" of tumors in kids' heads that are bound show up on MRIs down the road but also by leaving faux impressions scorched into their skulls of what decent pop music is.
Broader Horizons June 9, 2005 K. Fontenot (The Bayou State) 58 out of 75 found this review helpful
If "Elephunk" introduced the Black Eyed Peas to multiple genres of listeners, then "Monkey Business" is definitely the wake-up call for those lagging behind. With influences from pop, hip-hop, R&B, soul and roots music, BEP have melded their four minds together to make one heck of an album. It's a definite step-up from "Elephunk," offering new and varied sounds on each song on the album. The initial release is "Don't Phunk With My Heart." It bridges the gap between "Elephunk" and "Monkey Business" but has a hard driving, almost techno feel to it. "Pump It" is probably my favorite song on this disc, being that it has some killer Dick Dale guitar loops in it. I wonder how many BEP fans actually know who Dick Dale is? Also, Justin Timberlake appears here again, but the real gems, the important ones, are James Brown and Sting. The Godfather of Soul lends some funk to "They Don't Want Music," another of my favorites that targets the modern music listener who doesn't really want music, just a beat to move to. "Bebot" is another cool tune on this disc. The entire album is solid, no filler to be found. If you enjoy funk, hip-hop, pop, or even a little surfer music, "Monkey Business" has a little of all of that here. Like I stated before, this is definitely an improvement on "Elephunk," because it will surely meet a larger audience AND the BEP won't sound like sell-outs. That's a hard thing to do these days.
The most mainstream, sell-out group EVER? Yes. December 30, 2005 19 out of 23 found this review helpful
It's true that the Black Eyed Peas exist for no reason but to make money: it's like they were designed to sell MP3s and ringtones. What about the music? Apparently, "My Humps" isn't about Fergie being a hunchback; instead, she tries to bedazzle us by "singing" about her mammary glands. "My humps, my lady lumps..." HOW CREATIVE! There's no point in boycotting them because of their legions of brainwashed zombie followers who say "holla at a playa, didja get dat new Black Eyed Peas sh*t? Les go clubbin'!" . Just ignore this four-piece group though, because by 2007, they'll go the way of the Spice Girls.
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