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    IV
    IV

    zoom enlarge 
    Artist: Godsmack
    Label: Republic
    Category: Music

    List Price: $13.98
    Buy Used: $0.42
    You Save: $13.56 (97%)



    New (54) Used (44) Collectible (1) from $0.42

    Avg. Customer Rating: 4.0 out of 5 stars 146 reviews
    Sales Rank: 6818

    Media: Audio CD
    Discs: 1
    Shipping Weight (lbs): 0.2
    Dimensions (in): 5.6 x 4.9 x 0.4

    MPN: 000654802
    UPC: 602498550366
    EAN: 0602498550366
    ASIN: B000EXOAAO

    Release Date: April 25, 2006
    Availability: Usually ships in 1-2 business days

    Tracks:

      • Livin In Sin
      • Speak
      • The Enemy
      • Shine Down
      • Hollow
      • No Rest For The Wicked
      • Bleeding Me
      • Voodoo Too
      • Temptation
      • Mama
      • One Rainy Day

    Similar Items:

      • Faceless
      • Godsmack
      • Awake
      • The Other Side
      • Ten Thousand Fists

    Editorial Reviews:

    Amazon.com
    Six albums into its career, Godsmack finds itself faced with the challenge of moving forward without betraying its roots. Although the veteran act manages to offer up a handful of convincing tunes on this hour-long affair, IV fails to hang together as a cohesive and convincing album. The opening "Living In Sin" and its follow-up "Speak" rock with conviction although neither breaks new ground; "The Enemy"--a reasonably good approximation of a latter-day Metallica tune--proves persuasive while "Shine Down" and "No Rest For The Wicked" are radio-ready distractions. As good as those and a number of the other songs are IV never locks into any particular groove and ultimately amounts to little more than a batch of songs placed end-to-end on a disc that's roughly 20 minutes too long. By the record's final moments--the passionate but decidedly dated angst-filled dirge "Mama," the meandering "One Rainy Day"--the listener grows weary of treading down an all-too-familiar path with a band that still has a promising future if only it could let go of its unyielding grip on its own past.--Jedd Beaudoin

    Amazon.com
    Six albums into their career, Godsmack find themselves faced with the challenge of moving forward without betraying their roots. Although the veteran act manages to offer up a handful of convincing tunes on this hour-long affair, IV fails to hang together as a cohesive and convincing album. The opening "Living In Sin" and its follow-up "Speak" rock with conviction, although neither breaks new ground; "The Enemy"--a reasonably good approximation of a latter-day Metallica tune--proves persuasive, while "Shine Down" and "No Rest For The Wicked" are radio-ready distractions. As good as those and a number of the other songs are, IV never locks into any particular groove and ultimately amounts to little more than a batch of songs placed end-to-end on a disc that's roughly 20 minutes too long. By the record's final moments--the passionate but decidedly dated angst-filled dirge "Mama" and the meandering "One Rainy Day"--the listener grows weary of treading down an all-too-familiar path with a band that still has a promising future if only it could let go of its unyielding grip on its own past. --Jedd Beaudoin


    Customer Reviews:   Read 141 more reviews...

    4 out of 5 stars A surprisingly new and improved Godsmack   April 26, 2006
     35 out of 46 found this review helpful

    Following up 2003's "Faceless," which received a mixed critical response, Godsmack release their fourth full length disc. "IV" was advertised by the band as being a more "experimental" album. Some skeptical people think the world will see Jesus' second coming before Godsmack make an experimental album. But Godsmack have definitely proved their cynics wrong, because this album does sound quite a bit different than "Faceless," 2000's "Awake," and 1998's self-entitled debut. There are several melodic songs on here, so "IV" has a somewhat gentle, tuneful, and harmonic edge. Thus, this album might not have as many good, heavy riffs as before, but it is definitely easier to swallow than `Smack's previous discs. Plus, frontman Sully Erna gets to actually sing on several of these tracks, and his lyrics are (for the most part) solidified.

    The album opens with two somewhat disappointing but tolerable songs, "Livin In Sin" and "Speak." The former song kind of goes no where, and "Speak," which is the single, has some good hooks, but it sounds a little too familiar. But then things start to look up. "The Enemy" is a dark, "Awake"-esque song, with catchy, hard-hitting riffs over a lurching rhythm.

    Track four, "Shine Down," is where the melody first makes an appearance. This song does have a few guitar riffs, but Sully's singing voice (which is actually pretty good) prevents it from being very heavy. A wailing harmonica solo, which wouldn't be out of place on a country music or Led Zeppelin album, is also included here.

    "Hollow" is a somewhat pretty song with non-threatening, acoustic guitar strums and crooning. It might be a b-side from Godsmack's 2004 unplugged EP, "The Other Side," except this song also includes some female backing vocals.

    The next two songs, "No Rest For The Wicked" and "Bleeding Me," return the album to Godsmack's heavy, riff-centered roots, but "Voodoo Too" is again melodic. It's a catchy little song (which is a sequel to 1998's hit single, "Voodoo") with tribal drums and a tasty (albeit brief) guitar solo.

    "Temptation" is maybe the best of the heavy songs. It falls into a deep, thrashy groove and is backed by strong, churning riffs.

    Finally, "Mama" and "One Rainy Day" are the last two songs. "Mama" is sort of in the same vein as "Shine Down" (it has more of Sully's very decent singing), and "One Rainy Day" is a dreary, depressing (though somewhat meandering) ballad which features very docile instruments and vocals.

    All told, "IV" is easily Godsmack's most mature, well balanced, well-written, consistent, and all around best release to date. It's good for old-school fans, because there is plenty of headbanging-worthy material here, but you should also definitely check it out if you aren't a fan of their first three discs. This is a new side of Godsmack, one which we haven't heard before, and one which is significantly grown up and improved. Isn't it amazing what a little melody can do for a band?



    4 out of 5 stars Sully Erna's Godsmack IV   April 27, 2006
     16 out of 24 found this review helpful

    Sully Erna has a vision for this band. Clearly, he has had a vision for this band since their debut CD and he has stayed the course...the course of making hard rock with understandable lyrics, great guitar work and--no doubt--pounding drum rhythms.

    A track called "Living in Sin" starts the disk out with a bit of whimper, but immediately gets going with the more heavy, radio-played "Speak". The following is a cool tune titled "The Enemy" with that familiar "Bad Religion" beat, and it flows nicely into a rockin' track 4 called Shinedown.

    Tony Rombolla lays his signature Godsmack guitar melodies and solos onto the first 4 tracks with great precision. And it's nice to hear a hard rock band that let's its guitarist free. Too many Metal bands these days have opted to drop guitar solos completely...which is just bizarre. Tony and Godsmack bring it on.

    Shannon Larkin is his own drummer with a great resume, but he packs the Sully Erna/Godsmack signature punch in the rockers on IV. And Robbie Merrill keeps the backbeat moving with his "4 string thing" as he dubs it in the liner notes.

    Tracks 5 - 11 go back and forth between a darker slow metal sound to the signature Godsmack hard rock sound. The disk (track 11) finishes with what can only be a tribute to Alice in Chains; "One Rainy Day" sounds like Layne Staley's ghost came down for another hoorah.

    Overall, just like Godsmack's former 3 releases, IV showcases Sully's signature vocals with Godsmack's thumping signature sound on a disk that you can bang your head to.

    Hard rockers should pick it up.



    5 out of 5 stars Tied with the self-titled album for best of the four.   April 26, 2006
     10 out of 11 found this review helpful

    Approximately three years removed from the release of their third studio album "Faceless," the boys in Godsmack are back at it again, this time with "IV" (Four). Now, while this may hardly be the most creative name for the new album (I thought the same exact thing when Earshot released "Two," Staind put out "Chapter V," and Sevendust came out with "Next," but that's not the point) , the album itself is chock-full of great tunes and is classic Godsmack. Once again, the guys prove that they are able to make powerful music on both ends of the spectrum, whether it be a soft, acoustic tune such as "Hollow" (reminiscent of their work on their EP "The Other Side, released in 2004) or a hard rocker like first single "Speak." A lot of bands today try this, and most of them fail miserably. Personally, I think Godsmack and Sevendust are the only two modern rock bands who pull it off with any degree of success.

    Although "Livin' In Sin" isn't the greatest opener, it's still a decent song with a catchy vibe that grows on you after a while. Three tracks in is "The Enemy," and is it just me or does this song sound an awful lot like "Bad Religion (from the self-titled album) Part II" in terms of guitar parts? Of course that's not necessarily a bad thing and while it may just be the weakest song on the album from a lyrical standpoint, I think that may be what the guys were going for here, as it's more of a "f*ck you" type song than anything else. After that comes "Shine Down" (not in any way related to the other great band known as Shinedown), and when you hear the harmonica at the beginning of this song, at first you're like "Huh? That can't work in a Godsmack song." But it does, and the harmonica solo halfway through is amazing. This is the first track on the album where Godsmack demonstrate their more "bluesy" side that several other reviewers on here have alluded to.

    The aforementioned "Hollow" may be the best acoustic song the band has done to date, and the additional vocals provided by Lisa Guyer are nothing short of amazing. As for the sequel to "Voodoo" from the self-titled album, "Voodoo Too," I wouldn't say it's as great as the original but definitely a worthy successor. I especially like the chorus line, "Have you ever wondered why in a dream you can touch a falling sky?" I don't really care to provide reviews of the rest of the songs on this album, but rest assured that they are all good in their own ways. Having bought my copy at Target, the hidden bonus track that I was treated to is called "I Thought," and what a wonderful song it is. I thought it was cool how Godsmack put one track that was exclusive to copies of this album from certain stores, i.e. "I Thought" from Target and "Safe and Sound" from Best Buy. I am currently unaware of any others. (Although I do know that you get a free Godsmack T-shirt if you buy this album from Circuit City ths week, haha.)

    Now, to all of the haters out there who say that Godsmack is nothing more than an Alice in Chains clone, with all due respect, please take your heads out of your asses. Godsmack have always been strongly influenced by the music of AIC (the band members themselves admit this), but that does not mean they are "ripping them off" in any way. If you cannot tell the difference between a Godsmack song and an AIC song, I strongly suggest you get your hearing checked (this coming from a huge Alice fan). There are similarities between the two bands, yes, but then again no band today is 100% original when it comes to sound and style.

    And to the guy who said that nobody can name an AC/DC album other than "Back in Black"...hmmm, let's see..."Dirty Deeds Done Dirt Cheap," "The Razor's Edge," "For Those About To Rock...," "Highway To Hell," "Let There Be Rock," "Fly On The Wall," do you need me to go on? And if you truly believe that the only AC/DC songs played on the radio are those from their masterpiece "Back in Black," I strongly suggest you get, well, a radio. And last but certainly not least, as far as Pearl Jam is concerned, they had their heyday over a decade ago, and are merely a shell of the great band they once were. Their last album, "Riot Act," was a steaming pile of cow dung, aside from the great single that was "I Am Mine." Starting with that album, Eddie Vedder for whatever reason decided it would be a good idea to channel the spirit of Rage Against The Machine and turn PJ into, yet another, whiny political band. Pardon me for asking this, but whatever happened to rock bands just playing rock music without trying to bash people over the heads with their own sanctimonious political agendas?

    Oh well, thankfully there's still at least one band we can count on not to do that. That band would be Godsmack.




    1 out of 5 stars garbage   May 4, 2006
     7 out of 15 found this review helpful

    Another example of how low the music industry has sunk. While far superior albums in this vein -- Guided by Voices' recent efforts come to mind -- sell in meager quantities, garbage like this is flying off the shelves. Chalk it up to superior marketing, I guess. The worst part is the way these guys wear their Boston background on their sleeves. Boston musicians like Modern Lovers, the Cars, Mission of Burma, and Aimee Mann must die a little every time these clowns on television.


    1 out of 5 stars Go Shill a Navy Commercial   May 17, 2006
     7 out of 11 found this review helpful

    Anyone ever heard of "Alice in Chains?" Go buy some old AIC..they put out better quality CD's and there's more diversity in their music...The name of IV is fitting because it is the fourth time I have been disappointed in this knock-off band...So while they originally ripped off AIC blantantly, now they are marginalized to rock ballads and recruitting young kids into the military...Save your money...

    I recommend TOOL 10,000 Days over this garbage..Maynard owns these posers!!!



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