Last Man Standing - The Duets | 
| Artist: Jerry Lee Lewis
Label: Artist First
Category: Music
List Price: $19.98
Buy Used: $2.96
You Save: $17.02 (85%)
New (29) Used (25) Collectible (1) from $2.96
Rating:  167 reviews
Sales Rank: 9616
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5
MPN: 20001
UPC: 878722000123
EAN: 0878722000123
ASIN: B000GRUQYW
Release Date: September 26, 2006
Availability: Usually ships in 1-2 business days
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| Tracks:
| • | Rock and Roll - Jerry Lee Lewis, Jimmy Page | | • | Before the Night Is Over - B.B. King, , Jerry Lee Lewis | | • | Pink Cadillac - Jerry Lee Lewis, Bruce Springsteen | | • | Evening Gown - Mick Jagger, Jerry Lee Lewis, Ronnie Wood | | • | You Don't Have to Go - Jerry Lee Lewis, Neil Young | | • | Twilight - Jerry Lee Lewis, Robbie Robertson | | • | Travelin' Band - John Fogerty, Jerry Lee Lewis | | • | That Kind of Fool - Jerry Lee Lewis, Keith Richards | | • | Sweet Little Sixteen - Jerry Lee Lewis, Ringo Starr | | • | Just a Bummin' Around - Merle Haggard, Jerry Lee Lewis | | • | Honky Tonk Woman - Kid Rock, Jerry Lee Lewis | | • | What's Made Milwaukee Famous - Jerry Lee Lewis, Rod Stewart | | • | Don't Be Ashamed of Your Age - George Jones, Jerry Lee Lewis | | • | Couple More Years - Jerry Lee Lewis, Willie Nelson | | • | Ol' Glory - Toby Keith, Jerry Lee Lewis | | • | Trouble in Mind - Eric Clapton, Jerry Lee Lewis | | • | I Saw Her Standing There - Jerry Lee Lewis, Little Richard | | • | Lost Highway - Delaney Bramlett, Jerry Lee Lewis | | • | Hadacol Boogie - Buddy Guy, Jerry Lee Lewis | | • | What Makes the Irish Heart Beat - Don Henley, Jerry Lee Lewis | | • | Pilgrim - Kris Kristofferson, Jerry Lee Lewis |
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| Editorial Reviews:
Amazon.com
How do you drum up interest in a Jerry Lee Lewis record, since the Ferriday Fireball is 71 and hasn't put out an album since 1996? First, you pair him with 22 of the biggest stars of rock (Mick Jagger, Keith Richards), country (Willie Nelson, Merle Haggard), and blues (Buddy Guy, B.B. King), to show how he put his stamp on nearly every genre. Then, you hire the dean of music chroniclers, Peter Guralnick, to give the liner notes heft. And--oh, yes, you also make sure the piano-pounding pioneer displays the best finger form he's shown in 25 years. Throughout, the Killer crows, struts, and self-mythologizes with the brio of youth, and who could resist him? At times, one may question the wisdom of turning an obvious guitar tune (Led Zeppelin's "Rock and Roll") into a piano-dominated performance, just as it seems odd to not make the best use of such guests as Toby Keith or Delaney Bramlett. But Lewis never yields the throne for a second, even surrounded by the likes of Robbie Robertson, Neil Young, and Eric Clapton. For that reason, most of these aren't true duets--the star instrumentalists take their solos, and the harmonies of some of the most legendary vocalists (Don Henley, Little Richard) stay too far in the background. But when things really work--as they do with Bruce Springsteen (the rave-up "Pink Cadillac"), Neil Young (a crackling rendition of "You Don't Have To Go"), Kid Rock (an even blacker "Honky Tonk Woman"), George Jones (the novelty-framed "Don't Be Ashamed of Your Age"), and Kris Kristofferson (an especially poignant take on "The Pilgrim: Chapter 33"), the rock of ages cleaves for thee and me. Last Man Standing refers to the famous cover of Million Dollar Quartet, on which he's pictured with fellow Sun artists Elvis Presley, Johnny Cash, and Carl Perkins, all now jamming in the great beyond. Yet in a spoken-word reprise at the end of the Kristofferson song--"From the rocking of the cradle / To the rolling of the hearse / The going up was worth the coming down"--the Last Man seems to suggest his own fine epitaph. It's hard to argue with a hellraiser extraordinaire. --Alanna Nash
Album Description
Twenty-two rock and country legends duet with Jerry Lee Lewis on this incredible package, celebrating The Killer's impact on American music. Among the luminaries igniting these all-new recordings of seminal rock 'n' roll are Eric Clapton, The Rolling Stones, Bruce Springsteen, Willie Nelson, Toby Keith, Little Richard, Merle Haggard, Neil Young, and more.
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| Customer Reviews: Read 162 more reviews...
 Killer Showcase! September 26, 2006
Soulboogiealex (Netherlands)
110 out of 112 found this review helpful
Duets album are always tricky endeavors. Very seldom they succeed. The long awaited "Last Man Standing" is a pleasant exception to the rule. The record features no less than 21 collaborations. The song selection is a balanced choice of Jerry Lee classics and "new" material for the Killer. The album rightfully avoids the obvious selections as "Great Balls of Fire", which are well enough left alone. In stead the selections play Jerry Lee's strengths amazingly well. The album opens with a strong rocker featuring Jimmy Page, but leans heavy into Country material, the Killer's main strength.
Some of the "new" songs here as Springsteen's Pink Cadillac sound as if they were written fro Lewis, or at least with Lewis in mind. The "old" material works just as well as when he recorded it first. Though out the album the guest musicians put themselves in service of Jerry Lee and the song, thus avoiding a trap many duets albums fall for, where the guests get too much spotlight and the main star disappears in the shadow. This is a Jerry Lee Lewis album first and foremost. Only when called for the album goes in full duet mode. "Just Bummin' Around", a collaboration with Merle Haggard, one of the albums highlights, sounds like two friends sharing some good times, "Hadacohl Boogie" allows Buddy Guy to rip loose.
Last man standing doesn't really have flaws worth mentioning. The record does Jerry Lee justice and is one of his finest releases in many years. It works almost just as well as a greatest hits package as a showcase of his talents and is certainly a fine addition to such a package. Not to be missed by fan or casual passerby alike. It's a Killer.
Still the Greatest Rock & Roller March 11, 2007
John Carr
38 out of 38 found this review helpful
This wonderful Jerry Lee Lewis live album belongs in the collection of every rock and roller. I've been a Jerry Lee fan since I first heard Whole Lotta Shakin' Going On back in 1958. I've got all of Jerry's rock albums, including the complete Sun Sessions, and the wonderful Bear Family box sets of his Mercury years for the ocassional rock & roll song that would nest like a gem among all the country weepers.
First and only caveat: Jerry looks bad, old -- it shook my wife up. Considering the life he's led, the hell raisin', the drugs, the drinkin', the fighting... Well, next to Keith Richards he's been #2 on the Next Rock Star To Die List since the the 1970s, and he almost did die more than once. And it shows, but Jerry can still play the keys off a piano; by the end of the concert he's rockin' up a storm with the best version of Roll Over Beethoven I've ever heard! That song alone is worth the price of this inexpensive DVD. It's a long concert too, running 1 hour and 42 minutes and some. The bonus features are short and sweet, but who cares with all that great music.
Also, the tributes from Tom Jones through Kid Rock are touching, and sincere. The Killer is the Man! As always, Jerry dominates every collaboration. Only John Fogerty sings a solo and that's on Good Golly Miss Molly, a version that's comparable to Little Richard himself at his best, and is one of the highlights of this great concert DVD.
There are a lot more country weepers than I like, but I found myself entranced by the performances, and the respect and love given by Jerry's peers. The DVD shows excellent picture quality and the sound is great -- a 10 for both! This is not a budget production, like too many of the Killer's shows in the past; first class all the way.
Jerry opens with Great Balls of Fire and it's a little shaky. Things pick up with Chantilly Lace, and End of the Road with Tom Jones. Hadacol Boogie with Buddy Guy just cooks and if I had any complaint it's that they didn't jam for another five minutes! Buddy just shreds on guitar and Jerry's piano playing is really starting to cook.
Chris Isaak and Jerry do a nice version of Over the Rainbow, which Jerry did for Electra back in the 1970s on one of his comeback trails... Chris is obviously touched at being on stage with Jerry Lee and says some very nice things about the Killer. Jerry does one of his better renditions of Rockin' My Life Away with Ron Wood soloing. The backup band is all star and they kick. Ron Wood plays rythmn and lead, as does Kenny Lovelace and Nils Lofgren. Ian Neville plays keyboards, and the drummer is hot! Jerry is startin' to really wail, and does one of the best live versions of Lewis Boogie I've heard.
There's a killer version of What'd I Say with Ivan Neville; it should have been on the album it was so good. Jerry and John Fogerty do a mid-tempo kick-up of the blues standard CC Rider. Kid Rock, who I really did not like on "The Last Man Standing" CD, really impressed me live. They did a version of Little Queenie that Chuck only wishes he could do these days... And, they cooked on Honky Tonk Women; I thought the album version was weak, but it came together live and I really enjoyed it. I'm a big Stones fan so I feel pain when someone messes up one of their classics. Even Ron Wood was taken aback!
The finale consisted of a great acoustic take on That Lucky Old Sun, a kick-out-the-jams version of Roll Over Beethoven and an amazing (Jerry Lee just kept gettin' stronger; he's the Killer, man!) version of Whole Lotta Shakin' Going on. All in all a great concert memento of one of the Top Three 1950's Greatest Rock & Rollers of all time -- the other two being Elvis and Chuck Berry. I'm glad Jerry Lee finally got some of the aclaim he's deserved for the last 50 years, while he is still alive to enjoy it! Hell, he looked ten years younger by the end of the concert --Hats off to Jerry Lee Lewis!!!
Now, maybe "The Last Man Standing" will herald a new era for Jerry Lee Lewis live recordings and we'll see more of his fabulous concerts slip out of the record company vaults -- well, we can hope!
John Carr
Great March 7, 2007
Clare (Connecticut)
21 out of 21 found this review helpful
This is a wonderful DVD. Jerry's piano playing is great, the song selections are diverse, from rock to blues to gospel. His and Kid Rock's rendition of Honky Tonk Woman is memorable. I have just one complaint. The echo is up way high on his microphone. It doesn't matter on most of the songs but on his duets with Kris Kristopherson and Merle Haggard you can hardly hear them above Jerry. However, if you go to the Bonus Features and catch his echoless microphone you will hear a great, great rendition of Goodnight Irene with Merle. Buy this DVD. You will not be disappointed.
Diamonds shine flaws and all October 7, 2006
Alexander S. Meyer (Laredo Texas)
35 out of 38 found this review helpful
This cd has a few great tunes that eclipse any defects one may hear. I don't like all the pairings, but Jerry Lees work with Jimmy Page on Led Zeps "Rock and Roll" alone makes the disc worth the price. My other favorite selections are tracks with Ringo, Buddy Guy (cooks!)and Eric Clapton. Rod Stewart and Bruce Springsteen sound awful...
I enjoy the unpretentious informal "jam session" atmosphere of the disc. It's as if the duet partners showed up on the same day and took their turns performing with Jerry Lee. Many tracks have chatter before or after the song, and this lends to my theory that making this disc was like a big party and everyone had a good time .....this feeling is conveyed in the sparkling lively performances. Regarding my remark about some of the guests sounding awful, well perhaps they were just being a little too kicked back.
I must also commend the engineer and producer who recorded these sessions..great sound!
The disc is not about perfection...it's about real music, real instruments, passion, commitment and the legacy of the killer. The energy on this disc could light up a big city ...after all these years Jeery Lee shows us he's still a great ball of fire!
If you can't git it with that one, you can't git it at all! September 28, 2006
Olaf Purkert (Frankfurt, Germany)
13 out of 13 found this review helpful
The Killer is back BIG TIME!!! For all those people who have forgotten just how great that man is - musically speaking - this cd is a really an eye-opener. Every style of music he has ever done is on it, showing his diversity, and it's all merged into Jerry Lee Lewis music through his unique persona. All the years of abuse to his body have left their traces, you can hear it on a couple of songs, but there still is that sheer manic energy on the rockers, and he clearly enjoyed himself on those sessions. He comes over very strong vocally and the piano work is just very well-dosed and right to the point perfect. The duet partners compliment the man and the music with great respect. Not a new concept, but very well produced by Jimmy Rip, this is an outstanding album and should get the Killer a good hit on the charts - some 50 years after his first.
John Cash, the other late and great survivor of Sun's Million Dollar Quartet, who had an understanding producer in his final years in Rick Rubin, put out five stunning albums of beautiful and authentic music, but has been dead a while now, and one was in wonder who could follow him. It's Jerry Lee Lewis.
Luckily somebody remembered just how he great he was and still could be and got him into the studio again. Thanks to Jimmy Rip. It took a while to get the album released, but it was worth the wait.
To use the Killer's words: "If you couldn't git it with this one, you couldn't git it at all!"
Thank you, Jerry Lee Lewis. Hope you record again soon. Stay healthy and rrrock on, Killer!
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