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| Inside Out | 
 enlarge | Artist: Emmy Rossum
Label: Geffen Records
Category: Music
List Price: $9.98
Buy Used: $1.65
You Save: $8.33 (83%)
New (40) Used (33) from $1.65
Avg. Customer Rating:  65 reviews
Sales Rank: 7606
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5
MPN: 001015702
UPC: 602517474475
EAN: 0602517474475
ASIN: B000W7Y1LK
Release Date: October 23, 2007
Availability: Usually ships in 1-2 business days
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| Tracks:
| • | Slow Me Down | | • | Inside Out | | • | Stay | | • | Falling | | • | The Great Divide | | • | Lullaby | | • | Don't Stop Now | | • | High | | • | A Million Pieces | | • | Rainy Days And Mondays | | • | Anymore |
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| Editorial Reviews:
Album Description
Emmy Rossum, the actress best known for her acting roles in `Phantom Of The Opera,' `Mystic River,' and `The Day After Tomorrow,' has her diversity validated with her release of debut album, Inside Out, Despite her being known primary as an actress, music has always played a major role in Emmy Rossum's life. When she was seven years old, she was singing with the Metropolitan Opera, and by the time she was a teenager, she had auditioned, and won, the part of Christine in the film version of `Phantom of the Opera,' for which she received a Golden Globe nomination. Rossum recorded her new music with producer Stuart Brawley, with whom she co-wrote all of the songs, and it represents a showcase for her remarkable vocal range. "I feel a real emotional connection to these songs," she says. "It's a real expression of my innermost thoughts and feelings, hence the title Inside Out." "It's about finding a respite from all the craziness," says the performer about the song. "I wanted to create a kind of music that would allow me to use my voice as an instrument. I tried to discover the boundary of the human voice.
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| Customer Reviews: Read 60 more reviews...
 Little too bland, but not bad October 29, 2007
33 out of 56 found this review helpful
Just like everyone else I didn't know what to expect from an opera singer turned actress turned singer again. This album sounds like an attempt to copy Imogene Heap mixed in with some whale sounds, unfortunately every songs sounds the same, too much breathy vocals that dissolved like silk threads without delivering a punch. The first time I heard this album was at work and once it was over my friend asked me why I was listening to an hour long song, it just sounded like a monotonous continuous same old thing...The constant stretching of her high notes, same notes I might add was just too much, after a few listens of the whole thing I concluded that I don't like this album at all and I am all for relaxing music, instead this made me more angry than at peace.
For someone with such an incredible talent and vocal range this was a rather bland album, I think Emmy spend more time trying to look like a $ex kitten for the cover than trying to make music that wasn't heard before. This is a true 3 star CD for me, I know everyone likes different things and this just doesn't wow me, just because this artist isn't a bad pop star who's always drunk and in jail or rehab, like so many these days, doesn't make her a good artist. Yeah she's wholesome but not memorable with this album but I bet her next one will be stronger, I'm looking forward to it.
- Kasia S.
 This is what I call music. October 24, 2007
20 out of 24 found this review helpful
Because I live in Brazil, it's still gonna take a lot of time until I have the physical CD in my hands. But I've downloaded the entire album here on Amazon and here's what I got to say.
These days, I find it hard, almost impossible to be honest, to discover an artist who has so much passion for their music: this love, this fire is explicit in every lyric and melody of this CD. When all we hear on the radio are frantic beats, stupid, redundant lyrics with a mediocre singer, Emmy shines through and she's here to stay.
All of the songs calmed me down and some of them touched me deeply. My favorites are "Inside Out", "Stay", "High", "Rainy Days and Mondays", "Anymore" and, clearly, the first single "Slow Me Down".
I'll ignore all of these people saying she sounds like Enya or Imogen Heap: I honestly don't care. THIS is what WE NEED in music nowadays. Weren't Britney, Christina, Fergie, Beyoncé, Gwen and many, many others inspired by Madonna? Why can't Emmy have a few similarities to other singers in her work too?
I hope Emmy goes far and continues to inspire people with her music. This is pure, dreamy, special and, at least to me, unique. Congratulations to this amazing singer and I'll be on the line waiting for the sophomore album.
Better than I expected in many ways October 31, 2007
19 out of 23 found this review helpful
Like a lot of reviewers I was intrigued by Emmy Rossum's performance in 2004's "The Phantom of the Opera" and I wanted to see how she would develop as a singer. Her debut album "Inside Out" bypasses the classical crossover genre which many would expect from her- some will probably disappointed, and draws inspiration from the likes of Imogean Heap, Enya, Sarah McLaughlin, Sarah Brightman and a host of others. Some reviews call it a "rip off" of artists like Enya and Heap, however I think that Rossum has a younger, pop-ier, less synthisized sound. Rossum wrote all the lyrics and cowrote all the music (with the exception of a cover of "Rainy Days and Mondays") and sang every vocal including all the harmonies and backing without using any synth. That definately gives the album a feeling of being truely about the artist, that few albums in the contemporary pop genre have. However it often comes off with mixed results.
The single "Slow Me Down" is a blend of 150 tracks of Rossum singing the song and harmonies. Her voice runs fast and breathless as she sings of "Rushing and racing and running in circles moving so fast I'm forgetting my purpose" and then draws out the chorus where she pleads to stop before she misses out on life. As a concept it works but in execution it feels cluttered and hard to listen to. Maybe that was the intention but I doubt this was the wisest choice of a single. The layed vocals also interfere on "Falling" a pop infused song about the heady sensation of infatuation. The technique fares better on "Stay" a song that opens with several tracks of Rossum's voice in an eerie whisper peading "hush now, close out the light, no need to speak, time will slow if we surrender..." and a new wave of vocals come in on the chorus "head rush, careful don't stop now, shiver" The vocals are arranged in waves as if a tide is coming in and receading and slowly buidling to a climax until we are given a final plea to "stay" almost like a siren's call. "Lullaby" is what the title says. Here Rossum's solitary voice sings each verse adding only a layer or two on the chorus. "Don't Stop now" features a creeping sound as Rossum sings of a lover's infidelity, and the "The Great Divide" has very simple lyrics ("Are you listening?" and "I need you now" for the most part) though it achieves an almost epic feel. At nearly seven minutes long it really divides the first and second portion of the album. The cover of "Rainy Days and Mondays" stands out by virtue of being the only cover on the album. Rossum makes it her own by recording the song itself and overlapping it with "dum, dums" that sound like raindrops plonking down. Perhaps the most notable track is the last one "Anymore", which again features solitary vocals, and instrumentals playing a childish tune as Rossum sings about her younger self wishing for her absent father to come home, realizing that he won't: "When she was younger- Stood staring at the door waiting for the day that she knew would surely come...But as time ticked away promises fade one by one and now she's all grown...". Many reviews have noted that Rossum's CD cover suggest nudity (and for the record all it does is suggest it) Yes, she's not dressed in the pictures, but they aren't about her body by any means. Perhaps it was intended as a metaphor for the way she strips herself bare on these songs, singing about her own (sometimes painful) experiences.
On one hand I commend Rossum for trying something different, and taking an active role in the creation of these songs. However, it sometimes seems that in the process she forgets that she as a lovely voice with a warm, dark timbre. The best moments on this album are when she allows her voice to be as bare as the rest of her. While I'm glad Rossum didn't take a "look what I can do" approach to her songs, singing as high as she can, I wish she'd shown us a bit more of what she sounds like. The layered vocals provide a lush tapestry on songs like "Stay" they threaten to overwhelm songs like "Inside Out" that would benefit from a more acoustic sound. Also while Rossum doesn't use synthesizers the effect of multiple vocal tracks often sounds like that of a synthesizer and using it on too many songs makes the album start to feel a bit repetitive.
Overall I give this album 4 stars for it's lyrics, and some lovely songs that reveal Rossum as a dreamer, a romantic, and an awkward kid (some of the album's charm lies in it's awkwardness- while it aspires to adult contemporary genre some of the lyrics give away the fact that Rossum is barely out of her teens). It loses a star for being overproduced on some songs and obscuring the vocals. I do think it's worth checking out despite it's faults and I'm interested to see what musical directions Rossum head in the future.
 This is quite a disappointment. October 23, 2007
13 out of 31 found this review helpful
Emmy Rossum's debut CD is nothing anyone expected, and while that's not necessarily a bad thing, to me, it really fell short.
She has declared herself original by using voice-layering all over the place and synth-pop backgrounds. She apparently failed to realize that she comes off sounding like a lesser clone of Imogen Heap and Enya.
The reason this is such a disappointment is that there is no doubt that Ms. Rossum can really sing, but she doesn't even try here. She has declared that she tried to find the boundaries of the human voice, but she really did very little with her range here and did nothing to display the power behind her voice. It all sounds extremely computerized; there's nothing natural or extraordinary about it. I hope she tries something more suited to her voice next time.
If you are a fan of Enya or Imogen, you may very well like this, though I'm certain you'll find it lesser than either of those two. If you haven't heard them before, it may appear original to you.
Fabulous Debut October 24, 2007
13 out of 15 found this review helpful
I first saw Emmy Rossum, as most people did, in 'Phantom of the Opera.' I was stunned by her voice in Phantom and thought she did an amazing job. Afterwards, I looked up everything I could find about her. I saw many of her movies including 'Songcatcher' where she sang country/Scotch-Irish ballads and 'Nola' where she sings pop songs. The diverseness of her voice is just simply amazing. And this is just another genre that Emmy has proven she can do.
Many have likened this to Imogen Heap/Frou Frou and Enya, and I agree there are similarities, but this is still uniquely Emmy.
Emmy said that with this album she wanted to bare herself, hence the title 'Inside Out'. And unlike many pop singers out there today, Emmy co-wrote every song on this album with the exception of Rainy Days and Mondays, which is very impressive.
My favorite tracks on this album are 'Lullaby' which is just a very soothing song- a grown up lullaby, 'Anymore'- where sings about how it felt to grow up without a father, and 'Don't Stop Now'- where she sings about catching her first boyfriend cheating on her. And her cover of 'Rainy Days and Mondays' is fantastic. The way she uses her voice in that song with these 'do do dos' you can almost feel the rain. And in every song she sings on this album you can feel the emotion she put into it. All in all a fantastic debut! Brava Emmy!
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