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    12 Songs

    12 Songs
    Artist: Randy Newman
    Label: Reprise / Wea
    Category: Music

    List Price: $9.98
    Buy New: $6.94
    You Save: $3.04 (30%)



    New (22) Used (10) from $4.72

    Rating: 4.0 out of 5 stars 9 reviews
    Sales Rank: 6359

    Media: Audio CD
    Discs: 1
    Shipping Weight (lbs): 0.2
    Dimensions (in): 5.6 x 5 x 0.5

    MPN: 6373
    UPC: 075992744928
    EAN: 0075992744928
    ASIN: B000002KOP

    Release Date: October 25, 1990
    Availability: Usually ships in 1-2 business days

    Tracks:

      • Have You Seen My Baby?
      • Let's Burn Down the Cornfield
      • Mama Told Me (Not to Come)
      • Suzanne
      • Lover's Prayer
      • Lucinda
      • Underneath the Harlem Moon - Randy Newman, Botnick, Douglas
      • Yellow Man
      • Old Kentucky Home
      • Rosemary
      • If You Need Oil
      • Uncle Bob's Midnight Blues

    Similar Items:

      • Sail Away
      • Randy Newman Creates Something New Under the Sun
      • Harps & Angels
      • Good Old Boys (Bonus CD) (Dlx)
      • Little Criminals

    Editorial Reviews:

    Amazon.com essential recording
    With 1970's 12 Songs, Randy Newman eschewed the string-driven expanse of its self-titled predecessor for unorchestrated solo and rock quartet arrangements (Ry Cooder, Clarence White of the Byrds, and Jim Gordon of Derek and the Dominos are among the sidemen). If anything, the lyrical perspective on these songs is stranger (and certainly more paranoid) than on any other collection the singer/songwriter has ever done. "Let's Burn Down the Cornfield" explores arson as an aphrodisiac. In "Lucinda" the narrator pleads in vain for his California golden girl ("in her graduation gown") to get out of the way of a beach-cleaning vehicle. "Uncle Bob's Midnight Blues" is a free-associating shuffle that manages to evoke Bing Crosby, Sonny Boy Williamson, and the Rolling Stones for no logical reason. 12 Songs sold nearly as pitifully as Randy Newman, but one of its tracks--"Mama Told Me Not to Come"--lined Newman's pockets when it became a No. 1 hit for Three Dog Night in the summer of 1970. --Steven Stolder


    Customer Reviews:   Read 4 more reviews...

    5 out of 5 stars Newman breaks out...   January 12, 2003
    ewomack (MN USA)
    16 out of 16 found this review helpful

    This album has none of the insecurity of Newman's first release "Randy Newman." On that album, Newman relied heavily on walls of orchestra for backing. On this album, Newman abandons the orchestra almost with a vengence. This album is made up mostly of songs with a small band. There is heavy slide guitar on some tracks thanks to Ry Cooder, and some of Newman's best songs are here.

    The obvious one is "Mama Told Me Not To Come" which Three Dog Night took to the top of the charts. The version on "12 Songs" is vastly superior, and considering that song's success it's surprising that more people didn't seek this album out at the time. Sales were poor in general.

    "Old Kentucky Home" is one of Newman's best and funniest songs. It also is a harbinger for a future project of Newman's: the American South (he would deal with this topic 2 albums later).

    When introducing "Yellow Man" on "Randy Newman Live", Newman describes the song as "a pinhead's view of China." It is just that. This is Newman's first foray into the world of singing about racial sterotypes - references to rice and excessive frugality abound. It is an easily misunderstood song, and similar in theme to some songs that would get him in trouble years later. It's not as outright offensive as some of his later treamtments of racism, so it's harder to catch the joke.

    Newman also takes on a rare cover: "Underneath the Harlem Moon." This song also includes at least one racial slur, and the lyrics are strangely absent from the CD booklet. With Newman singing - knowing what we know now - the song takes on an ironic twist. His method of not being afraid of racial sterotypes and parodying them in a subtle way, makes Newman a pioneer in getting these words and feelings into popular culture and thus into popular conscience. Rather than sweep them under the carpet in an "everything's ok" move, he faces them outright, puts them on the table and lets the listener come to their own conclusions. This method would reach its peak on "Good Old Boys" a few years later. "12 Songs" has a taste of what's to come.

    Newman's voice is confident and pronounced on this album. His piano, sorely lacking on his first album, pounds wonderfully in the mix. "12 Songs" is well produced, well paced, and brilliantly written. It's no mystery why it makes so many "Best albums of all time" lists.


    5 out of 5 stars An extraordinary album that is blessedly short,   October 2, 1999
    15 out of 16 found this review helpful

    allowing you to play it more often. And you need to play it often because these songs are, simply, extremely complicated. Arsonist, stalker, lonely misogynist, well-meaning racist, self-involved redneck and huckster salesman are just the most obvious of Newman's many personas. The greatness is not that we come to understand these fringe voices, or even that they are granted their say, but that we are hard-pressed to recognize them at first glance. And even after we know exactly who it is we are looking at, we still find ourselves charmed. Beautiful music and ugly folk.


    1 out of 5 stars DO NOT BUY IF PLANNING TO PLAY ON PC   November 30, 2005
    BuyerLSD (edinburgh)
    14 out of 30 found this review helpful

    This is a copy of the review on Amazon.com for Van Zant's Get Right With The Man which is another Sony corrupted title.

    "This CD secretly installs DRM (digital rights management) software on your PC without your permission. Not only does it do this, but the software then hides itself by installing as a "root kit."

    As per WikiPedia,

    --
    Root kit
    From Wikipedia, the free encyclopedia.
    A root kit is a set of tools used by an intruder after cracking a computer system. These tools can help the attacker maintain his or her access to the system and use it for malicious purposes. Root kits are known to exist for a variety of operating systems such as Linux, Solaris and versions of Microsoft Windows.

    A rootkit typically hides logins, processes, files, and logs and may include software to intercept data from terminals, network connections, and the keyboard. In many sources, rootkits are counted as trojan horses.
    --

    In this instance, Sony installs DRM software to copy protect their CD, and prevent it from being copied to various devices, all the while not telling you, the user, or letting you uninstall it because it hides itself from the user and Windows. Manually trying to uninstall it like some people have done, results in their CD-Rom drives disappearing entirely from Windows, as Sony installs their own custom CD-Rom drivers onto the system.

    DO NOT SUPPORT THIS WRECKLESS KIND OF COPY PROTECTION. SHOW THE MUSIC BUSINESS THIS IS *YOUR* MUSIC. *YOU* PURCHASED IT, AND THEY SHOULD *NOT* BE ABLE TO DICTATE HOW YOU CAN USE IT.

    Do not buy this CD. "

    A list of affected titles can be found here:

    http://www.eff.org/deeplinks/archives/004144.php

    And another part of an Amazon.com review for the Van Zant CD

    "Amazon rocks. They pulled they infected CD's from sale and allowed these reviews that tell of the problems. Shame on Sony they not only messed with the consumers but also the artists."

    Trey Anastasio, Shine (Columbia)
    Celine Dion, On ne Change Pas (Epic)
    Neil Diamond, 12 Songs (Columbia)
    Our Lady Peace, Healthy in Paranoid Times (Columbia)
    Chris Botti, To Love Again (Columbia)
    Van Zant, Get Right with the Man (Columbia)
    Switchfoot, Nothing is Sound (Columbia)
    The Coral, The Invisible Invasion (Columbia)
    Acceptance, Phantoms (Columbia)
    Susie Suh, Susie Suh (Epic)
    Amerie, Touch (Columbia)
    Life of Agony, Broken Valley (Epic)
    Horace Silver Quintet, Silver's Blue (Epic Legacy)
    Gerry Mulligan, Jeru (Columbia Legacy)
    Dexter Gordon, Manhattan Symphonie (Columbia Legacy)
    The Bad Plus, Suspicious Activity (Columbia)
    The Dead 60s, The Dead 60s (Epic)
    Dion, The Essential Dion (Columbia Legacy)
    Natasha Bedingfield, Unwritten (Epic)
    Ricky Martin, Life (Columbia) (labeled as XCP, but, oddly, our disc had no protection)



    5 out of 5 stars No sex, but drugs and rock and roll   November 8, 2002
    Tom Tuerff (That there Phoenix place)
    12 out of 12 found this review helpful

    This may be one of the most brilliant albums ever made, and when you consider that Randy Newman was, at the time, so strung out on one addictive substance or another that he has since admitted he has no recollection of MAKING this album, it's probably not the best thing to play for your kids if you're trying to talk them out of using drugs!

    Indeed, I once saw Newman in concert and when somebody called out for "Uncle Bob's Midnight Blues," the strange, paranoid rant at the end of this album, Newman laughed and said, "No, I don't do that one ever since I quit taking drugs."

    That said, the songs on this album will burn a hole in your soul with their ascerbic wit. "Let's Burn Down the Cornfield" is a favorite with me, as is the song about poor old "Lucinda," and then there's "Suzanne," "Have you seen my baby," and gee, just the WHOLE THING is wonderful. Highly, enthusiastically recommended...


    5 out of 5 stars Short but sweet   March 11, 2000
    Leighton Palmer (Cardiff ,South Wales)
    11 out of 11 found this review helpful

    This is such a great record by a criminally overlooked artist, not a weak track in sight and improves with every listen, what more can you want out of one record?


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