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    Funkentelechy Vs. the Placebo Syndrome

    Funkentelechy Vs. the Placebo Syndrome
    Artist: Parliament
    Label: Island / Mercury
    Category: Music

    List Price: $9.98
    Buy New: $4.18
    You Save: $5.80 (58%)



    New (33) Used (17) Collectible (1) from $4.18

    Rating: 5.0 out of 5 stars 49 reviews
    Sales Rank: 6256

    Media: Audio CD
    Discs: 1
    Shipping Weight (lbs): 0.2
    Dimensions (in): 5.6 x 5 x 0.5

    MPN: 824501
    UPC: 042282450128
    EAN: 0042282450128
    ASIN: B000001FCK

    Release Date: February 21, 1990
    Availability: Usually ships in 1-2 business days

    Tracks:

      • Bop Gun (Endangered Species)
      • Sir Nose d'Voidoffunk
      • Wizard of Finance
      • Funkentelechy - Parliament, Clinton, George
      • Placebo Syndrome
      • Flash Light

    Similar Items:

      • Mothership Connection
      • The Clones of Dr. Funkenstein
      • Motor Booty Affair
      • Chocolate City
      • Gloryhallastoopid

    Editorial Reviews:

    Amazon.com essential recording
    On this follow-up to Mothership Connection, George Clinton uncharacteristically sticks to the same funk-disco formula. Unlike most sequels, however, this 1977 work is nearly as compelling as the original. Check your brain at the door while Clinton feeds you infectious dance rhythms and irreverent lyrics that fuse anthemic chants with bizarre fairy tales and stream-of-consciousness ramblings. On "Wizard of Finance," Parliament returns to melodic 1960s soul while Clinton's hysterical lyrics are backed by soulful doowop-style vocals. "Flash Light" became a huge dance-floor hit but actually pales in comparison to the rest of the grooves. With talents including Bernie Worrell, Maceo Parker, and Fred Wesley on board, it's no wonder the profunk forces defeat the antifunk contingent. --Marc Greilsamer


    Customer Reviews:   Read 44 more reviews...

    5 out of 5 stars This is the one that got me   February 15, 2006
    Patrick R. Walz (Wuerzburg, Germany)
    10 out of 10 found this review helpful

    In 1983, at 11 years old, music was already a major part of my life. In Jr. High School everyone was either listening to Culture Club, Huey Lewis, or Lionel Richie, while I was in the dusty stacks pulling stuff like U-Roy, Fatback Band and Trouble Funk from my childhood Mecca, the KLAATU record shop in Heidelberg, Germany.

    Then one day at the Library (of all places), I uncovered the craziest album I'd ever seen or heard; whacked-out pimpadelic alien motherfletchers brandishing Bop Guns at Sir Nose (D'Void of Funk? What the Fu-?). Man, I had no idea I was about to be recruited to be a soldier in the Army for Uncle Jam.

    But there it was, from the massive horns, to the heart puncturing bass, building up and breaking down all the preconcieved notions I had about music. Now, 23-years later, we all know that this is one of the definitive dance records, so I won't even bother to go into tracks like Bop-Gun and Flashlight, because if you're here looking this album up, you've probably already heard those tracks. "Wizard of Finance", my second favorite track, feels like it jumped over from a Funkadelic album, and no matter where you are, or what you're doing, you MUST sing along when it comes on.

    But, through all the dance-able tracks, the one that really got me was that swampy groove of "Placebo Syndrome". This, to me, was the hamhock in my cornflakes. This was the template that I would later require of all my "lay-back, smoke-some-sheeba and ut-the-headphones-on-ten" jams like Bootsy's "Sacred Flower" & "I'd Rather Be With You", or Funkadelic's "I'll Stay" and "Maggot Brain". The sweet Parlet harmony crossed with the rasp of Gary and that Synth whine still strikes a chord with me.

    So there you have it, when it comes to the party, there is none better, but when the party's over, and your girl's passed out next to you, put on the phones and groove to Placebo one last time before drifting off to visit the Mother Ship.



    5 out of 5 stars Funkentelechy Vs. the Placebo Syndrome   June 4, 2004
    Robert Jones (st. louis, mo. usa)
    8 out of 9 found this review helpful

    Whom but this band could play R & B, Funk, Rock & Roll and Disco and chart hits? Folks, this played whatever they wanted, whenever they wanted? How many bands have done that? The Beatles, The Who, Lead Zep? I think not!

    My friends, sometimes music should be made without the hassles associated with acceptance. Artists should create work that stretches the boundaries of the imagination. This is good for all involved. When you listen to a Parliament record, you are hearing a profound music lesson. With that said: Go listen and learn.

    Robert (Lover Of Music)


    5 out of 5 stars This Album Completely Blew Me Away   January 1, 2001
    M. Scagnelli (Brandon, Florida)
    7 out of 7 found this review helpful

    I have owned Parliament's Mothership Connection for a long time. I have always said that it was the greatest funk album of all time. When I got Funkentelechy, I was truly blown away. This album is so good, that I think it actually passes Mothership Connecetion as the ultimate Funk album and Parliament's best album. Flashlight is really a great song, but my favorite on the album is the incredible Bob Gun. All the songs are great and pure funk. Get this album.


    5 out of 5 stars Radio listeners, take NOTE!   January 18, 2003
    Reginald D. Garrard (Camilla, GA USA)
    7 out of 8 found this review helpful

    Parliament did more with less than fifty minutes than most of today's current crop of stars with their overproduced, vocally enhanced, overstuffed-at-70-minutes releases.

    "Bop Gun" and "Flashlight" are TRUE classics.


    5 out of 5 stars More Funk Magic   March 20, 2006
    littlewing (Mumbai India)
    7 out of 7 found this review helpful

    Parliament's superlative follow up to The Mothership Connection.

    The finest blend of funk, rock & dance music, at a time when James Brown was going through a dry period and Sly had pimped himself out.

    Clinton, Collins, Worrell & Co. were truly unsung magicians, who deserved a lot more publicity then they received through their career. They are hardly known outside the US, UK and Australia. Yet they are probably the biggest influence on rap and hip-hop music.



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