Bizet - Carmen | 
| Director: Francesca Zambello
Actors: Anna Caterina Antonacci, Jonas Kaufmann, Ildebrando D'arcangelo, Norah Amsellem, Antonio Pappano
Studio: Decca
Category: DVD
List Price: $29.98
Buy New: $18.94
You Save: $11.04 (37%)
New (8) Used (3) from $18.94
Rating:  8 reviews
Sales Rank: 15405
Format: Ac-3, Classical, Color, Dolby, Dts Surround Sound, Dvd-video, Subtitled, Widescreen, Ntsc
Languages: English (Original Language), Chinese (Subtitled), English (Subtitled), French (Subtitled), German (Subtitled), Spanish (Subtitled)
Rating: Unrated
Region: 0
Discs: 1
Aspect Ratio: 1.77:1
Number Of Discs: 1
Running Time: 152 Minutes
Shipping Weight (lbs): 0.4
Dimensions (in): 7.5 x 5.3 x 0.7
UPC: 044007433126
EAN: 0044007433126
ASIN: B001BWQVW2
Theatrical Release Date: 2008
Release Date: October 28, 2008
Availability: Usually ships in 1-2 business days
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Description
Jonas Kaufmann and Anna Caterina Antonacci bring rare erotic intensity to the drama of Don José and Carmen in this darkly passionate reading of one of the most popular operas. Kaufmann uses his burnished tenor and smouldering good looks to portray the man undone by Carmen's love. As the object of his desire, Antonacci gives a physical and compelling performance.
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| Customer Reviews: Read 3 more reviews...
 This Carmen Trumps All October 30, 2008
David D. Dollinger (Pasadena, CA)
18 out of 18 found this review helpful
I had great expectations for this DVD. First reviews were very good; secondly the cast promised great things on paper. For once it isn't necessary to hedge, qualify or equivocate in reviewing a DVD. I know the opera is called Carmen and Antonacci is wonderful, sexy vital and sings quite beautifully. My greatest enthusiasm. however, must go to Jonas Kaufmann's Don Jose. Quite simply it is the best sung and acted Jose I have ever seen or heard. Kaufmann clearly has thought about the character and the music as so much intelligence has gone into the creation we see on stage that I simply can't see it being bettered. Here is a tenor with brains, imagination and the intelligence to see light and shade in Jose's music. Most tenors go at full throttle, screaming out high notes and generally think that Jose is a verismo tenor. Well, he isn't; he is a complex conflicted man and Kaufmann brings this all to the character. The imagination he brings to the Flower Song is even better than Gedda's first go around with the role with Beecham conducting; by the time he recorded it a second time he was content to play the "tenor" to his Carmencita, Maria, content with going for volumn alone.
The remainder of the cast is more than first rate, with a fine Michaela from Norah Ansellem and Ildebrando D'arcangelo a properly arrogant Escamillo. Pappano provided wonderful support with the ROH playing beautifully.
The edition used was Oeser which has been savaged by music scholars and critics. I am not a scholar and will make no pretense at being one. But I was thrilled that much of the dialogue was returned and the dreadful recits which are dull musically discarded. And even though the cast had only one native French speaker (I have been told that Ansellelm is French) great effort has been made on the part of the artists to speak the language as very recognizable French. The old French Columbia set which appeared around 1950 established a document that showed how the French would perform Carmen. It wasn't just that the singing was good, but authentic, a groups of singers of a school of singing and acting that no longer exists today. This performance comes closer to that ideal than any I have heard or seen.
Fantastic Carmen October 13, 2008
Marcela Benesova (Czech Republic)
11 out of 13 found this review helpful
I am pleased that I could have seen this superb production. Chemistry between Carmen and Don José works at 100 %. And especially I must compliment performance of Jonas Kaufmann as Don José. He to perfection included the whole psychology of Don José - from amorousness and apprehension to jealousy and madness. I recommend this great DVD.
My Favorite CARMEN! October 29, 2008
ravennamoon (Naples, Italy)
11 out of 12 found this review helpful
Anna Caterina Antonacci is my favorite "Carmen" yet! She is a fabulous
singer and a an excellent actress as well. She also has the looks for
a truly believable Carmen. Jonas Kaufman, as Don Jose, is excellent.
This is my first introduction to his work, and he has a wonderful rich
voice. I never thought anyone could equal Samuel Ramey as the matador
Escamillo, but Ildebrando D'Arcangelo does! He plays the part with relish,
and I love his strong beautiful voice. I like the matador moves he displays in the choreography for his introductory "Toreador" song. This
opera is great fun. I own two other very good "Carmen" dvd's. One is the
Agnes Baltsa, Carreras and Ramey version and the other is the relatively
recent Carmen that was filmed in Verona with Marina Domashenko and Marco
Berti. This new one, starring Antonacci and Kaufman, is my favorite of the
three. Everything is perfect! It is so much fun to watch and listen to!
Highly recommended!
 A ONE STAR PERFORMANCE November 10, 2008
Charles D. novak (minneapolis, minnesota USA)
4 out of 20 found this review helpful
What a budget production! I've seen better scenery at high school musicals. Anna Antonacci brings nothing new or exciting to the roll of Carmen. Idebrando d'Arcagnelo as Escamillo has no business singing this roll in a major house like the Royal Opera. Norah Amsellem is very good as Michaela but try counting the number of times conductor Antonio Pappano can't keep his orchestra in sync with the singers on the stage. If you're going to buy this DVD it will have to be for the great singing and acting of Jonas Kaufmann. What an operatic future this young man has!
For Don Jose, a real breakthrough. November 24, 2008
Abel (Hong Kong)
1 out of 1 found this review helpful
This production in a way is a major breakthrough for the male protagonist - Don Jose.
Soprano Anna Caterina Antonacci is a very competent Carmen - in fact, in terms of acting, among the best available.
Other supporting roles like Escamillo and Micaela, however, are not much of a big deal by comparison.
So you would see that this production is unconventional in the sense that the star of the show shifts to Don Jose. And luckily his Carmen is both vocally and dramatically competent as his big 'supporting role'.
This is not a bad idea, either. If hitherto nobody holds much interest or pays much sympathy to this 'mama boy' Jose in Bizet's Carmen, Jonas Kaufmann managed to turn the tables around thoroughly.
His Don Jose is real human flesh and blood. Watch Jose's emotional evolution as the drama unfolds is thrilling experience. Even if Kaufmann has sung better versions of the Flower aria elsewhere, his performance here still steals the show as no Joses did before. And Herr Kaufmann rightfully claims the title of being the Mr. Acrobat of operas, the successor to Cesare Siepi who leaped over 15 feet on stage as Don Giovanni under the baton of Furtwangler at Salzburg more than half a century ago.
One question emerges, though - why the heck does Carmencita forsake Don Jose for the lacklustre Escamillo?
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