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Evita (Original London Cast) | 
| Artist: Tim Rice Creators: Andrew Lloyd Webber, Elaine Paige, Joss Ackland, Siobhán Mccarthy Label: Mca UK Category: Music
List Price: $26.98 Buy New: $16.09 You Save: $10.89 (40%)
New (12) Used (5) from $12.59
Rating: 23 reviews Sales Rank: 72983
Format: Cast Recording Media: Audio CD Discs: 1 Shipping Weight (lbs): 0.2 Dimensions (in): 5.6 x 5 x 0.5
EAN: 5011781352726 ASIN: B00000B9FS
Release Date: August 19, 1998 Availability: Usually ships in 1-2 business days
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| Tracks:
| • | Requiem for Evita | | • | Oh What A Circus | | • | On This Night of a Thousand Stars | | • | Buenos Aires | | • | Goodnight And Thank You | | • | I'd Be Surprisingly Good For You | | • | Another Suitcase In Another Hall | | • | A New Argentina | | • | Don't Cry For Me Argentina | | • | High Flying Adored | | • | Rainbow High | | • | And The Money Keeps Rolling In (And Out) | | • | Waltz For Eva And Che | | • | She is a Diamond | | • | Lament |
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| Editorial Reviews:
Album Details Original London Cast of Andrew Lloyd Webber's Evita.
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| Customer Reviews: Read 18 more reviews...
Brillant recording July 2, 2004 ZenPenguin (Los Angeles) 15 out of 15 found this review helpful
The thing about ''Evita'' is that it is such a remarkable musical that the different interpretations are each worthy of owning and enjoying, much like listening to different interpretations of Bach or Mozart. The largest negative about this recording is that it's incomplete (which is hardly a negative: ''The worst thing about the London Cast recording is that there isn't more...''). Elaine Paige is stunning, and her performance alone is worth the money. Her vocal range, power, emotion, and expression are awe-inspiring, and the recording seems tailored to complement her performance. The orchestration is light and subtle, most likely to show off the powerful vocals. David Essex as ''Che'' continues to grow on me (my first impression were not all that favorable) and Joss Ackland is superb. The more I listen to this recording, the more it becomes my overall favorite by far. The Broadway Cast double album is essential if you want the complete musical and to understand the story, and the production is marked by full orchestration and very large cast. The concept album has its pluses and unique characteristics, but in terms of overall performance I feel the London cast does a better job vocally (especially Elaine) and the Broadway cast is a fuller production. I would probably recommend the Broadway album as a first choice, simply to get the full musical and to listen to a very large production of this incredible work. However, for subtlety, grace, and outstanding performances, the London Cast highlight album stands ahead of all the rest.
Definitive Evita performances mark highlight album September 26, 2000 11 out of 11 found this review helpful
I was fortunate enough to have seen the original Evita at the Prince Edward Theatre in London with 2/3 of the cast recorded on this album (Gary Bond had replaced David Essex) in 1979 and was so impressed that immediately after I went searching for the nearest music store to purchase the record. My only regret is that Webber and Rice did not record the entire performance for posterity, as Elaine Paige is THE definitive Evita (what a shame she was not allowed to recreate her wonderfully passionate and totally involving performance on Broadway-she was not considered a major star by Equity at the time-and had to wait until Sunset Boulevard to show American audiences how she can interpret a diva role!) Even without the benefit of the visual, Elaine emerges on this album as a brilliant interpreter of this difficult and demanding role, with her unique and powerful voice capturing every nuance and every emotion with clarity, fire, and authenticity. She soars as the rural girl with stardust dreams in "Buenos Aires;" evinces a knowing tongue-in-cheek attitude on "Goodbye and Thank You" and "I'd Be Surprisingly Good for You;" mesmerizes not only the Argentines with her rendition of "Don't Cry for Me, Argentina;" spews fiery, determined ambition and scathing viterbation on "A New Argentina" and "Rainbow High;" yet she can be convincingly vulnerable and tragic in the quieter moments ("Oh, what I'd give for a hundred years)-and her "Final Broadcast" on stage was incredible! Joss Ackland as slickly ambitious but lazy and indecisive Peron (primarily a non-musical actor) and David Essex as the sarcastic, antagonistic Che also turn in fine performances (although some may prefer the Mandy Patinkin interpretation of Che) reprising their stage roles, as does Barbara Dickson as Peron's Mistress (listen to the London recording of Chess for an exceptional duet between Paige and Dickson on "I Know Him So Well"). If you've only heard Paige perform "Don't Cry for Me, Argentina" on the Encore album (which was well done but was more concert-driven than performance-oriented) or if you've only heard the "White/Black" concept album or the "Red/Black/White" American cast album, do yourself a favor and get this CD-- the "Silver/Black/White" London Cast highlight album is pure gold!
An "Evita" with both bite and tenderness July 13, 2001 Michael J. Mazza (Pittsburgh, PA USA) 10 out of 10 found this review helpful
"Evita," the pop opera with lyrics by Tim Rice and music by Andrew Lloyd Webber, has been released on CD in a number of versions. This CD is the London stage cast, with Elaine Paige in the title role and David Essex as Che. The cast does a superb job with this powerful material."Evita" tells the story of Eva Peron, who was First Lady of Argentina during the presidency of her husband, Juan Peron. This is a classic story of ambition, resentment, and political upheaval, and Evita is one of musical theater's most fascinating characters. Paige is an excellent Evita. Her performance is sweet at times, and on some songs her voice has a real bite. I was particularly impressed by her rendition of "Buenos Aires": her Evita sounds both seductive and dangerous. Essex is an excellent foil for Paige; the character's anger and satiric perspective are nicely complemented by Essex's slightly rough voice. The supporting performers also shine. I especially liked Joss Ackland's tender version of "She Is a Diamond." Unfortunately, this disc contains only excerpts from this production, and appears to be missing material that is found on other versions. Nevertheless, the power of this cast makes this "Evita" an essential disc.
Elaine Paige is THE Evita February 25, 2004 John R. Bainton (Liverpool, UK) 9 out of 10 found this review helpful
My mother would always play the cassette tape of this Evita recording on car journeys. We'd sing along...it was one of the very first shows I heard. When the Madonna version was released on CD, I bought it and that became my Evita of choice...I bought this the other day, and haven't stopped listening since. Elaine Paige brings more to the central character than any other actress has since. I fear that people will be subjected to Madonna's insipid and anaemic interpretation of the role in buying the movie version. This version is far superior. The only downside to this recording is that it is a CD of show 'highlights', so you'd be lacking some parts of the show. In that case you may choose the Patti LuPone recording, for it represents the show in its entirety. Although LuPone is an improvement on Madonna's performance, her overwrought shouting does detract from the melodic pathos of some of the songs. Simply put, Elaine Paige is the perfect Eva Peron. She manages to portray Eva's anger, passion and ruthlessness perfectly.The Original Concept Album (with Julie Covington and Colm Wilkinson - who defined Jean Valjean in Les Miserables) is accompanied by a much larger orchestra, something you may wish to consider when deciding a purchase. Also, the movie version does seem to pack more of a punch production-wise. David Essex has the perfect tone for the character of Che, although I feel his rendition of 'Oh What A Circus' lacks a little kick. Joss Ackland is neccessarily louche as 'Peron', sounding positively creepy at times. Basically, if you're looking for the definitive recording of the definitive Evita, this is it. If you're after a little more of a polished production (at the expense of performance), choose the movie version or the LuPone version. For me however, there is only one Evita. Elaine Paige.
Still the best version available! July 14, 2001 George A. Hawthorn (Oahu, Hawaii, USA) 8 out of 9 found this review helpful
I saw "Evita" twice in London in the early '80's but sadly the original London cast had long gone. I bought the vinyl version after seeing "Evita" for the first time and now, more than twenty years later I still love to listen to it. There's something special about the simplicity of this recording. It's kind of like "La Femme Nikita" or "Cyrano de Bergerac" before Hollywood got hold of them. Elaine Page and David Essex are outstanding and I wish I could have seen them on stage. I've tried to listen to other versions but for me they don't even come close. As an aside, "Don't Cry For Me Argentina" was the "big hit" but I've always felt that it's by no means the best song in the musical. Rainbow High is my favorite. For readers in the UK, I apologize for my American spelling but 13 years of living in the US has had an effect.
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